Category Archives: Gestures

Gesture: Bras d’honneur

Text:

This gesture is a taboo, so no recording will accompany it- only a description. To do it, you’re supposed to bring one arm up high across the chest with a clenched fist, before making a fist with your other hand and striking the inner elbow of the risen arm.

Context:

My informant mentioned that Italians tend to be known for the gestures they make when speaking. She mentions that this is one specific type of gesture that you would see your aunts and uncles do, but which you weren’t supposed to do yourself. It is meant to mean “screw you”. It’s supposed to resemble a person hanging up an umbrella, hence the name. A notable difference between this version of the gesture and the more popular one you might find by looking it up online is that this version involves hitting the elbow with your fist, whereas the more common version involves slapping your elbow. 

Analysis:

Hand gestures in Italian culture seem to be a way to stand out compared to whoever the person doing them is talking to. It also serves as a natural form of punctuation, adding greater emphasis to whatever a person says. As a result, a major gesture that basically says “screw you” could be a very effective tool in shutting someone down. Because of its severity, though, it appears far more taboo. The way that this version of the gesture involves a fist instead of a slap to the elbow could represent a greater severity- a “punch” rather than a slap, showing more force and far more aggression towards the person it is directed at.

Shaka Handsign

Shaka Hand Sign – closed fist, thumb and pink extended

This hand gesture is very common in Pacific Islander culture and has spread over time to surfers and many Californian individuals. Original to Pacific Islander culture, the Shaka hand sign was a signal of Ohana or family, and even the broader belief of Shaka which was like “good vibes.” There are multiple variations as to what people think of and use Shaka for, but for the informant who is Pacific Islander, they found it to be an extension of the good/loving vibes of Ohana and to live life with the disciplines of having good days and the beliefs of Ohana.

Knocking on the head of a virgin

Text:

Perform the physical action of knocking on the head of a virgin.wood, they would knock on the head of a virgin instead. This gesture can also be substituted with the phrase itself “knocking on the head of a virgin” as a form of proverbial speech.

Context:

In high school, the informant learned this saying from a friend who was Greek Orthodox and claimed it as a part of Greek Orthodox culture. Preliminary research has yet to provide any link between this superstition and Greek Orthodox culture, instead pointing towards this practice stemming from urban legend.

Interpretation:

Though the connection between wood as a material and virgin’s heads may seem far-fetched, the substitution of heads for wood is common in the practice of ‘knocking on wood.’ When someone knocks on their own head as a substitution for knocking on wood, they are not only participating in the superstition but also making a joke at their own expense, implying that their head is made of wood rather than brains and thus they are dumb. With this common conflation in mind, knocking on the heads of virgins as a substitute for knocking on wood presents both as a means of participating in the ‘knock on wood’ superstition while making a joke, this time at the expense of a group (virgins) rather than the self. The claim that this superstition comes from Greek Orthodox culture is so far unfounded and inexplicable.

Namaz E Janaza

My informant is Pakistani and has lived in many countries worldwide, yet has deep knowledge of his culture and is very associated with certain events and occasions that occur in Pakistan.

Funeral Ritual:

This prayer, typically known as “Namaz E Janaza” is a common type of prayer “performed at funerals”. It is a ritual that has “existed in Islam for a very long time” and is “very important to our religion and culture.” The ritual is illustrated by a “group of people that are praying as the body is put in front of them” He states that it is because “everyone is praying towards god when the body is also there” conveying the influences of religion on their life. The informant also states that it is “the same Islamic prayer from the Qur’an that people read.” It is a widely known tradition in South Asia, specifically Pakistani culture when it comes to funeral rituals and events that must take place in order to properly bury a body.

Context:

The ritual is “always performed by men in a room separate to the women,” and the informant continues to assert that “they cannot be together and a woman cannot speak the prayer to the body” highlighting the strict nature of this ritual and the specific cultural customs on death and funerals. It is usually done in Pakistan but also occurs in other Muslim countries that still honour this method of performing the funeral ritual. It is a very important aspect of how the body is sent to heaven and is a pivotal step in “family healing using religion and ensuring they continue in heaven”

Analysis:

The religious aspect of funerals is very common in many cultures, however, in Islamic culture, the split of the men and women into separate rooms signifies the power that the prayer holds as it is part of their tradition. Death and prayer being portrayed in a ritual allow families to use the religious scripture provided to them as a mode of grieving their loved ones in a structural manner, making it easier on the family that is closer to them. Although, the formality of the occasion eliminates personalisation of the funeral and family members when burying and honouring the dead as they must follow the known written words instead of making them uniquely theirs, which is seen in other cultures. However, it is a religious and important part of their cultural identity, therefore, the prayer does not solely mark the death of an individual but paves a path to their god that they are praying to, following the practices of their culture and tradition as it is passed down.

Luddi

The informant is one of my Pakistani friends who has lived in many different countries, yet is very attached to the culture of his heritage and is very involved in the rituals, ceremonies and overall traditions that are tied to his roots in Pakistan.

Dance:

The informant describes this dance, the Luddi, as a “circular formation that people dance to”. This dance entails the “clapping of their hands and spinning in circles as they are still moving in a circle.” Although the dance is not usually performed for a certain scenario or moment, it is “usually done at celebrations and ceremonies like weddings and dinners with the family” who are brought together and dance to specific songs that link to the informant’s culture. He describes his times watching the Luddi as a “coming together when [they] have not seen each other in a long time” and celebrating the family or a certain event happening at the time. It is always performed in Pakistan when the entire family joins, his family always visits to “celebrate their cousins, aunts, uncles and all the elders that have given us the privilege we have” conveying the importance of the dance in Punjabi culture.

Context:

The Luddi is typically done with “the group of women in the family that are important to the celebration or occasions” and this can range from “family of the groom or bride in a wedding or the parents and siblings of the birthday person.” The joining together of the women in a circle gives them a chance to “celebrate in a space without the men involved”. Although it is usually performed by older women in the family, younger women around the age of the bride and/or person of significance are able to join the dance and “learn the significance of what it means to become an adult woman” in the family that has their culture embedded into their daily lives. Luddi is msot typically seen in the winter and spring when all the family members come back from their travels for the wedding season, therefore, it allows the women to not only celebrate the occasion but also the family and other women.

Analysis:

The formation of a circle as part of the dance highlights the cycle of their culture and the generations that come together to form a chain that connects. It is creating a personal connection between the women of the family in that certain moment, growing as the girls grow and join the dance to celebrate each other. The clapping of their hands emphasises the celebration of the occasion and also creates a unified sound that the woman can sing and dance to, establishing their heritage and Punjabi culture in the form of performance and expression of their joy into feelings. The incorporation of this dance at weddings, which is also presented to be an important and momentous part of the culture in South Asia, highlights how the family is the base of their culture and even the women have their own traditions and rituals that create unity. Furthermore, the circle growing highlights the chain of Punjabi women in the family growing and the representation of the elders teaching the younger traditions to keep the culture alive.