Informant FV is my grandfather who was born and raised in Split, Croatia. As a young boy, he grew up in a traditional Croatian family who upheld their culture through dancing Kolo. Kolo is a series of folk dances that vary by region. The word kolo is translated into “circle dance.”
For those you are not familiar with the Croatian culture, explain what kolo is and what it means.
FV: “Kolo means circle dance and it is a series of Croatian folk dances performed across the different regions in Croatia. Kolo is a type of dance performed in a circle formation where the dancers, both male and female, follow specific steps holding hands in one big group circle. There is always music accompanied with this type of dancing.”
What are the different regions within Croatia?
FV: “There are four different regions in Croatia. The first one is called Croatia proper. This region is the central part of the Republic of Croatia and it is where the capital, Zagreb, is located. Zagreb is also the largest city in Croatia. The second region is the region of Slavonia. Slavonia is mostly the eastern inland area of the country. Next is Istria. Istria is a northern peninsula that is the westernmost region of Croatia. It is famous for the city called ‘Pula.’ Lastly is Dalmatia, which is the region I am from. Dalmatia is the majority of the coastline of Croatia and it includes the southern cities of Zadar, Split, and Dubrovnik.”
Which of these regions perform kolo?
FV: “All of these regions have their own form of kolo. For example, for my region of Dalmatia, we perform a type of kolo called Linđo. Linđo represents kolo for the southern parts of Croatia like Zadar, Split, and Dubrovnik. Other regions like Slavonia and Istria, they perform what’s called Šokačko and Balun. Šokačko means ‘the shaker.’ Slavonia has more of a Turkish influence on the dance because it’s inland and because of past history and Istria has more of a Venetian influence because of how close Croatia and Italy are in distance. The city of Split also has been heavily influenced by the Venetian culture because of its location alongside the coast of the Adriatic Sea. Split and the region of Istria sustained the practices and dances from Italy. Turkey never occupied Split or Zadar, so these cities maintained their Italian influenced dances.”
What styles were the kolo costumes influenced by?
FV: “The Croatian national costumes are called ‘Narodna nošnja,’ which means, ‘native or national costume.’ These costumes vary in design, style, material and color based on the location of each region. For example, since Dalmatia and Istria are located on the coast, their costumes consist of Adriatic or Venetian influence. The men’s costumes are usually white or black and have dark trousers that are tighter fitting with a white shirt and a vest. They also wear a red silk belt with a black cap. Women typically wear several layers, which include a white blouse, a skirt with a very colorful apron on top that has red, white and gold stitching and fringe. The women wear colorful scarves with red, white, blue and green, along with beads and coral necklaces, which represents the Adriatic coast.”
In what context would kolo be performed?
FV: “Kolo is danced at every major holiday, festival, party, religious gatherings, weddings, etc.”
When or how did you learn kolo?
FV: “I learned kolo when I was a young boy growing up in my family and by attending special gatherings were it was performed. It is a lot of fun once you learn the steps and the rhythm of the music.”
Does kolo have any significant meaning to you?
FV: “Yes absolutely. Kolo is part of my heritage and culture. It is a large part of our Croatian celebrations and festivities to dance kolo, as it is a form of group dance and performed in a group setting. It is something that we use to express ourselves and the music that goes along with it is very upbeat and fun. Every Croatian knows how to dance kolo. It is something that you learn at a very young age.”
No Croatian festivity or celebration would be complete without kolo. Kolo, or circle dance, is the general term for Croatian folk dance that is performed in the four different regions of Croatia. Each region has their own version of kolo with their own styles of costumes or “nošnja.” Kolo is part of every Croatian social gathering like weddings, parties, and festivals. I personally have a special connection to kolo, as I grew up dancing since I was little with my sister and my friends. I have taught my non-Croatian friends the steps and they find it to be a lot of fun. Our parents and grandparents taught us all at a very young age the steps and songs that corresponded to each dance. Now that I am an adult, I have a greater appreciation that I can carry on my Croatian traditions and rituals to my children. Kolo was an activity that allowed my friends and I to grow closer as it united us together through our cultural ties.
For another version and further information regarding Croatian kolo dance, check out BBC’s article written by Rudolf Abraham:
Abraham, Rudolf. “Fifty Years of Folk Dancing.” BBC. N.p., 14 June 2014. Web. Apr. 2016.
Photo credit: Nenad N. Bach 2009
Informant AB is a 23-year-old male who is from the East Bay in Northern California. He is a student at the University of Southern California in his third year as a civil engineer major. Informant AB also plays club baseball at USC:
AB: “I play baseball and it is my favorite sport to play. I have been playing since I was 5 or 6 years old and I am still playing on the club team at USC.”
Do you have any particular rituals or customs you perform prior to a game?
AB: “Yes I have two main rituals that I do in baseball. So I play “infield” and when you’re in the infield you are always taking your one-two step to get ready for the ground ball before the pitcher hits so that you are ready to field it, which is pretty common for everybody, but one thing I do just kind of on top of that before every pitch is that I take my glove and I kind of almost tap it on my left hip ever so slightly to just shift the glove in my hand so it feels better in my hand. It’s just something that makes me more comfortable, maybe more confident in feeling grounders and being ready for the potential play coming my way. I also wear the same pair of baseball sliders that I never wash. I’ve had them for years and years and I wear them at all my practices and games. They make me feel more positive about each game or practice because of all of the great wins and experiences I’ve had while wearing them.”
Who did you learn these rituals from?
AB: “My dad actually played baseball for most of his life and when I was little I would watch him play. I would see that he would do the same gesture I do today. I remember asking him one day why he would tap his hip with his glove and he said it would help him to focus and center himself during the games. When I started playing in little league, that’s when I started doing the same gesture my dad did. I guess watching him as a little kid, I picked up on some of the things he did while he played. I’ve been doing it ever since.”
What do these rituals mean to you?
AB: “Well, growing up watching my dad play and learning my ritual from him holds a special place in my heart. I really looked up to him when I was little. I just think it is something special. It brought us closer together.”
Informant AB’s baseball rituals were passed down by someone he looked up to as a young child and is something that he continues to do as an adult. As America’s favorite past time, there are countless folk beliefs in baseball that surround good and bad luck such as rituals being practiced during the seventh inning stretch, to verbal lore being performed during the game. I think it is interesting how as a young child the informant noticed the rituals his father would perform while out on the field and how much of an impact his father had made on him growing up. Their passion for baseball and their father-son dynamic depicts how rituals can be passed down to the next generation through a strong familial bond.
Informant MV is my mother who is both Croatian and Italian. She was born in the United States and grew up in Los Angeles, CA. Her parents immigrated from Croatia to the United States in 1958. MV speaks Croatian fluently and has two daughters who she raised within the Croatian and Italian traditions and culture. Bakalar is a traditional Croatian dish from the coastal region of Dalmatia that is served on Christmas Eve.
- 2 pounds salted cod
- 1/2 cup olive oil
- Salt to taste
- Pepper to taste
- 1 bay leaf
- 8 slices lemon, rind removed
- 1 pound potatoes
- 4 finely chopped cloves garlic
- 1 large finely chopped onion (optional)
- 1/2 cup chopped parsley
What kind of dish is Bakalar?
MV: “Bakalar is a salted cod stew with potatoes that is always cooked and eaten on Christmas Eve. Bakalar, meaning ‘cod’ is the main ingredient. The cod must ferment for at least 2 days for all the favors to come out. Once the fish is cooked, other ingredients like onions, garlic, and olive oil are added to a large cooking pot where you have the potatoes. Then you add the cod to the cooking pot with the potatoes. You can adjust how much garlic or olive oil, depending on your preferences in taste. It’s important that you remove the bones from the fish before you add it to cook in the pot. Then you let everything simmer until you have a consistency that suits you. You also add salt, pepper, parsley, and more olive oil. You can never have too much olive oil.”
How did this dish become so popular on the Dalmatian Coast?
MV: “Well, your Dida (grandfather) told me that cod is not known in the Adriatic Sea so it has to be imported from areas that have cold waters. It has been said that the reason why we have Bakalar in Croatia is because the fisherman from Dalmatia were working on ships that were in the North Atlantic, who learned about this dish while they were away. When they came back to Croatia, they shared their experience with this dish and it became a staple in our cultural cuisine.”
Why do you like making and sharing this recipe?
MV: “It’s a delicious recipe that is pretty easy to make but it takes time to make. If you have the patience and the urge to try something new then it’s a great option. I have shared this recipe with my American friends and they found it to be very tasty.”
Who did you learn this recipe from?
MV: “I learned how to cook from both my parents growing up. I found cooking to be fascinating and relaxing, so as a young adult I picked up a lot of the recipes that my parents made, Bakalar being one of them. My mother taught me this specific recipe while I was probably 15 years old. She showed me step by step how to successfully make this into a stew.”
In what context is Bakalar usually cooked and eaten?
MV: “Bakalar is mostly eaten on Christmas Eve, but we also eat it on Easter and during Lent. Since we are Catholic and don’t eat meat on certain days of the year, Bakalar is the typical go-to dish on those holidays.”
What does this dish mean to you?
MV: “Bakalar is a classic dish that is from our region and it brings back a lot of great memories while growing up. It is a dish that I love to cook and eat. I have enjoyed making and eating it over the years so much that now my kids have learned to make it. You really can’t go wrong with a great dish like this.”
Bakalar, a Croatian cod stew, is a staple of our Croatian culture. It is a main dish that we eat during Christmas Eve and other religious holidays as part of our fasting traditions. You will find Bakalar at almost, if not all Croatian social events or gatherings. This is a dish that brings our families and friends together because it is a dish that is universally loved and cherished by many.
Photo Credit: Croatia Week Magazine
Informant AB is a 23-year-old male who is from the East Bay in Northern California. He is a student at the University of Southern California in his third year as a civil engineer major. AB and his family have made a special Italian dish called Bagna Càuda for Easter for many generations. Bagna Càuda is a traditional Italian dish originated in Piedmont, Italy, which is typically made during the winter months of December and January:
AB: “Ever since I could remember, my Noni would make Bagna Càuda for Easter every year. It’s always been something she has enjoyed making.”
Where did your Noni learn this particular traditional meal?
AB: “She actually learned it from her parents who also learned it form their parents. Once my Noni’s parents immigrated to the United States from Italy, they brought the recipe with them and continued to pass it down throughout the years.”
Can you please explain what kind of Italian dish Bagna Càuda is for those who are not familiar?
AB: “Yes it’s kind of like a fondue, but it’s not like a cheese. It’s more of an oil, garlic, anchovy mixture that is really thin. It’s not a thick mixture. You take whatever it is whether it’s cabbage, mushrooms, red peppers, meat, or chicken and you put it in the garlic, the oil, and the anchovies and mix it all around and let it sit for a while. Once it is ready, it taste delicious.”
As a fellow Italian, I am familiar with this dish being made on Christmas and New Years in particular. Why did your family choose to carry on this dish only on Easter?
AB: “Well my Noni told me once that her parents often would make too much food on Christmas and New Years and there wasn’t enough time to get everything ready so they decided that they would only make this dish on Easter.”
Who do you invite over for Easter dinner?
AB: “Well since it’s Easter, we try to get all of our family members together to celebrate. We also invite a few friends to join in on the celebration. My Noni always ends up making too much food, especially the Bagna Càuda, but it’s a lot of fun.”
Will you continue to pass this traditional meal on as you get older?
AB: “I definitely do plan on carrying on this dish as I get older. Luckily I paid enough attention when my Noni made it over the years so now I can make it myself.”
What does this traditional meal mean to you?
AB: “Bagna Càuda is a dish that will forever remind me of the times as a young boy and the times that my Noni shared with her parents and the times that are spent over this meal.”
AB has fond memories of celebrating Easter with his grandmother and his family. AB’s example of the Italian dish, “Bagna Càuda,” is a representation of a family tradition that has been kept alive over many generations in an effort to preserve his family’s Italian nationality. As a fellow Italian, I am familiar with Bagna Càuda, as my family has made it before during the winter holidays, however, I found it very interesting how AB’s family only makes the dish on Easter. The ritual of making Bagna Càuda every Easter is a way that AB’s family connects to their Italian heritage and it keeps the memory of his grandmother’s parents alive. His desire to uphold his Italian roots is evident and he will continue to carry his family’s ritual along with him.
DK is a junior at the University of Southern California, and is originally from Denver, CO.
DK had some more USC folklore to share with me:
“Football season is a huge production at USC, and probably the most obvious time when the whole school gets together…on gamedays, everyone usually tailgates on campus, setting up tents and hanging out together hours before the game even starts. Once kickoff is approaching, everyone sort of migrates away from campus to cross Exposition and head to the Coliseum…if you go with everyone else through the south entrance of campus, there are these huge light posts at the exit, and for some reason everyone has to kick the base before they keep heading to the Coliseum. Honestly, I have no idea why people do it, and no one I talk to seems to know either. But there’s always backup once you get there, because everyone’s standing around this lamppost waiting to kick it.”
I asked DK what her best guess was as to the origin of the ritual:
“Maybe we’re kicking at our opponents? I don’t know how threatening that is.”
Sports rituals are very common for college and professional teams, and are probably even more prevalent during home games. The entire process of gathering together on campus to tailgate, then migrating together to head to the game, and stopping to perform this ritual without even knowing the meaning demonstrates the strength of USC pride and how it indoctrinates us best on days like gamedays. When school spirit is running high we’re more willing to participate in the most random of activities, because all of it is bringing us together.
DK is a junior at the University of Southern California, originally from Denver, CO.
DK shared stories with me about folklore at her school in Denver:
“I remember the biggest thing in middle school was getting to drink soda at lunch. They sold cans in the cafeteria of like, Sprite and Coke, and sometimes Dr. Pepper, and we’d all get soda to drink at lunch. Once we were done, we’d all go in a circle and wiggle the tabs back and forth while going through the alphabet…when the soda tab fell off, whatever letter you landed on was the first initial of your crush. And then we’d all flip out trying to decide who everyone’s crush was.”
This ritual is found all over schools everywhere, with kids of all ages. At a time when they are changing the ways they socially interact with one another, in more romantic or sexual means, it’s a cute and interesting way of sharing those feelings with your friends. Other variations I’ve heard of include twisting an apple stem until it breaks, or reciting the alphabet while jump-roping. Most importantly this seems to be a group ritual – if you were drinking soda or eating an apple alone, you wouldn’t necessarily do this to see you your crush was.
JH is a senior at a all-boys Catholic high school in La Canada Flintridge, CA. He lives with his parents in Pasadena, CA.
JH sat down to talk with me about a ritual he and his friends began practicing as early as middle school – taking the train to Chinatown in downtown LA after school.
“Some of my friends started going in eighth grade…our middle school was really close to a Metro station, and we could just say we were walking to my friend N’s house and just go there instead. Tickets were only like $1.50 each way and it only takes like, 15 minutes to get there. I only went once though I think…and we just walked around and looked at stuff, they had those little turtles and firecrackers and shit, I don’t even know if anyone bought anything.
“I went more with friends in high school though, like freshman and sophomore year a bit. We could still take the Metro after school and just told our parents we were staying after school to do homework in the library or had a club meeting or something. My friends would also buy cigarettes at these little smoke shops there, and there was like, always one that kept getting shut down or they kept changing the name…it would pretty much be a different woman every time, like ‘Kim’s’ or ‘Annie’s’ or something. And they wouldn’t ask for your ID or anything, my friends would just like buy whatever their friends bought, like red Marlboros or American Spirits and stuff. They had pieces too [for smoking weed] and bongs, so sometimes my friends would get the cheap glass pipes, they were like $10 each or something. I know some people would go through the markets where they had clothes and knock-off jade stuff, and there was this one little stall hidden behind clothes that sold a whole bunch of weapons. We mostly just went and looked but some people bought things, like ninja stars or big knives…people said these guys supplied the Chinese mafia, or something. One time someone said they saw a warhead…like the kind of thing you put on top of a missile. For awhile one of my friends had like a plywood board in his garage, and we’d take turns throwing the ninja stars at it.”
I asked JH why he thought Chinatown was so popular for younger high school kids, and what it said about their youth culture:
“I don’t know…I don’t know when they built the Metro, but I guess it was probably pretty new. And in like 8th grade, beginning of high school, no one can drive, but you kind of want to start going out and exploring…beyond Pasadena, outside of just your neighborhood and school and stuff. And then the Metro only really has a few stops that aren’t in totally random places, like yeah you could get on different lines and go to Hollywood and stuff but we only had a couple hours after school and going too far was probably too…intimidating or scary when we were only like, 14. And then obviously older kids were doing it and that’s where they were getting dumb things like cigarettes that they had at parties, and I guess we just wanted to see what they were getting into, and it just seemed really cool going to a kind of sketchy place and knowing we were breaking all these rules. Probably just like, typical teenage rebellion, sneaking behind your parents’ backs before we could drive and really start getting into trouble. Plus, in Pasadena I think we all know we’re super sheltered in this really well-off community, and everyone’s had pretty comfortable and safe lives…which I guess adds to the danger part.”
I think this type of ritual is typical among teenagers, especially younger ones, who are just starting to become independent and want to push the boundaries their parents have set so far. The ages of 13-16, 17 really define the liminal period in American culture, when kids start to feel more self-sufficient but aren’t ready to take on all the responsibilities of adulthood; parents struggle with the transition too, knowing they should start preparing older children to take care of themselves, without wanting to kick them out of the nest so fast. Kids toeing the line, and learning to take advantage of their parents is nothing new, and here we see them trying to navigate the larger (and more adult) world using public transportation, coming into contact with drugs and drug paraphernalia, and doing so with an air of secrecy and defiance.
Additionally, it starts to separate “cool” or “mature” kids from those who are happy to obey authority, and some feel pressured to challenge their parents instead of their peers. Sneaking out and experimenting with illicit activities (drinking, drugs, sex, etc.) is a large part of the American high school experience, and this ritual demonstrates one foray into that world.
JH is a senior at an all-boys Catholic high school in La Canada Flintridge, CA. He lives with his parents in Pasadena, CA.
JH talked to me about some of the traditions and rituals that surround New Year’s and New Year’s Eve in his hometown:
“New Years is probably the biggest event in Pasadena…first of all there’s the Rose Parade and Rose Bowl game…for the Rose Parade you always know it’s coming because in like, late November they start putting up the grandstands down Orange Grove [a major boulevard], and I live right above the Rose Bowl so they start setting up for events around then too in the neighborhood. They put up these giant white tents down there where they start building some of the floats, and you can go down and help decorate them with flowers – I’ve never gone, but I know some people or their families go every year. The floats are really cool.
There’s also the Rose Court and they’re a big part of the Rose Parade. My sister tried out a few years ago. I think in like September, or really early in the school year, all the girls who are seniors can try out, and they go to this really big mansion called the Tournament House and have a bunch of rounds of interviews. Obviously like, not all the girls are really interested in being on the Court, but it’s just a tradition they all do together. Everyone who participates I know also gets two tickets to this ‘Royal Ball,’ which is basically just a huge dance they have. That’s why a lot of girls do it I guess, just to get the tickets. But I don’t know, maybe it’s also just fun for them to participate. And then they eventually pick like six or seven girls, and one of them is the Queen, and they spend the rest of the year doing charity work and being like, the representatives of Pasadena, and then on New Years they have their own float and they kind of “preside” over the Rose Bowl game later that day.
A lot of my friends don’t really go to the actual parade though…it’s the kind of thing you go to a few times when you’re little and your parents want to take you and it’s exciting – they have free donuts under the grandstands, and hot chocolate – but once you’re like, 10 everyone’s pretty over it. And then when you’re older, the best part about New Years is New Years Eve. The night before, everyone usually gets dressed up, not fancy or anything but girls wear dresses and heels sometimes, and even though it’s freezing outside, like less than 50 degrees at night, everyone goes to parties near the Parade Route. They bring some of the floats onto the street the night before and block it off to cars, to everyone’s just walking up and down Orange Grove looking at floats and hanging out with their friends, there’s some people camped out for the parade on the side, and kids are going back and forth between other people’s parties. It’s really funny because everyone is drinking too. Besides the kids, you see a lot of cops and a lot of people’s parents just really really drunk on the street, and everyone’s just having a good time…if you lived off of Orange Grove you would feel kind of obligated to have a party or open your house up. And then everyone would obviously like count down to midnight together and all that, and then you’d usually crash at someone’s house and wake up the next morning and watch the parade on TV, if you wanted to, or just walk up to the parade route and see it from there. But after awhile no one really got tickets to see the parade. But if you were really lucky, you got tickets to the Rose Bowl game, which was always a big deal. My friends and I really like football, and usually someone’s dad knows someone who can get us tickets, so we try to go whenever we can.”
I asked JH if he thought his experience with this festival was unique, as someone who lived in the community and had people coming from all over to vacation in his hometown:
“Yeah, it was definitely different. Growing up with this happening every year, a lot of it just got kind of annoying, especially living right next to the Rose Bowl and having streets blocked off and so much traffic that entire week before New Years. There’d be a lot of football fans from the Midwest of whatever Big-10 school that was playing, or Stanford people coming down from the Bay for the week, and there’d be just a bunch of people and a bunch of cars all over Pasadena during the end of winter break, a lot of people who didn’t know where they were going. I guess Pasadena isn’t usually a tourist destination until New Years, so it’s weird all of a sudden having a bunch of strangers in your hometown…like Pasadena isn’t small, it doesn’t feel like a small town where everyone knows each other, but you can clearly tell if someone is visiting or someone lives here. And yeah, the Rose Parade gets old after awhile, but I think everyone who lives here would still say it’s one of their favorite holidays.”
Its very different to visit a festival annually and to live in a community where an annual festival takes place – after awhile, the nostalgia and excitement is buffered by some of the logistical nightmares and fatigue that JH describes above. Pasadena New Year’s and New Year’s Eve definitely has similar traditions as other places, like counting down to midnight and getting together with friends and family. The Rose Parade also has elements of other festivals, like floats and a “court” of young women. JH gets to see community involvement a tourist doesn’t, like the selection of Rose Princesses or the decoration of floats that requires residents’ participation and support. This ritual is a great example of welcoming the new year by bringing a community together, while continuing customs that now have come to define Pasadena.
For more information about this festival, see:
“About the Rose Parade.” Tournament of Roses. Tournament of Roses, 18 Feb. 2016. Retrieved from https://www.tournamentofroses.com/rose-parade.
MH is a third-generation Irish-American, originally from Battle Creek, MI. He splits his time today between San Francisco, CA and Pasadena CA, where his wife and 18-year-old son live.
MH talked about a ritual his family performed:
“My father was the head of New Product Development at the Kellogg’s corporation, which is why we were living in Battle Creek. He oversaw the development of cereals like…Sugar Smacks, Frosted Flakes, Apple Jacks and Rice Krispies…those were all his projects. We used to get to test new cereals, and they would come home in these white boxes so we wouldn’t be influenced by any packaging. He eventually became president of their International Division, so he had to travel a lot. At home of course we could only eat Kellogg’s cereal, but when he’d prepare to go out of town it was a ritual for us to decide what non-Kellogg’s cereal we were going to buy for while he was away. My mom usually tried to limit us to Cheerios, but my favorites were like, Lucky Charms and Cinnamon Toast Crunch. I think my dad knew but he never talked to us about it…”
Family rituals that involve secrecy from a parent are common, and they usually seem to be invented to help the other parent bond with their kids. In this case, MH (who has 9 other siblings) thinks it brought his brothers and sisters together. With so many of them, meals weren’t necessarily a family event, but when they all got together to pick their contraband breakfast cereals, they spent some rare time as a whole group. MH says he and his siblings all buy Kellogg’s cereal for their families, but would look the other way if their spouses decided to give their kids something from General Mills.
Informant is a 19 year old female who was born in Chicago and currently lives in Los Angeles. She is my roommate.
Informant: So ever since I was a kid, I went to this sleep away camp called Camp P________ (name removed by request). Once you reach a certain level at the camp, a lot of people know you, like a sufficient amount of people, and you can get inducted. So the second week, every two week during campfire, everyone who is inducted, which is a huge secret at my camp, like nobody knows about it, they come to campfire, and they say like please stop what you’re doing and follow us in silence. And then they lead you into the woods, and everyone’s dressed as indians. And you recognize them, but you can’t talk to them, they won’t smile and they won’t look at you, you walk, you all sit in this area, there’s like bonfires everywhere, this woman sits in the middle, and it’s like a ritual. The girls and boys are separate, by the way, there’s no boys around. She starts this whole ceremony and she says all of these native american prayers and does these rituals, and it’s all accurate too. And then, everyone has a specific name at camp, so the lady says “Giggling Chipmunk and Mountain Sunrise, come down from the hills and bring us the one that we shall call Spastic Chipmunk.” That’s my name. And they run and they grab you and they drag you from the crowd, and you have no idea if you’re being taken, you’re blinded and you’re stripped naked, they beat you, and then you get this necklace and it’s this hand painted necklace, and every single one is different, and there’s a rock on the end of it, and it’s a symbol that’s specific to you. So like mine is a sunrise, and that’s how we know that someone’s in the tribe. And if anyone asks about the necklace, you’re supposed to just say “My friend made it for me,” just very casual. And you spend the entire night with the tribe, and there’s this party after, and the next day you act like everything is back to normal, and then you, the next year, get to choose people to be part of the tribe. And it all stems from this indian tribe called the Paioka, and the guys do the same thing, except they wear a necklace that’s just an eagle on it, and it’s a representation of the Monotauk Indian tribe, and a lot of our camp counselors have it tattooed on them. It’s a really spiritual thing at our camp, because those tribes used to live there back in the day.
Collector: It sounds like this ritual was very significant to you.
Informant: It definitely was. They always told us that whenever we feel alone or sad, you just touch your necklace and you can feel the voices of the women in our tribe. (Starts crying) Sorry, I’m so emotional. There’s people that wear it year-round. I probably should. It really means a lot to me.
I never went to sleep away camp, so I never experienced anything like what she is talking about here. However, it was very emotional for me to see her reacting so strongly to her memory of this ritual. Because this is something that is very foreign to me and hard for me to understand, it was really cool to hear her describe it so visually. I could almost feel as if I was there experiencing it with her. I also think it’s really interesting how this ritual stems from rituals of previous Native American tribes, and that they still honor them today.