The informant is my friend (referred to as EP) who is from Brooklyn, New York, but lives in Spain for the summer. Her father is from Spain and her mother is from Puerto Rico. Every year when she goes to Spain she lives on her family ranch that is outside of a town called Porto. She is discussing one of her favorite movies and a movie that is highly regarded in Spain, “Women on the Verge of a Nervous Breakdown,” and a conspiracy theory that was developed in Spain about the movie.
EP: “So in the movie, it’s all these women who are crazy and obsessed with all these men and they are having all these problems and throughout the whole movie gazpacho is a theme and ultimately the main character tries to kill a bunch of men with drug-laced gazpacho. The theory that a bunch of people came up with is that all the women are actually witches and the gazpacho kind of resembles one of their potions. It’s kind of a myth I guess but it’s like they are practicing witchcraft and making spells that kill men.”
This is so fascinating to me because after viewing “Women on the Verge of a Nervous Breakdown,” I know that this is one of the world’s most campy films. It is often used among scholars as the example for describing the style of camp in films. Witchcraft is a type of folklore that is already highly gendered and what I have noticed is nearly all witch movies are extremely campy. Females who are somehow outside of the box society creates for them, often become categorized as witches. Campiness is the style of nearly all films centered around witches and this is due to the fact that camp perfectly captures the inherent sexism and absurdity of the idea that powerful females are witches. Camp is able to employ qualities of duality and idiosyncrasies that are open to a double interpretation. There is a certain language that camp uses and it allows patriarchal code and codes of oppression to be debunked. To understand camp, the viewer must have some outside knowledge of the pre-existing codes of oppression. So, therefore, in witch movies camp is heavily employed and shows women as extravagant and over the top characters. So the fact that many people in Spain believe “women on the verge,” the trademark movie for camp, is actually about witches makes a lot of sense and shows how people in Spain (and in society) perceive women portrayed a certain way as “witches.”