Category Archives: Festival

Mithai

My informant is a Pakistani male that has lived in many different countries across the world, yet his attachment to Pakistan and its culture plays a significant role in his life and how he lives.

Traditional Food:

Mithai is a “type of box or category of sweets” that exist within Pakistani culture. It is comprised of “different sweet treats and toffees that you give out to houses at the weddings.” He describes these sweets as a form of an invite for party favours that occur at the wedding. The sweets are often seen as a ‘thank you’ or token of appreciation and reminder of the wedding, they are the “staple sweets at Pakistani weddings”

Context:

The Mithai is usually made by certain stores in Pakistan that specialize in providing the sweets “on a large scale when they also are able to maintain the best quality” for the guests. Even though my informant is Pakistani and has seen these sweets at weddings and different family events that he has attended, it is “a general desi traditional sweet that also exists in India”. This sweet is provided before the dinner or reception as a sort of snack or small bite in order to keep the guests satiated and entertained for the long day of traditions ahead.

Analysis:

The incorporation of food into big events in Pakistan such as weddings allows the guests to feel like they are being cared for in a certain environment. It ties it back to their culture as the unified feeling of togetherness that is provided in the event is seen through Pakistani food as a whole which is usually made for sharing and family-oriented events. The ability that their culture possesses by bringing their families together with food allows them to maintain their connections with the children and set in place the values that they hold when prioritising family. Furthermore, this is seen in the wedding sweets as the guests are seen as part of the family and are given the opportunity to celebrate the day with the community whilst being fed and incorporated into a family tradition.

Navratras festival – not using sharp objects

Ritual:

There is a Hindu holiday, which occurs twice a year, called Navratras. It lasts 9 days. During these 9 days, people who fast do not use any sharp objects, except for a knife to cut food. People do not cut nails or hair or shave for 9 days. It is believed to bring bad luck if you use sharp objects.

Context:

JG is 59 years old and my mother. She grew up in India with a very religious Hindu family, before immigrating to the USA. She still practices Hinduism to this day, and follows all of the religion’s traditions, observes the festivals, and believes in its myths to this day. She tried to pass this on to me as a child, but her religious beliefs never really connected with me. She agreed to retell this celestial myth to me for this assignment.

Analysis:

The Navratras is a Hindu festival in which people worship Goddess Durga by fasting. Some people believe that Goddess Durga stood on the tip of a needle while fighting the evil forces – this is why sharp objects, like needles, are probably associated with bad luck. The festival has its origins in ancient Hindu texts and has been observed for centuries – this shows the great effort that many Indian cultures make to preserve their stories and traditions. This particular aspect of fasting is probably a form of making physical sacrifices, in the form of small changes in one’s everyday lifestyle, for the gods.

Swedens National Dance

Text: 

The Hambo

Context: 

Collector: “Give us a brief history on practice and use of the Hambo.” 

Informant: “The Hambo is Swedens national dance, and is a couple’s dance that originated in the late 19th century and became popular across Sweden and other Nordic countries. It is characterized by its graceful, flowing movements and the use of a gliding step that gives the dance a smooth and fluid quality. The music for the Hambo is typically played on a fiddle or accordion and has a lively, upbeat tempo. The dance is usually performed at traditional Swedish celebrations, such as Midsommar, festivals, and weddings. It is more often taught in schools as part of physical education and is sometimes performed by professional dance troupes.“

Collector: “How did Hambo play a role in your life?“

Informant: “Dancing is a very integral part of Scandinavian celebrations and ceremonies, symbolizing joy, unity, and tradition. My father made me start Scandinavian dancing from a young age, so it has just become a part of who I am. From this I have developed a tremendous appreciation for dance, which brings a joy I cannot obtain from anything else.“

Analysis:

The Hambo seems to play a crucial role as a performance in the carrying out of many Swedish traditions, which makes sense since it comes from a nordic country. Sweden is a small nordic country, regions known for having rich, nationally recognized folklore. These countries typically weaponized folklore against the presence of outside, unwelcomed invaders during the 19th and 20th centuries. With this weaponization comes a greater sense of nationalism, and as a result, spurs the interconnectedness of its peoples and cultures. This way, countries like Sweden are able to act more like a single body, and strengthen themselves under their unity. Larger, more powerhouse countries like France, the UK, or the USA, did not require such weaponization for their strength was more industrial as opposed to cultural. This is why you see a weak, distilled presence of folklore within all of them.

Swedish Folk Costumes

Text:

Folkdräkt – Swedish Attire that depicts family history

Context:

Informant: “Folkdräkt is a dress outfit for women and Busserull shirt and trouser set for men. It represents where an individual’s family comes from, or in many cases, like my siblings and I, the garment is passed from generation to generation. My Folkdräkt is from Mora, Sweden in Dalarna County. Each Folkdräkt from each family has its own distinct patters and garment styles. They are a result of the family’s history, and their certain ties with perhaps specific flowers that can be depicted in Folkdräkt. It is not rare for Folkdräkt within the same region to look very similar, for they are often influenced by geographic elements and resources. Folkdräkt is often worn at weddings and festivals, or any event that may include Hambo. Typically children are the ones performing for adults, but the reverse can also be true.“

Analysis:

Folkdräkt is a dress attire within Sweden that can be used to trace a family’s lineage, or geographical origins. As a folk costume, it is powerful since it’s a physical tie between the individual and their extended history. Nordic countries are known for having a rich, strong sense of folk, that extends from their weaponization of folk to protect themselves since they are smaller countries. Here we can see that this concept may not only occur on the national level, but can be applied to individual families as well. Families within Sweden use Folkdräkt as a catalyst to be able to distinguish themselves from other families. This comes from a desire to be able to define your legacy from others, within a stream of millions of legacies. It is also interesting that Folkdräkt quite literally translates to folk attire, with “dräkt” meaning suit or attire, and folk being an english cognate.

THAI POOSAM – SOUTH INDIAN RELIGIOUS FESTIVAL

Informant Info

Nationality: Indian

Age: 53

Occupation: Computer Programmer

Residence: Las Vegas, Nevada

Date of Performance/Collection: 2023

Primary Language: English

Other Language(s): Tamil

Relationship: Mother

Referred as AS.  AS was born in India and moved to the United States when she was 24. 

Text

Thai Poosam is a Hindu festival celebrated by the Tamil community, particularly in the southern Indian state of Tamil Nadu and Sri Lanka. The festival is held in the Tamil month of Thai (January-February) and is dedicated to Lord Murugan, the Hindu god of war and victory.  The festival is characterized by elaborate rituals, religious ceremonies, and the participation of many devotees from all over the region to participate in the festivities.

Context

While growing up, AS attended this yearly festival on several occasions.

One of the festival’s main events is the Kavadi Attam, a devotional dance performed by devotees as a form of penance and offering to Lord Murugan.  During this dance, devotees carry kavadis, decorated structures weighing up to 40 pounds, on their shoulders as they perform various dance movements.

Another important aspect of Thai Poosam is the Pal Kavadi, a procession of devotees who carry milk pots as offerings to Lord Murugan. This procession is led by the Pal Kavadi carriers, who are dressed in bright and colorful attire and are accompanied by musicians playing traditional instruments such as the nadaswaram and the thavil.

Interpretation

According to Hindu mythology, Thai Poosam marks the day when the goddess Parvati gave Lord Murugan, her son, a vel (spear) to defeat the demon Soorapadman and his army of demons. Lord Murugan, with the help of his vel, defeated the demons and restored peace to the world.

Also, Lord Murugan is believed to be a deity who can bestow wealth, health, and wisdom upon his devotees. Devotees fast, pray, and offer special prayers and rituals to Lord Murugan, seeking his blessings and protection.  It is believed that by observing fasts and performing rituals, one can purify one’s body and mind and eliminate negative energies and impurities. Some devotees perform acts of self-mortification, such as piercing their tongues or cheeks with sharp objects, to seek purification and atonement for their sins.  Finally, Thai Poosam is believed to be a day of community and togetherness. Devotees come together to perform the rituals and offer prayers, and the festival provides an opportunity for families and friends to bond and strengthen their relationships.