Author Archives: chenyizh

Deceiving Yourself 掩耳盗铃

Background: My friend and I were talking about how different countries cope with the pandemic. We found that a few politicians around the world didn’t take the coronavirus seriously enough at first and pretended that it was only a small problem. My friend described them as “掩耳盗铃”.

Main piece:

掩耳盗铃

Pinyin: yan er dao ling

Transliteration: Cover your ears and steal the doorbell.

Informant’s explanation of the phrase: 

I think it came from a story. Well I’m not sure if it really happened, probably just a fable. A thief went to another person’s place because he wants their doorbell somehow. He tries to steal it, but he realized the doorbell would ring! So his genius solution is to cover his ears and then steal the bell. His logic is like he wouldn’t hear a sound, so other people won’t either. This dumbass got caught of course.

Context: As it was used by the informant in describing politicians who refused to take action, the proverb is used with irony to describe people who clearly understand what they do is wrong but still carry on with self-deception. 

Analysis: This particular form of proverb, 成语 (cheng yu), is very similar to another form of Chinese folk speech, the enigmatic folk similes. Both contain double meanings, with one layer of superficial storyline and a deeper connotation of advise, mockery, or knowledge. The difference, however, is that cheng yu often adhere to a uniform form of strictly four characters. While cheng yu are also proverbs that illustrate folk wisdom, in most cases the user must be familiar with the legend or history they allude to in order to use them in common speech. Cheng Yu thus becomes an identity marker. They reflect the culture, values, and identity of their “folk”, as well as a bigger reservoir of folklores that provide them with derivative connotations.

For a different version of this proverb, see

郑荣萍. “掩耳盗铃.” 中学生英语：少儿双语画刊 5 (2012): 13–13. Print.

Ghost Story in Primary School

Background: The interviewer and the informant went to the same primary school together in Qingdao, China. Interview asks the informant to retell a horror story that was very popular in their primary school. 

Informant: So next to the gate there was this statue of a woman, she’s playing a harp. And a long time ago there was this girl who stayed in school for longer than usual, cuz you know, she was on duty to clean the common areas in the hall. She was about to leave and she’s the only one left, and when she passed by that statue, she saw the statue woman blink. Then all of a sudden she really wanted to pee, so she went back into the building, to pee of course. Ok she didn’t go into the building, she went to that small restroom near the playground, you know where that is. She got in there, saw a janitor, and that person was wearing a hat and cleaning the floor. She didn’t bother and went in to pee. Then when she’s finished, she couldn’t get out! There was an air wall that blocked her way. Then… she never got out.

Context: This story was really popular in this particular primary school. Almost every student who went there has heard of the story. The interviewer and the informant first heard of the story when they were in second or third grade. Some people heard it from their classmates, and a few heard it from the older fifth and sixth graders. 

Analysis: The statue mentioned in the story was situated near the school gate and near a small school garden. There is a very shallow pool in the garden, and first and second graders are usually prohibited from going into the garden. I think this story serves as a cautionary tale masked with a mysterious, horror element. The physical location of the statue is at a liminal point—beyond the statue is prohibited and possibly dangerous. The girl in the story is in danger when she sees the statue, and when the impact of this terror is translated into real life, young school kids may be deterred by the statue and areas around it. This explains why the story was popular especially among younger kids. For the fifth and sixth graders, the garden and the school gate are no longer dangerous to them. The mystery and threats in the garden lose their attractions, and subsequently the tale is no longer scary. 

Chinese High School Military Training

Context: All across China students join a mandatory military training for two weeks to a month before officially entering a public high school. The training usually takes place in the school. Students live in their dormitories together, and parents are not allowed to visit. Trainings are conducted by soldiers and head teachers. 30 to 50 students in the same class are trained together to learn basic marching techniques and military formalities. Trainings also include disciplinary housekeeping, for instance, military standards for making the bed are enforced. However, actual combat techniques are not taught.

The interviewer and the informant went to two different high schools in Qingdao, China.

Interviewer: Did you guys sing or chant during the military training?

Informant: Yeah, yeah, that was probably the only fun thing during the two weeks. It was kinda intense though.

Interviewer: Yeah, I’m wondering if it’s the same for your school.

Informant: Did you do the 1234567 one? hahaha that’s the only one I remember. I feel like they’re all the same no matter which school you go to…because the officers are all from the same troop hahaha.

Interviewer: Yeah that’s the one! Can you do it for me? Was it between two groups of students?

Informant: Yeah, yeah, but I think you do it with the officer, it’s like a “imaginary enemy” situation. So the officer yells things at you, the goal is to get you excited, then you guys [the students] yell back at him.

Interviewer: So you yell back at the officer, but you’re actually talking shit to another groups of people that are not there?

Informant: Yep. It’s basically shit talking. It’s called “pull the song” (拉歌，la ge), but it’s actually not a song. ok, here we go.

original script: 

officer: 对面唱得好不好？students: 好!

officer: 再来一个要不要？students: 要！

officer: 让你唱！ students: 你就唱！

officer: 扭扭捏捏！ students: 不像样！

officer: 像什么？ students: 像大姑娘！

officer: 一二！ students: 快快！

officer: 一二三！ students: 快快快！

officer: 一二三四五？ students: 我们等的好辛苦！

officer: 一二三四五六七？ students: 我们等的好着急！

officer: 一二三四五六七八九？ students: 你们到底有没有！

Phonetic (pinyin) script:

officer: dui mian chang de hao bu hao？

students: hao!

officer: zai lai yi ge yao bu yao？

students: yao！

officer: rang ni chang！

students: ni jiu chang！

officer: niu niu nie nie！

students: bu xiang yang！

officer: xiang shen me？

students: xiang da gu niang！

officer: yi er！

students: kuai kuai！

officer: yi er san！

students: kuai kuai kuai！

officer:  yi er san si wu？

students: wo men deng de hao xin ku！

officer: yi er san si wu liu qi？

students: wo men deng de hao zhao ji！

officer: yi er san si wu liu qi ba jiu？

students: ni men dao di you mei you！

Transliteration:

officer: Opposite singing good or not?

students: Good!

officer: Another one yes or no?

students: Yes!

officer: Make you sing!

students: You should sing!

officer: Looking coy!

students: Not like anything!

officer: Look like what?

students: Like a girl!

officer: One Two!

students: Quick Quick!

officer: One Two Three!

students: Quick Quick Quick!

officer: One Two Three Four Five!

students: We are waiting very hard!

officer: One Two Three Four Five Six Seven!

students: We are waiting anxiously!

officer: One Two Three Four Five Six Seven Eight Nine!

students: Do you have it or not!

Translation:

officer: Is our opponent’s singing good?

students: Good!

officer: Do you want another one?

students: Yes!

officer: Make you sing!

students: You should sing!

officer: Coy and sissy!

students: Not like other things!

officer: Like a what?

students: Like a girl!

officer: One Two!

students: Quick Quick!

officer: One Two Three!

students: Quick Quick Quick!

officer: One Two Three Four Five!

students: We are waiting very hard!

officer: One Two Three Four Five Six Seven!

students: We are waiting anxiously!

officer: One Two Three Four Five Six Seven Eight Nine!

students: Do you have it or not!

Analysis: The chant is taught by the training officer to students. It’s performed often during breaks, when officers and students from different classes can mingle with each other. It softens the training atmosphere and boosts morale in a lighter tone. The chant is fairly rhythmic and easy to follow. The fact that it’s chanted between a class and their officer implies that the chant is performed to show aggression, but rather to foster the unity and identity of the class itself. It does not specify who the opponent is, and in fact the identity of the opponent does not matter. The pure existence of an opponent framed in the chant leads to emphasize that the class is an entity and it might face obstacles from the outside environment. 

“Like a what—Like a girl!” This detail shows another element of identity formation in teenage students. The military training happens at the liminal point of when a child is separated from their parents and absorbed into a completely new, pre-adulthood collective. The format of the military training, with the hyper-emphasis on order, obedience, and aggression, reinforces the patriarchal social order. Thus the liminal period of adolescence is enforced with patriarchal social expectations. 

The one being emasculated becomes the weak and the oppressed, and emasculation then becomes an act of aggression.

Ghosts and Murderers on a Bus

Background: The interviewer and the informant recall a ghost story that circulated in their primary school in Qingdao, China. 

Interviewer: Can you retell that Beijing bus story?

Informant: Yep. There’s umm there’s a guy, and he went on a bus. umm and then the bus got to a station, and then several people came onto the bus, and then suddenly there’s an old grandma walking towards him. And she sort of forced him to get off the bus. He said, this isn’t my station yet. That grandma didn’t give a damn and was like, pulling him off of the bus. And then after they got off, she said to him, those guys that just got on, they were ghosts, you see, they don’t have feet……and then the next day he picked up a newspaper, he found that the bus rushed into a mountain valley, and everyone on that bus died. He felt like he passed the gate of hell ‘cause that grandma literally saved his life.

Interview: Ohh I remember those guys wore Qing Dynasty robes too, like the ones Qing zombies wore on TV!

Informant: Yep yep yep, and oh yeah then the next day when the police found the bus, they opened the gas tank and it was filled with blood…

Interviewer: whooo I still get chills listening to this story…

Informant: Yeah and I heard it was adapted from a true crime story. 

Interviewer: Oh really? I think xxx told me that story the first time, but then two years later I saw something very similar on Baidu Tieba [note: a popular blog site, the Chinese equivalence of Reddit]. 

Informant: Yeah yeah I saw the post too. It really blew up everywhere hahaha. I forgot where I heard about the true crime version, but it was actually a murder case. I think it was a guy, he also was taking a bus ride, and then a few other guys went onto the bus too, and then it was still an old woman who pulled him off of that bus. It was like she saw blood on those guys, and they probably just killed somebody, and they were trying to ditch the body or something like that. Anyways the next day the bus rushed into a valley too. Basically they controlled the bus driver and hijacked the bus, but it lost control and fell down the road.

Analysis: This was a very popular story among fourth and fifth graders in this primary school. I think the reason its horror works particularly well for this demographics is because that bus was the most common form of transportation for students at that age. It serves as a metaphorical cautionary tale to alert the young students of the danger with riding the bus alone. 

This is also interesting, because the ghost story is created on the basis of an urban legend. The two versions are essentially the same story, but with slightly different elements. This shows that folk tales are very prone to variation and multiplicity.

Slurs and Insults in a Coastal City

Background and context: The interviewer and the informant are both residents of Qingdao, a Northeastern coastal city in China. The city is known for its beaches, ports, and seafood. A big portion of the city’s economy relies on tourism. 

The informant talks in Mandarin, but with the Qingdao dialect. The interviewer and the informant talk about unique slurs and insults that only Qingdao people use.

1. 潮巴

pinyin: cháo ba

Transliteration: moist [“ba” doesn’t have meaning]

Translation: Idiot

2. 你脑子进水了

pinyin: ni nao zi jin shui le

Transliteration: You’ve got water in your head.

Translation: You’re so stupid.

Analysis: Because Qingdao is a coastal city and the sea has a very important role in Qingdao people’s life, language used by Qingdao people is heavily influenced by imageries and characters associated with the sea. In both insults, water or “moist” is directly linked with the geographical character of the city. “Moist” or having water in one’s head both signify a loss of control, a form of imbalance between humans and the ocean. This shows that Qingdao’s connection with the ocean is more complicated than people’s dependence on the sea. There might be an implicit fear as well in not being able to control the ocean and maintain a balance between human life and natural forces.