Tag Archives: Maui

Maui Harnessing the Sun

Informant Context:

James has lived in many locations internationally, including Cosa Rica, Mexico, and Nepal. His family is located in Hawaii, where he will often visit during his breaks from school. He is a student in London, United Kingdom, studying fashion. 

Transcript:

JAMES: Obviously I am not native Hawaiian, but having spent some time there—especially now that my family lives there—um, there’s obviously a pretty rich cultural… culture of storytelling, and obviously they had their own kind of mythology and stuff. And one that always stuck with me was that on oddly enough, in the hotel that we used to say at often when we would go to Maui, there was a huge massive like—oh gosh, it must have been, it was probably like 30 feet tall, 20 feet tall and like 40 feet wide—is a massive wood carving of Maui harnessing the sun. Which comes from… obviously, Hawaiian legend and myth—of how in the early days of creation, the sun raced—was obviously a personified person, and they would drive rapidly around the earth, basically, racing around the earth and… days were so short,  that people couldn’t do anything, they couldn’t get anything done. And so, they—the people, you know, cried out to Maui their demigod savior, and said, “Can you do something—[laughs]

INTERVIEWER: [joins] 

JAMES: —about this?”, as people tend to do of their deities and stories, and even in modern days, but that’s a lit—that’s a different issue [laughs]. Um… and yeah, so as far as I’ve been told the story, it’s—Maui climbed up to Haleakalā, which is the, uh… largest—larger of the two volcanoes on Maui, and cast out his fishing net—which is one of those ones that you like… yo—I don’t know like, the term for it, but you like, swing it out, and it like, spreads out. And he managed to catch the sun, and brought him down to earth, and was basically like “Hey!”… basically threatened him, which I feel like you shouldn’t do to like, the *sun*, but… he… basically threatened him—

INTERVIEWER: [laughs] You’re nice to the sun?

JAMES: [voice broken by laughter] You know? Like, you kind of… be polite, [or(?)], diplomatic, but—

INTERVIEWER: [laughs]

JAMES: Anyways, I guess you can do whatever you want if you’re a demigod. And uh, yeah. But he harnessed the sun, brought him down, and basically [showed him(?)] like, “Hey! You—we need like, more… we need longer periods of light. Because otherwise, the food isn’t gonna grow, and if… we can’t just keep working at night, because you know, electricity isn’t a thing. And so, please go slower.” And then he released him, and that is where they believe the day comes from. The… uh, as far as… in its longevity, um… and its consistency, I suppose, being where they are at—near the equator. Um… but yeah! That one always stuck with me, mostly because we would just see this massive woodcarving over, um… in the foyer of this restaurant. [unintelligible] is always… like, like right in the middle of the hotel. Um… but I always… I always loved the Hawaiian myths, I suppose. I think they’re very…  mythology in general, I mean, is just fascinating…

Informant Commentary:

James has a general interest in religious folklore, especially the folklore of those places he has personally visited. He expressed a positive view of folklore in Hawaii, citing institutional efforts of preservation and respect, such as laws surrounding burial grounds and other sacred land, as well as the consistent invocation of traditional Hawaiian symbolism around government buildings and tourist areas (e.g., the statue mentioned in the transcript). When countered on this idea, James acknowledged that many of these efforts are, in his words, “performative”. 

Analysis:

This story is best categorized as a myth, as it is a creation story and an explanation of a natural phenomenon: the length of the days. Based solely on the narrative of the story, the myth of Maui harnessing the sun seems to reference a fundamental trust in deities to intervene on behalf of man, even capturing one of the (if not the single most) powerful natural force.

A Haunted Park called Giggle Hill

Interviewer: What is being performed?

 

Informant: Haunted park called Giggle Hill by Rayna Koishikawa

 

Interviewer: What is the background information about the performance? Why do you know or like this piece? Where or who did you learn it from?

 

Informant: Giggle Hill is a park in Maui. The legend says you are supposed to hear giggling but my friends and I only heard screaming (turned out to be owls)

 

Interviewer: What country and what region of that country are you from?

 

Informant: US Maui, HI

 

Interviewer: Do you belong to a specific religious or social sub group that tells this story?

 

Informant: No

 

Interviewer: Where did you first hear the story?

 

Informant: My experience, the legend says the soldiers brought their girlfriends up on the hill and you can still hear them giggling. We only heard screaming.

 

Interviewer: What do you think the origins of this story might be?

 

Informant: It depends on which story.

 

Interviewer: What does it mean to you?

 

Informant: It’s just a fun story from my past.

 

Context of the performance– classmate conversing before class

 

Thoughts about the piece–

An old WWII story still encourages young people to visit a romantic spot in groups but sometimes have a different experience from the original. Giggle Hill is a well-known landmark and park that is featured here: http://mauimama.com/parks/united-states/hawaii/haiku-pauwela/parks/4th-marine-division-memorial-park-giggle-hill/  and http://www.hawaiimagazine.com/content/tour-hawaiis-creepiest-places-google-street-view-so-you-dont-really-have

Whistling at Night

 

Interviewer: What is being performed?

 

Informant: Whistling at Night by Rayna Koishikawa

 

Interviewer: What is the background information about the performance? Why do you know or like this piece? Where or who did you learn it from?

 

Informant: My Kumu (hula teacher) told us whistling at night summons night maschess (ghosts of Hawaiian warriors)

 

Interviewer: What country and what region of that country are you from?

 

Informant: Maui, HI

 

Interviewer: Do you belong to a specific religious or social sub group that tells this story?

 

Informant: I don’t belong to this group but it is a Hawaiian superstition.

 

Interviewer: Where did you first hear the story?

 

Informant: My Kumu

 

Interviewer: What do you think the origins of this story might be?

 

Informant: Hawaiian legend

 

Interviewer: What does it mean to you?

 

Informant: Childhood superstition

 

Context of the performance– Talking with a classmate before class

 

Thoughts about the piece– Whistling is thought to bring bad luck in Russian, Japanese and many other cultures. I’ve heard warnings not to whistle in kitchens (French Revolution origins) or while sailing (New England- whistle up a storm). Here is another version of the Night Marchers of Hawaii: http://www.huffingtonpost.com/2013/09/10/hawaiian-legends_n_3898664.html

More Hawaiian superstitions at: http://www.hawaiimagazine.com/content/your-must-know-list-hawaii%E2%80%99s-diverse-local-superstitions

 

Manaiakalani

Informant: Uluwehi is a 21-year-old student from Hawaiʻi. She is from the island of Oʻahu.

Main Piece: “Okay so…Māui was the youngest of four brothers. And one day, he wanted to go fishing with his brothers. But they told him ‘no, no Māui, you’re the baby brother, you can’t come fish.’ So Māui went to his grandmother and asked her for help. She took her jawbone and made it into a magic fishhook, Manaiakalani.

So Māui was really smart and he hid himself on his brothers’ boat. When they got too far out to turn around, Māui jumped out. They were annoyed with him but let him stay because it was too late. But they were telling him off and didn’t think he would catch anything. He told them he would catch something really big, but they had to trust him and keep rowing until he caught it and not look back.

Māui baited his hook with feathers and threw it into the ocean. It caught something really big, and the brothers started rowing and rowing and Māui told them to kept rowing. And the boat was almost capsizing because the fish was so big. But the fish was actually the land that would become Hawaiʻi, and Māui was going to bring them all up and together.

Because the boat was rocking so much and they were really worried, one of the brothers looked back and saw all of the islands being dragged up from the ocean. And they’re all beautiful, but because the brother looked, the line broke. Manaiakalani went into the sky and became a constellation. And the islands stayed as separate islands. But Māui had made Hawaiʻi.”

Background Information about the Performance: This piece was told to the informant as a means of explaining the constellation Manaiakalani, which is composed of roughly the same stars as the Western constellation Scorpio. She was told it as a child by her family, and also learned it in school. It is important to her as it describes the creation of Hawaii, her home.

Context of Performance: This piece is told primarily to children as a means of understanding the constellations, but also fits into the larger story of Māui.

Thoughts: It is noteworthy that this piece explains a constellation, much like the Western constellations are explained in stories. Since both the Hawaiians and the Ancient Greeks sail avidly, these constellation-based stories could have been created to help sailors remember directions when navigating.

How the Islands were fished out of the ocean

Main Piece: Hawaiian Legend

 

“So the legend goes, Maui was out fishing with his brothers in a canoe one day, when he cast out a line. He had something big on the line, and told his brothers to row, and not look back, as it was a bad omen when fishing from a canoe to look behind you while rowing.

The brothers did not look back, and Maui continued reeling in his catch. Once he got it up, it became known that Maui had fished the Hawaiian Islands out of the sea.”

 

Background:

 

Danny told this story as a creation story of the Hawaiian Islands. Maui is a demigod in Hawaiian mythology, being the son of the two major deities in Hawaiian mythology. Danny likes this story because it is a creation story, and although untrue, gives the natives a good mythological explanation of how the Hawaiian Islands came to be that they can pass on as a part of their beliefs.

Danny likes this story because even though it is obviously not true, it is something almost every Hawaiian believes in, and all other people in the world will just disprove with science. He likes that it is a story dating back to the original inhabitants of the island, and gives him a sense of pride in his culture and where he comes from.

 

Context:

 

Danny told me this is a legend that would be told as a bedtime story. He does not remember the exact details but remembers the main story of it, but he does remember it as a prominent story from his childhood. He says his grandmother used to tell it to him and his siblings, and his mother would occasionally tell it as a bedtime story.

There aren’t many other contexts this story would be told in, other than possibly in a children’s book explaining how the islands came to be, or as a tour guides introduction to the history of the islands.

 

My Thoughts:

 

This story reminded me a lot of stories such as the Grand Canyon story where Paul Bunyun dragged his axe behind him as he was walking, and carved out the Grand Canyon, or a Native American story where the Kiowa’s came to earth through a log. Creation stories are generally too far-fetched to be true, but the general consensus of the people who live there is a small sliver of belief in the myth, but more so they serve as something to hold on to as a piece of their cultural heritage.

 

 

 

For another version of this story, see here: Maui (http://kms.kapalama.ksbe.edu/projects/ahupuaa/waianae/wan/wan12maui/index.html)