Tag Archives: red

月老紅線 Red Thread from the God of Love

Background:
The informant is a 21-year-old woman who lives in Taiwan. She went to a temple and asked the God of Love for a red thread to stop bad relationships from happening. The interview was conducted through a video call.

Text:
Collector: Can you tell me more about the red thread from the God of Love?

Informant: Yeah, of course. The red thread from the God of Love represents the marriage that is meant to be in your destiny. In our culture, there’s this idea of 緣分 [yuan fen] which is roughly the idea of fate in terms of love and marriage. It’s often described as an invisible string that connects two people who belong to each other. The red thread represents the right 緣分, and it will stop other bad or just not meant to be relationships from happening. 

Collector: How do you get a red thread from the God of Love?

Informant: You have to ask for one from the God of Love 月老 [yue lao]. You bring sweet snacks to the temple and put them in front of the altar. You take these things called 筊 [jiao] which are two red moon-shaped wooden pieces that can indicate what the gods and goddesses trying to say. You list out what you are looking for in your future partner and toss the pieces. If you get yes 3 times consecutively, you can get a red thread from the God of Love. I got mine from one of the biggest temples in the city. Your parents can ask for one for you as well, but you should only have one with you at all times. If you own more than one, the old one needs to be burnt in the furnace in the temple after you get permission from the God of Love. 

Collector: What do you do with the thread you have?

Informant: They used to say that you should tie it on your wrist. However, the staff in the temple told me to keep mine in my wallet and make sure I look at it often. She said don’t tie it because it would mean that there will be 結 ([jie]; knots) which represent 劫 ([jie]; obstacles or disasters).

Collector: Will anything happen when you find the right person?

Informant: When they used to tie it on the wrist, they said that it would break and fall when you find the right person. But I don’t think this is the case anymore. What I’ve heard is that you will lose the tread somehow. 

Analysis:
The religious life in Taiwan is mostly a mixture of Buddhism and Taoism. Though the God of Love 月老 mentioned by the informant is a Taoist god, the practice of asking for a red thread is a part of vernacular religion. People who would want to go through the process of earning a red thread are often feeling lost or frustrated about their dating life. The red thread acts as a guiding light in their search for their happily ever after or reassurance from a higher being that the owner’s love life is being taken care of. Owning a red thread is homeopathic magic because it symbolizes the invisible string that connects one to the right person. Jiao bei, sometimes called moon blocks, which are the red wooden indicative pieces are really amusing in the sense that the sign from gods is quite straightforward. It is also worth noting that the name 月老 or the full-name 月下老人 means the old man under the moon (Full moon), this ties back to the common connection of full moon and fertility since the god is mainly in charge of marriage.

Easter in Corfu

Context:

The informant, PL, is my boyfriend’s father who is 57 years old. He is from Greece and visits his home island, Corfu, often. He currently lives in the valley of Los Angeles and still holds his Greek heritage true to him. When I asked him if there were any Greek festivals or holiday traditions that were his favorite, he immediately named the Greek Easter tradition that is unique to the island of Corfu.

Main Piece:

Interviewer- So tell me about the Easter tradition of Corfu.

PL- Well, every year for Easter we would head down from the village to the main city center known as “Old town” (since the main is also called Corfu as well). At the edge of the city, where it meets the water, my family and I would set up and watch the yearly parade from Spianada Square. At the end of the parade, we would try to get in close to the building that faces the water to see the “finale” of the parade/celebration and watch the people from the apartment balconies toss hundreds of clay vases into the street. It was definitely a sight to see!

Interviewer- Do you know how this tradition started?

PL- I’m not sure why or how it started but it’s been going on for a very long time.

Interviewer- Do you know why they drop the pots or what it meant to represent?

PL- My mom always told me that the pots breaking was supposed to represent evil spirits and misfortune being destroyed and protection from them. The celebration represented Christ rising and new life and hope in general.

Analysis:

The Corfu festival for Easter is a unique example of regional folk tradition incorporated into a global holiday. Upon an internet search, I found that the informant’s interpretation of the tradition was the same as other Corfu citizens. It is also significant that the pots are almost always some shades of red, since the color is a function of symbolism in many cultures, including the Greek. For example, before Easter they dye boiled eggs red, like the blood of Christ. The pots being red also represents the blood of Christ and is likely why the tradition is viewed as a form of protection against evil.

The Nian Monster

Text:

“I know this is for sure Chinese. The idea of a Nian monster. I think this was actually the Chinese New Year tradition and where it came from. So once upon a time *laughs* there was this tale that there was a monster called Nian and every time around the current time of Chinese New Year. The Lunar/Chinese New Year is when the monster comes around and then they will either eat people or do a lot of robbery, a lot of killing, a lot of bad things. And then essentially what people end up doing is that someone found out, I don’t remember exactly how, but someone found out that if you played a very loud noise the monster would retreat. They also found out Nian is afraid of the color red. So this is how the Chinese New Year tradition of playing the bianpao which is the firecracker kind of thing, the thing that gives off a very loud sound, that’s how that tradition developed. And that’s also how the very much appreciated tradition of red packet *laughs* developed because I think Nian was particularly fond of children like kidnapping/killing children so the tradition became of like adults, adults would give children a red packet during Chinese New Year so that Nian wouldn’t come near them. They would also light up bianpao so it makes a lot of noise. I’m not sure how this tradition turned into putting money into a red packet but, I benefited *laughs* from this before which is why I remember vividly guess.”

Context:

The informant was born and grew up in China before moving to the United States to attend High School. The informant was told of the Nian monster when she was 4 or 5 years old by her grandmother. The story of the Nian monster is so popular that she also read about it in books and discussed the story with family and community members. The informant does not literally believe in the Nian monster, however, she is fond of the story and the traditions that accompany it.

Analysis:

The Nian monster and its incorporation into Chinese New Year traditions is perhaps a representation of the fear of the end of a cycle. Death can often follow the end of a cycle and begin the beginning of a new cycle. One’s awareness of the connection between the end of one thing and the beginning of another is heightened during the New Year. Nian could be seen as representing the possibility of death and thus attacks on the New Year.  Furthermore, the story of the Nian monster incorporates children within cultural New Years traditions and shows them that their family and community care about their safety. Children may end up feeling safer year-round if they are shown how much their community cares for them by having the color red everywhere, making noise, and giving them red packets for protection.

Red Ribbon Against Evil Eye

Main piece: A red ribbon to ward off the evil eye. It can be a little ribbon pinned on the outside, or on the undergarments, and especially if there are people in the room that you’re going into that may not like you or be jealous of you, and you have to have a red ribbon. Not all the time.

I don’t know all of it, but the evil eye is against negativity. There are people who don’t wish you well, not you specifically. Just like there are people who want everything wonderful to happen for you and with you. But there are people who don’t. They say they have the evil eye. And people wear a red ribbon to ward off the evil eye. You pin the red ribbon on your heart, underneath. Not showing. It makes you live. The evil eye can’t hit me where I live, my heart. The idea is that if you’re going to be around people that you know are not on your side, and will try and wish bad things for you, you ward off those spirits by wearing a red ribbon, bounces right off. 

Background: My informant is a seventy-nine year old Jewish woman living in Baltimore, Maryland. She is also my grandmother. She describes herself as a follower of “bubbe-meises” (Yiddish), translated to “grandmother’s fables”, or a more serious version of old wive’s tales that are often accompanied by superstitions. 

Context: Her husband (who does not believe in the red ribbon superstition, nor most other ones) immediately brought up the red ribbon when I asked my informant about the superstitions she follows. My informant believes the red ribbon to be an incredibly held belief, and does not remember where she heard it from, but doesn’t believe it to be an exclusively Jewish superstition. 

Analysis: The evil eye is an interesting variation of the Jungian collective unconsciousness; the idea that there are people out there who simply wish you badly, and this subconscious/unspoken malediction could potentially cause real harm. This superstition revolves around the folk object of the red ribbon, and its placement. While my informant was not sure why the ribbon had to be red, or the significance of it, red as a color representing good luck/good fortune has been true in many different cultures/religions, such as China and Hinduism. The red ribbon working as a talisman represents a barrier between any potential harm and the soul of its wearer, which is emphasized by my informant’s placement of the ribbon (she has worn it both over and under her clothes) next to her heart, which serves as an example of James Frazer’s sympathetic magic. The ribbon serves as a piece of contact/contagious magic, which relies on “an action or an element that was once touched by or connected to the designated target of a
magical act” (115).

When asked about this placement, she tapped her heart and said “that’s where I live”, which indicates that it is less physical/bodily harm to be wary of, and that the soul is what is spiritually affected by the evil eye. My informant also emphasized that she does not wear the ribbon all the time (like she never wears it at home or when she visits family), but only when she believes she is going to be entering a situation where people could potentially cause harm unto her. The talisman then acts as a way to safeguard her from the “other”, people outside her social group or identity that could potentially not wish her well, either because of her personally, or the identity group she represents (she does wear the evil eye when she is with new people for the first time, or in crowds). As this is a Jewish custom, and Jews are a minority that have often been persecuted against, it makes sense that people would want a way to feel safe and protected against “evil eyes” in a discreet, non-showy way that establishes their religious or ethnic identity to potential ne’er-do-wells. This practice has also been associated with Kabbalah, and also exists in the variant of a red wool string tied around one’s wrist.

Dundes, Alan, and James George Frazer. “The Principles of Sympathetic Magic.” Essay. In International Folkloristics: Classic Contributions by the Founders of Folklore, 109–18. Lanham, MD: Rowman & Littlefield, 1999.


Main Piece: Red underwear

Background: The informant always wears red underwear when she knows she is entering a situation where danger could occur. She believes that the color red has protective powers and is ultra superstitious about wearing it, especially when flying. She is a very spiritual woman, but also particular about what type of folk beliefs she acquires. She does her research before hopping on a trend or swearing by a specific belief. This underwear belief, while sparked by Madona, has become a pillar in her travel experience.  

Context: “I first started wearing red underwear when Madonna became an expert in Kabbalah. She was very famous at the time and I thought it was quite ridiculous that she decided to suddenly become Jewish, I suppose, and pick the sect that she did. Remember those little red bracelets? I wish that I had had a company at that point manufacturing those because they were hot in the 90s. They taught me. Red protects you. Red protects your soul from being attacked by malicious characters. As a 20-year-old girl, I never liked to fly. I always felt so vulnerable so far up in the sky with people I didn’t even know in control of my life.  The pilot, the flight attendants. I thought to myself if I wear red and red underwear I’ll be protected. Red really isn’t my color, so I felt that underwear was the way to go. I didn’t have to match it with anything, just make sure I owned some undies to throw on before any flight”.  

Thoughts: This is a custom and belief that has been passed along to me, as her daughter. I also think that red is a guarding force and I feel the ritual is associated with my mom and that in itself provides a sense of safety. I love following in my mom’s footsteps with her beliefs because I trust her, so this custom is just another way for me to feel that she is by my side in perilous circumstances. I know that she is very particular about her folk beliefs and practices, so her opinion is highly valued. Her superstitions are worthwhile.