Tag Archives: cowboy

Thoen Stone

Context:
J is 80 years old and grew up in Spearfish, SD. He told me about a local legend from the Black Hills, a region in South Dakota.

Text:
“The Thoen Stone story was always a part of the local folklore in and around the Black Hills of SD, where I spent part of my youth. A sandstone rock with names of some deceased gold prospectors carved or scraped into the surface of the sandstone was supposedly found on a hill called Lookout Mountain. In addition to the names, a story of hidden gold was part of the message on the rock. It was carved by one of the prospectors named Ezra Kind who was hiding from Native Americans who were hunting for him and the gold, which he claimed he had hidden on Lookout Mountain or in the general area. This story created a “search for the gold” mentality with the kids in the area. When my brother and I were growing up, we, along with friends, would spend many summer days searching for the hidden gold while hiking or riding horses. BTW we never found it nor has anyone else!”

Analysis:
This legend is a local legend of the area in which these people grew up. This legend like many others is a legend of gold to be found (similar to El Dorado). It’s interesting how most people probably know it’s just a legend since many have spent so much time and energy searching, but somehow the legend is still alive and the folklore persists. This is an example of childhood folklore that is exclusive to the Black Hills, as it is almost like a shared experience and a part of growing up in this region. The hope and possibility for gold remains.

Cowboy Riddle

Main Piece:

Riddle-

“A cowboy came town on Friday

He stayed for two days

And left on Wednesday

How is this possible?”

Answer-

“His horse’s name is Friday.”

Context and Analysis:

The informant claims she heard this riddle in her early childhood as she was watching the television show, iCarly. She claims when she heard it she was very excited and remembered it to tell her family later. When she told her family they were not able to decipher the answer and therefore the informant knew this was a good riddle. The informant claims she does not know of any meaning in this riddle nor does she think it originates from a particular place. She believes it could have originated anywhere as all places could have cowboys and horses.  The informant believes this riddle is only for entertainment purposes.

When my informant first said to me this riddle I was shocked by my inability to decipher it. My first thought was that the riddle was a play on the week’s days, and I began to try to find a way in which I could go through the week with Wednesday occurring before Monday. I was unsuccessful in this attempt. After that I began to think of transportation methods that could travel fast through time; once again I was unsuccessful. I eventually gave up and begged my informant for the answer. When she said it to me, I thought to myself, “how did I not think of that.” This is not an unusual feeling when trying to come up with a solution and after giving up realizing how simple it was. I think this is what can make riddles so frustrating or fascinating. Often the answer to the riddle is simple, and when the riddle’s audience is unable to guess it, this can cause frustration for the audience and fascination for the person recounting the riddle.

There also seems to be a requirement for a riddle to be hard to guess but to have a simple answer to be distinguished as a good riddle. The most popular riddles are those that leave people thinking about them, how they were unable to guess the answer and are now only able to find joy in sharing this unsatisfied feeling with others by retelling this riddle. If the riddle is guessed or the audience has heard it before often the one recounting the riddle is disappointed at not having been able to make others feel what he or she felt by not being able to guess the riddle.

The Cowboy Raver of the Bay Area

Background: I interviewed Professor Nye to talk about his raving experiences. He described his most active era to be from 1997-2001 in the underground trance music scene of the Bay Area. He attended many outdoor, open-air, camping events that are described as “underground” or not necessarily sanctioned in the same way that official music festivals, such as Coachella, or Outside Lands are.

Context: Professor Nye was at this point in the conversation reflecting on the colorful culture of raves, and the neon colors he associates with his memories of it.

“I’ll also introduce one figure from the mid to late 90s that I would be fascinated to know what happened to him. You’d see him at all these events. He was this amazing guy, I think he was – whether it was his regular job I don’t know- I think he was kind of a traveler who was a former cowboy or was a cowboy. And he would get dressed up and actually had, in the middle of these parties, a glow-stick lasso. And he’d be like lasso-ing with this glow in the dark lasso, or even multiple lassos, and that was pretty incredible. He was affiliated with this Bay Area trance scene that I was primarily involved in. Around ‘98, ‘99, 2000.”

Aside from the illustrious raver cowboy figure, there is an element of rave dance from the late 90s being shared here. The use of neon, glow in the dark lassos as part of the ritual of dancing in a crowd is an important aspect of the information being imparted here.