Tag Archives: power

Ponte las pilas: Proverb

Text: “Ponte las pilas” “Put your batteries on”

Context: NO’s relationship to this proverb stems from her Mexican culture and household. All her life, NO would hear this statement being said when it came to school and working hard within entering higher education. She would typically hear this proverb being said by her parents or other older relatives. In her family, they use this phrase as a way to give advice when she feels defeated, overwhelmed, or lazy. Oftentimes NO says it to herself as a motivator to get her work done. NO interprets this proverb as a motivator to get back into the ‘work mode’ and to be productive in life. 

Analysis: The cultural value that I see present within this proverb is the fact that Mexican culture usually revolves around the connotation that Mexicans are hard workers and they can accomplish anything if they simply put their mind to it. Given that this proverb is a motivator, I can claim that the personal values are expressed within the motivation, determination, and productivity that this proverb can emit to the receiver. Considering that I have heard this all my life within my Mexican culture as well, I see this proverb as an influential piece of advice that is told by older relatives for that extra ounce of motivation that you need when you find yourself in times of defeat, laziness, or entering a momentous time in your life (Ex: starting college, first day at a new job, going to a job interview). Considering its legitimate translation is “put your batteries on”, I consider this proverb to be an accurate concept considering putting new batteries in is hypothetically what you need to do in order to perform better given that the more “power” you put on, the more motivated you will feel to get back to work.

Udala~ Folk Object/Legend

Context: Udala Tree is a folk object/legend native to my dad’s village of Onitsha. He knows about this legend because he is a titled man just like his father before him, hence why knowledge was passed down to him.

C: Udala tree is a sacred tree in Onitsha that can only be used by titled men[Ozo title and members of Abalenza] who are the spiritual and cultural leaders within the village. The Udala tree is a powerful tree that is kept as a means of communing with one’s ancestors. Titled men receive what is called an Osisi, which is made from parts of the Udala tree. The Osisi is a staff that has immense power as it too is a means of communing with one’s ancestors and is connected to the Udala tree. No portion of the tree can never be given as a gift because it holds immense power that could possibly be used for evil doing and should not be given to those without the proper understanding of its potential.

Thoughts: I think this is really interesting and is something that I never really understood until now. Growing up my dad was always telling my brother and I stories revolving around his childhood and in particular my late grandfather who was a titled man who was widely respected in his village. Similar to my grandfather, my dad is also a titled man and is designated as a spiritual and cultural leader within his village and in our family as well. The description of the Udala tree is eye-opening because it represents a sacred folk object for men like my dad. Tapping into my memory, one instance stood out to me that became more clear because of the description of the power held by titled men. I remember that my dad would refuse to pray when he was angry. I never really understood why, but in seeing the power he held it makes sense[i.e. It would not be wise to pray angry because you could unintentionally wish harm or do harm to someone out of anger during prayer].  I am unsure in my dad’s description, however, as to whether this tree is real or only a legend passed down by titled men. I know there are some things that my dad refuses to tell me because I am not yet ready to learn or even understand the things that he does, but I hope to eventually verify whether or not this sacred tree is in fact real.

French Gardens

“So French-style gardens are very exact in their layout, they’re supposed to ache, like there’s definite vegetation areas, and there’s gravel stuff, and they’re really into doing intricate designs, and you’re supposed to see different things the farther up you are. What you see on high is supposed to be different from what you see, you, know, at straight-ahead level. And the whole theory of it—you know, they have like, multiple level terraces and whatnot, so you’d see, like, a curlicue design if you’re standing inn, like, eagle eye, but if you’re actually staring just straight at it, it looks like different levels of topiaries.

“So the whole theory behind it is that, um, gardens are supposed to be man’s demonstration of his power over nature. So it’s a whole exercise in controlling, you know, what would otherwise be wild nature. And so, it’s about making sure each path is—strictly delineates between, um, say vegetation and gravel, because it demonstrates that man is ultimately at, by God’s design is at the top of the food chain and is therefore able to control any and all elements, and so the more control that you have, and the more intricate the designs, the better demonstration of man’s control over nature.”

 

The informant said that the purpose of the two different views was to further demonstrate skill: if you can trick the eye into seeing one thing from one place, and another thing from another, it was a good demonstration of power. She found that this belief is “in line with French thinking,” which often favors the art of precision and links that with divinity.

She learned about the gardens from one of her teacher’s in France in 2012, (and she found more evidence of the belief when she researched it on the internet). She discovered it started with Italian gardens and tree carving. The informant learned that it is a sort of big game to see how much you can do with plants in a controlled environment, and it was a way for royalty to demonstrate their power (the head gardener for such people was actually a very respected position).

This belief is compelling because it is so widely accepted it doesn’t exist on the margins of French culture, but in its center. The informant said that magazines and other publications exist solely to teach how to garden in the French style. It seems that the original purpose of the gardens (to demonstrate man’s power over nature) has fallen away in a way that it is not obsolete, but it is no longer truly important. The ideology has been totally absorbed by the culture.