“Don’t use children or dogs in theatre.”
In theatre, the informant said it’s supposed to be bad luck to use children or dogs in a show. In the informant’s first full run production of a play (as a producer) in 2010, he used several children and one dog. He said that the belief ma be valid because children often have varying degrees of discipline, and both they and dogs can be distracting to audiences. In this production, the informant said the dog pulled focus (her tail was moving back and forth “like a flag” much of the time because she was so happy to have attention).
The informant learned of this when he started doing theatre 10 years ago. He regularly hears it from theatre professionals. He says that because audiences love kids and dogs, they often find them more entertaining than the actors, which is not ideal for those putting on the play. Ultimately, he has found that dogs and children may be difficult to work with, and may steal focus.
Understandably, dogs and children are very distracting because they are so easy to focus on (many YouTube videos will attest to that), so this belief makes sense. However, it could become problematic for productions that require children or dogs because adults dressing up as either could also be distracting. This also causes me to question whether or not writers steer away from adding children or dogs to their plays.