Tag Archives: Ozarks

The Ragman

Main piece:

“So when I was growing up, I was raised by a single mother and my grandmother, my mom’s mom, stepped in to help raise me while my mom was working so I spent a lot of time with her in her house in her neighborhood and she was much older for a grandmother, she was born in 1911 and she didn’t have my mom until she was almost forty so she came from another generation and mostly spoke German at home where she grew up on a farm in Arkansas. I don’t know if this is where the story comes from, but I have no idea where it comes from. But she was a great grandmother and would never use violence or anything to keep us in line but if we were misbehaving, the most ominous threat was that if we didn’t get back in line and start doing what we were supposed to do, that the next time the Ragman came by, she would leave us out and tell him that he could take us away. So my sister and I were terrified that there was this- there also was this man that wondered occasionally in the neighborhood at twilight and I think he was probably, if not homeless then verging something on that, but it was back in the day when I don’t think i’d ever seen a homeless person in my small town. So he was always pushing some small cart and I think when she was first living in that home there was a man who came by to take pots and pans and whatever little knick knacks were broken so he was known as the Ragman and he’d take trash or whatever and take it away. So that’s really it, is that- I think in my sisters and I’s mind we associated it with this specific man but it was this nebulous threat really of this Ragman that was gonna come and- we we’re going to be taken out with the trash if we didn’t get back in line and we did not want to be taken away by the Ragman so we got back on the straight and narrow.”

Background:

My informant is originally from Joplin, Missouri and currently resides in Kansas City, Missouri. She’s lived all across the United States but lives there currently with her husband and three kids. Her mother lived in the Ozarks in southern Missouri for most of her life and so the entire family has ties to that specific area. Her grandmother, who told her the story of the Ragman, was born in Northern Arkansas but spoke primarily German in her household as both her parents had emigrated here.

Context:

This piece was brought to my attention through research into legends from Missouri which I used to approach my informant. She has told me about this phenomenon several times but this specific conversation occurred in the living room of her house in Kansas City when I asked her about using the story for the archives.

Thoughts:

This piece seems to be a variant on the classic archetype of the boogeyman. The goal of the monster in this case is to scare children and teach them to stay in line. The parts I find most interesting about this iteration of the boogeyman-like creature are the name and the legend’s relationship to the grandmother of the informant. First, the term Ragman is usually tied to a street vagrant or another unsavory type individual. As such, this would make sense on why the informant and her young sister might be afraid of the Ragman as he seemed to be a dangerous man. Another common use of the name Ragman is when in association with the devil. This would further emphasize the role of the Ragman as an evil doer. The other major component of the Ragman story is the role of the informant’s grandmother. While it cannot be said for certain, her upbringing was heavily entrenched in German folklore and traditions which might result in the Ragman having ties back to German folklore. This shows the ability for folklore to transfer and adapt to new locations, with this example showing German folklore adopting to the cultural landscape of the Ozarks and Southern Missouri culture.

The Spook Lights in Joplin, Missouri

Main piece:

“The spook light which is sometimes known as the Joplin spook light because that’s the biggest town closest to it but it’s actually in the town of Hornet, Missouri which is, as far as I know, has no population. So it’s just a little ways outside of Joplin Missouri and for decades- probably going back to the turn of the century, this legend has been around this area that on certain nights if go out on this specific roads that’s very dark and abandoned and park your car and are quiet, that you will see a light floating at the end of the road. There’s all sorts of legends about what it is, the most famous one is that it is tied to American Indians somehow, that either during the Trail of Tears or something terrible upheaval, a Native American couple was separated and this is one of the lovers out with a lantern in the nighttime looking for their lost love, but there’s other legends too. In reality there have been scientific studies of it, and some people say it’s some sort of swamp gas, some have said it’s the way this road is positioned relative to a highway a few miles away creates some optical illusion with headlights from the road but it has not been definitely said what this thing is.”

Background:

My informant is originally from Joplin, Missouri and currently resides in Kansas City, Missouri. She’s lived all across the United States but lives here currently with her husband and three kids. Her mother lived in the Ozarks in southern Missouri for most of her life and so the entire family has ties to that specific area. Historically, Joplin is not a big town and is known for very little outside of Missouri.

Context:

This piece was brought to my attention through research into legends from Missouri which I used to approach my informant. She has told me about this phenomenon several times but this specific conversation occurred in the living room of her house in Kansas City when I asked her about using the spook light for the folklore archive.

Thoughts:

At face value, the spook lights are seemingly very similar to similar pieces of folklore like the will o’ wisps or other light-based phenomenon. What I feel differentiates the spook lights from other similar folklore though is their use in unifying the town of Joplin and the influence of Native American superstition. The town of Joplin is in the south of Missouri, near the start of the Ozark Mountain range. This area is rife with folklore that comes out of isolated communities who are restricted through natural landscapes like lakes or mountains. Joplin is on the fringe of this culture, which makes it so it mixes Ozark culture with the broader culture of Missouri. By having a local legend, the town is unified in a collective legend. Furthermore, the spook lights are restricted to a single specific road and at certain times, making seeing them even more of a marker of your place in the community. This can also be seen in how the spook light is popular amongst teens who, according to my informant, visit the spook light as a right of passage. The other component to the spook light is how it reflects concerns about the treatment of Native Americans. The legend is that the light is the ghost of a Native couple who have been separated by not only death but also circumstances. By making their local legend a reflection of the poor treatment of Natives, the town recognizes the injustice and seeks to remember it.

For an in-depth look into the history of the legend, see: https://www.joplinmo.org/575/The-Spook-Light

The Haunted Tilly Willy Bridge in Arkansas

Main Piece:

“Right outside of Fayetteville, there’s a famous bridge known as the Tilly Willy Bridge and it’s a very old bridge and it’s torn down now but it still has a lot of legends about it. Mostly, there’s this legend of a lady dressed entirely in white who fell off the bridge into the nearby creek and died so now her spirit haunts the area including a nearby field. It’s a common attraction for people to go to the bridge to try to see something scary.”

Background:

The informant for this piece is a woman in her late 40s who lives in Fayetteville, Arkansas. She was born in Joplin, Missouri but moved south to Fayetteville and has lived there for almost 18 years by now. Fayetteville is a college town as it is adjacent to the University of Arkansas. Due to the proximity of the town to the Ozark mountains, the Ozark culture influences the town alongside the culture of those going there for college. 

Context:

The piece was shared with me via a phone call with the informant. This exact topic was brought up in response to my general question looking for local folklore of the Fayetteville area. 

Thoughts:

I think this bridge is used in a similar manner to other pieces of ghost folklore. The bridge is used by the town to establish a communal identity coming from knowledge of the story. Fayetteville is also the convergence of several cultures, as it is the college town for University of Arkansas, making the Tilly Willy Bridge possibly the result of several different cultures converging on the town. The use of ghosts in this story is also useful because it shows a lack of interest in the past and the non-urbanized world. As mentioned before, the town is somewhat close to the Ozark Mountain Range, which is known for its isolated communities. As such, inventing a story about a haunted area of the wilderness would incentivize staying within the boundaries of civilization, which makes complete sense. Making the abandoned bridge haunted also shows the classic bit of American folklore wherein the past is haunted as a means of putting one’s perspective towards the future. The final bit of folkloric importance in this bridge is how bridges are common places of superstition and liminality, as seen in other cultures. In that regard, the Tilly Willy Bridge fits into this tradition.

The Crescent Hotel in Eureka Springs

Main piece:

“The Crescent Hotel is a famous building in Eureka Springs with a long history because now it’s a common ghost attraction and makes a lot of local haunting lists. The building which began as a hotel for elite visiting Eureka Springs later became a tuberculosis ward during the plague and there were rumors about doctors who experimented on their patients trying to find cures to diseases like cancer”

Background:

The informant for this piece is a woman in her late 40s who lives in Fayetteville, Arkansas. She was born in Joplin, Missouri but moved south to Fayetteville and has lived there for almost 18 years by now. Fayetteville is a college town as it is adjacent to the University of Arkansas. Due to the proximity of the town to the Ozark mountains, the Ozark culture influences the town alongside the culture of those going there for college. This specific building is located outside of Fayetteville in an area called Eureka Springs. The hotel is just one of many structures converted to a tuberculosis ward to fight off the diseases in the 1900s. Similarly, in the past there have been similar stories of abandoned and haunted hospitals. 

Context:

The piece was shared with me via a phone call with the informant. This exact topic was brought up in response to my general question looking for local folklore of the Fayetteville area. 

Thoughts:

I feel as though this piece is interesting as it represents an amalgam of other similar haunted buildings. The Crescent Hotel began as a hotel for the elite members of society, but the business went under. This keeps in the theme of haunted buildings having ties to old money, and I feel represents a distrust of those with extreme wealth. This also makes sense in context of the location, which while not poverty-stricken, by no means has a large population of extremely wealthy inhabitants. The hotel is also described as a tuberculosis ward, which while not entirely accurate does reflect a fear of doctors and disease. This is a common fear and is often featured in similar structures like haunted hospitals. In my opinion, what differentiates this building is how the history of the building as both a hotel for the elite and hospital combines these two separate but similar stories into one extremely haunted structure.

Momo, or the Missouri Monster

Main Piece:

“I think in the 70s it was, I know the name of the town because it’s called Louisanna, Missouri. It’s on the Mississippi river in the south of the state and in the 70s apparently a few people reported seeing a very tall, like 7 to 8 foot tall, ape-like swamp creature in the woods- they also called it a swamp ape. But the distinguishing feature of this thing was it had a very huge like bulbous onion shaped head, but like an upside down onion though, so like big and bulbous- and it had shag all over it and like big, big like freakishly huge red eyes because it’s a shitty B-Movie monster pretty much. So it’s like Bigfoot but with a big onion head and it reeks because it lives in a swamp near the river. For a brief period in the 70s and 80s, I think it was, people got really into the idea- it became called Momo, Missouri Monster, from the state abbreviation monster.”

Background:

The informant is a 21-year old male from Kansas City, Missouri who has lived there for the majority of his life. His family comes from southern Missouri, near Joplin and the Ozarks. The town in question for this piece, Louisiana, apparently tried to profit off this cryptid very shortly after its sightings similar to other towns who use Moth man or Bigfoot sightings to drive tourism, however Momo was not nearly as successful as those previous examples. The town remains a relatively quaint and small town.

Context:

I overheard this story when the informant was talking to a group about cryptozoology and I asked him to share it again with me for the sake of transcription. The exact exchange occurred in his room a few hours later.

Thoughts:

This piece appears to be another example of the common cryptid of Bigfoot. A large, ape-like creature that is elusive and on the fringes of society. Furthermore, these creatures are typically very smart and nearly human-like but not quite enough to warrant describing it as human. I feel there are a lot of these types of legends ranging from Bigfoot to Sasquatch and I feel this creature is another attempt to fit into that mold. What differentiates it and what makes this monster interesting, in my opinion, is how Momo is shaped to specify Southern Missouri. The Mississippi River is a huge part of the culture of Southern Missouri and so the monster being based out of a nearby swamp of the Mississippi River makes a lot of sense. What I like most about this legend is how it is clearly an attempt to cash in on the cryptid craze of Bigfoot and similar legends. While undoubtedly some people believe they saw the monster, the town quickly moved to monetize the creature and tourism surrounding it. However, compared to similar towns that attempt to make a tourism industry out of a local legend, this one did not work nearly as well, which makes it interesting to me. Finally, Momo is interesting as it fits the entire culture of Southern Missouri and the Ozarks as it is a creature on the fringe of society, which reflects the often isolated communities that exist in this area. Compared to a heavily urbanized city, a legendary monster like this is far more likely to appear in areas with lots of forest and mountains with small isolated communities, such as those in the Ozark Mountain range.