Tag Archives: Taiwan

月老紅線 Red Thread from the God of Love

Background:
The informant is a 21-year-old woman who lives in Taiwan. She went to a temple and asked the God of Love for a red thread to stop bad relationships from happening. The interview was conducted through a video call.

Text:
Collector: Can you tell me more about the red thread from the God of Love?

Informant: Yeah, of course. The red thread from the God of Love represents the marriage that is meant to be in your destiny. In our culture, there’s this idea of 緣分 [yuan fen] which is roughly the idea of fate in terms of love and marriage. It’s often described as an invisible string that connects two people who belong to each other. The red thread represents the right 緣分, and it will stop other bad or just not meant to be relationships from happening. 

Collector: How do you get a red thread from the God of Love?

Informant: You have to ask for one from the God of Love 月老 [yue lao]. You bring sweet snacks to the temple and put them in front of the altar. You take these things called 筊 [jiao] which are two red moon-shaped wooden pieces that can indicate what the gods and goddesses trying to say. You list out what you are looking for in your future partner and toss the pieces. If you get yes 3 times consecutively, you can get a red thread from the God of Love. I got mine from one of the biggest temples in the city. Your parents can ask for one for you as well, but you should only have one with you at all times. If you own more than one, the old one needs to be burnt in the furnace in the temple after you get permission from the God of Love. 

Collector: What do you do with the thread you have?

Informant: They used to say that you should tie it on your wrist. However, the staff in the temple told me to keep mine in my wallet and make sure I look at it often. She said don’t tie it because it would mean that there will be 結 ([jie]; knots) which represent 劫 ([jie]; obstacles or disasters).

Collector: Will anything happen when you find the right person?

Informant: When they used to tie it on the wrist, they said that it would break and fall when you find the right person. But I don’t think this is the case anymore. What I’ve heard is that you will lose the tread somehow. 

Analysis:
The religious life in Taiwan is mostly a mixture of Buddhism and Taoism. Though the God of Love 月老 mentioned by the informant is a Taoist god, the practice of asking for a red thread is a part of vernacular religion. People who would want to go through the process of earning a red thread are often feeling lost or frustrated about their dating life. The red thread acts as a guiding light in their search for their happily ever after or reassurance from a higher being that the owner’s love life is being taken care of. Owning a red thread is homeopathic magic because it symbolizes the invisible string that connects one to the right person. Jiao bei, sometimes called moon blocks, which are the red wooden indicative pieces are really amusing in the sense that the sign from gods is quite straightforward. It is also worth noting that the name 月老 or the full-name 月下老人 means the old man under the moon (Full moon), this ties back to the common connection of full moon and fertility since the god is mainly in charge of marriage.

出外靠朋友: “Going out, relying on friends”

Chūwài kào péngyǒu

Translation: “Going out, relying on friends”

Background: Y is a 21-year-old college student from Taiwan who is navigating her new life in Los Angeles, California. Having grown up in and gone to school in Taiwan, she is incredibly familiar with Taiwanese folklore and culture.

Context: This is a proverb that Y’s parents would always say to her to remind her of the importance of making friends and networking. It refers to when you are out of your parents protection and when you must rely on friends to give you a helpful hand. It emphasizes the importance and benefits of having close friends.

Analysis: This proverb highlights the importance of friendship and having a large safety net in Taiwanese culture. It highlights the transition from living with your parents to expanding your horizons in the real world amongst working adults. Contrasted with American culture, where young adults are expected to fend for themselves once leaving their parents’ protection, Taiwanese culture values building your network before the jump into adulthood. Once you step out of the familial nest, you are expected to be independent of your parents yet not entirely independent of your peers. Overall, it is a proverb highlighting the importance of community and fraternity among peers when transitioning from one stage of life to the next.

凱瑞 : “Carry”

“Kǎi ruì”

Translation: “carry”

Background: Y is a 21-year-old college student from Taiwan who is navigating her new life in Los Angeles, California. Having grown up in and gone to school in Taiwan, she is incredibly familiar with Taiwanese culture and folklore. She attributes her familiarity with modern Taiwanese folk speech to her experience in the Taiwanese education system.

Context: Y remembers first hearing “凱瑞” from a classmate in high school. Y describes “凱瑞” as folk speech which describes someone who is carrying the whole team. It describes someone whose skill, personality, and preparation is so efficient that it compensates for the shortcomings of others. For example, when in a group project, if one student’s efforts outweigh and compensate for the incompetence of others, you can say that this exemplary student is very “凱瑞”. This example of folk speech is most commonly employed in the educational setting and used by the youth.

Analysis: As mentioned, this folk speech is used most commonly amongst the Taiwanese youth, specifically students. Y’s personal example of the group project demonstrates the common occurrence of loafers, slackers or idle workers that can create the need for a more skilled individual to contribute extra effort so that the whole group may meet certain expectations. The usage of “凱瑞” highlights how the person who carries the whole team is venerated for their noble act of stepping up to the challenge. In fact, the existence of such a phenomenon in Taiwan, the word referring to it and its relevance to other cultures (especially American schools) can possibly imply that the experience of a group project is despised in many academic spheres worldwide.

欲速則不達: “Want speed, then no achieving”

Yù sù zé bù dá

Translation: “Want speed, then no achieving”

Background: Y is a 21-year-old college student from Taiwan who is navigating her new life in Los Angeles, California. Having grown up in and gone to school in Taiwan, she is incredibly familiar with Taiwanese folklore and culture.

Context: Y recalls hearing this proverb from her parents, teachers, and coaches in Taiwan. She says it means if you try to accomplish something quickly, you can fail badly.

Analysis: This is a proverb that came from the Analects of Confucius. It means that working towards something at a fast and unreasonable pace will inevitably lead to failure. It suggests that taking your time and being wise with your decision-making will ultimately lead to success. The proverb demonstrates the central role and influence of Confucian philosophy in Taiwanese culture, as it serves to provide a focus on personal morality and wise attitudes toward life. The proverb also reflects the need for and importance of reaching some ultimate end goal. This proverb is similar to the proverbs: “Haste makes waste” and “Slow and steady wins the race”

The Old Lady, and the Siblings

Background: This story was told to the informant by his parents.

Context: This tale was performed in the Architecture studio, for an audience of two, in
order to pass time while working on projects.

“So when kids don’t want to go to sleep in Taiwan, their parents tell this to them. A brother and a sister when their parents left for the night hear a knock on the door. An old woman comes in. At night the old woman eats one of the siblings. One night the old woman woke up and ate the brother. The sister hears the sound of chewing, so she woke up and asks the woman what she is eating. The old woman says, “Oh, I’m eating peanuts” and then she just throws the sister one of her brother’s fingers, “Oh, here’s a peanut”. The sister freaks out because of this, and says “Oh, I need to go pee” and then she goes outside and climbs a tree. The old woman comes out and says “I want to eat you too.” The sister tells the old lady “First I need a pot of hot water.” So the old lady takes the hot water outside, and brings it to the sister. The sister says, “Ok, Im going to jump.” The woman opens her mouth so that she can jump in, but the sister pours the hot water into her mouth instead. “

This tale is likely a cautionary one told by parents to convince their children not to trust strangers, and let them into their house. It also encourages creative thinking on the part of the sister to get out of a sticky situation.