Author Archives: Mia To

Theater Saying

Context:

HB is an American woman who has had 30 years of experience working in the theater industry, specifically in tech, props and production management.

Folklore:

When an actor in a stage play is “really overacting and they’re playing to the back of the house”, one would say that they’re “chewing the scenery”. This could be a good thing or a bad thing. If the role calls for that amount of energy, then it’d be a positive thing, but “generally it’s kind of negative”.

Some examples/variants:

“That scene was exhausting to watch, it was a scenery-chewing performance.”

“He’ll be picking scenery out of his teeth for days”

Analysis:

The actual meaning of this saying is a criticism of actors that don’t take realism into account during their performances and just focus on expressing as much emotion as possible. Especially in theater performances, it’s common for actors to need more energy in their acting since they have to portray to audience members that are seated far away from them, but this saying seems to acknowledge some threshold for the accepted amount of exaggeration in acting. This showcases the need and appreciation for realism, or at least a balance between realism and emoting within a performance.

The imagery of the saying also suggests a dynamic between actors and stage hands. If a performer’s acting “chews up the scenery” or, in other words, destroys the stage, and is seen as a negative thing, then it’s possible that there is a need for respect between actors and those who work backstage. If an actor’s performance is overwhelming in action, it’s possible that the audience would overlook the hard work of the stage hands in making the image on stage come to life, which would make the stage hands upset.

Don’t Whistle in the Theater

Context:

HB is an American woman who has had 30 years of experience working in the theater industry, specifically in tech, props and production management.

Folklore:

HB goes on to describe why whistling in the theater is taboo:

“The first stage hands were sailors because theater requires a lot of rigging, there’s pulleys and ropes and things that have to go up and down. And the way sailors would communicate on old sailing ships was by whistling, they had some kind of code…. So in the theater when they would call cues, they would do so by whistling. So it’s bad luck to whistle in the theater because you might accidentally tell someone to drop a sandbag on your head!”

Even though stage hands now have headsets and other forms of communication and other ways to rig a stage, it is still considered to be taboo and bad luck to whistle in a theater

Analysis:

The fact that this is still practiced in modern times showcases thespians’ devotion to history, traditions and the past. The nature of theatrical shows is normally in tribute to past events, whether it be the writing of shows that are set in the past or the reproduction of plays that were written in the past. It makes sense that a common theme in the theatrical environment is to preserve old ways and traditions since it is a behavior that aligns with their goal to relive the past. 

Another taboo action in theater, that HB compared whistling too, is saying the name of a certain play inside of a theater, which is now nicknamed the Scottish Play. The real name of the play was the last name of some characters that killed many for power and were haunted by their actions. Saying this would result in someone dying in the theater. Some would joke around with this and take it more light-heartedly while some were very serious and even perform a curse reversing ritual of sorts if the name of the play was said.

Both of these taboo actions are centered around the power of the past and death or bodily harm. These actions were probably made taboo to emphasize the lesson of respecting old ways and the power of the past.