Tag Archives: clothing

The Victory Dance of the University of Texas Rowers

Main piece: When Texas [University of Texas] wins NCAA or they do well or something I think, they dance. They have this little, like, line dance kind of thing. They do this dance in their “unis”, so their rowing unisuits, they’re like leotards but for rowers, and then they have those on, plus these you know, standard cowboy boots. And they get these as part of the gear, so they get their rowing suits, their leggings, their shirts, and a pair of cowboy boots. So they’ll dance in those if they do well, onstage. And it’s kind of exciting, kind of entertaining, but sad if you’ve lost, which I guess is part of the fun. 

Background: KP is a sophomore coxswain for The Ohio State University rowing team. After coxing competitively in Maryland clubs for four years, she was recruited to cox at Ohio, which she has now done for two years. The Ohio State University rowers are currently ranked third in their region for rowing by the NCAA (though those rankings change frequently), but are Division 1. Texas, while not Ohio’s rival (which is Michigan), they are seen as “good” (according to KP), and a serious competitor. 

Context: A couple of months ago, I received a text from KP after a competition, who was upset that her team lost to Michigan. When I asked why, she explained that the loss is particularly “sad” when Michigan, Yale, or Texas wins; Texas because “they dance with their cowboy boots when they win. Which is kinda awesome but sad when they’re line dancing on a stage and you just have to look up at them in sadness.” When interviewing KP for the Archive about folklore in rowing (via Zoom, as she is still on campus in Ohio), I immediately asked her about this tradition. She had watched Texas do their victory dance at previous competitions. 

Analysis: Texas’s victory dance is a way to celebrate their (Texan) identity, distinguish themselves from other teams, bond with each other, and also glory in their victory in a semi-taunting way. The addition of cowboy boots to their uniform apparel, a stereotypical “cowboy” attire, is a way of representing the University of Texas and distinguishing them from the other teams, who are dressed in an otherwise similar way (it is important to note that while KP has only seen the Texas team perform this dance wearing cowboy boots, there have been videos posted online where they do the celebratory victory dance barefoot or wearing flip flops). While line dancing is not exclusive to Texas (and in fact its origins are believed to be from European folk dances), there is a connotation that line dancing today is accompanied by country/western music and performed by cowboys or ranch hands (i.e., working-class people). This is interesting because rowing itself has often been viewed as an elitist/classist niche sport, as it is an incredibly expensive endeavor in which to participate (in a later part of our discussion, KP refers to rowing as “classist” and “pretentious”). However, after further research, I discovered that the Texas team’s dance is often accompanied by the song “God Bless Texas”, so in this instance, the rowers choose to align their identity with state nationalism, and as an extension, their school (University of Texas is part of the State System, which is a governmental entity). Furthermore, the older rowers teach the incoming freshmen the dance. In a video I found online entitled “Texas Rowing Dance Tutorial”, the sophomore rowers were teaching the incoming athletes the dance. This practice would normally occur in person, but due to COVID, this rehearsal was done over Zoom, recorded, and posted to YouTube. The dance then also serves as a ritualistic bonding between members of the group and is perhaps even an incentive for them to practice harder in order to win so that they can then perform the dance in front of an audience. Finally, KP found the dance to be “sad if you’ve lost, but I guess that’s part of the fun”. Historically, victory dances have been used to both celebrate a victory and antagonize the losing participants. KP finding the dance sad, so much so that she believes that losing to Texas to be a particularly upsetting loss, shows that the victory dance is also used to make their fellow competitors feel lower, therefore elevating themselves. The dance is performed on a stage during the handing out of awards; all of the teams are required to stay there and watch. The practice of line dancing by the University of Texas rowing team therefore serves to show both state and team superiority over their competitors.

Good Luck to Bleed on Designs in Fashion Industry

This friend is a student studying fashion design at FIDM, and she often alters housemates’ old clothes or creates new designs when she doesn’t have schoolwork. She attends one particular class that requires she use a small mannequin and canvas to create fabric patterns.

Three females including myself were in the kitchen when I asked her whether the fashion industry has any superstitions. We held this conversation after a day of work, and we discussed other folk beliefs in the same sitting. The speaker said that it is good luck to bleed on new fashion designs because this means the designer put their ‘blood, sweat and tears’ into the piece.

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In the fashion industry, “It is good luck to bleed on things. Like if you’re pinning stuff on your body form, and you prick your finger a little bit, and you get like a little blood on like your costume or your design, it is considered good luck.” The speaker said that she had accidently done this while creating her own designs, and that she learned this tip from a female professor.

Designers are not supposed to bleed on purpose. Doing so ruins the sentiment. I asked if blood was still a good sign if the design were made out of expensive fabric, and the speaker said yes, that’s not a problem because blood is very easy to wash out with hydrogen peroxide and warm water.

The speaker said that this superstition meant a lot to her because she has bled on past designs and believes this helped make these projects successful. “It’s kind of like that statement, like I put my blood sweat and tears into this. So like, I can’t tell you how many countless nights I have cried over literal costumes, trying to get them done. And then when they come out amazing. Like, that’s how I know. Like, I can feel that good luck, because you know, you experience it.

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This speaker has struggled to get where she is now. She did not go immediately to FIDM after graduating high school, and she started her first year in Fall 2020. She has needed to share a room with an incompatible roommate, and she has needed to take up two food service jobs to continue working toward her passion even when is is difficult. I think the idea that blood as a symbol of struggle resonates with the speaker in part because she has needed to struggle to complete her designs.

New Clothes – Persian New Year

Description of Informant

PK (79) is a small, frail woman with dyed blonde hair and piercing eyes. PK was born and raised in Abadan, Iran in an “Oil Company Family.” OCFs were families whose primary income came from the large British oil company in Iran. They were well compensated and taken care of, living in western-style homes in protected communities. Many OCFs were secular or subscribed to a western religion in favor of Islam. PK immigrated to England in 1976 before coming to America (California) in 1978.

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Context of Interview

The informant, PK, is cooking a traditional Persian stew (khoresh) while describing the custom to the collector, BK, her grandson. Text spoken in Farsi is translated and italicized.

Interview

BK: So you were saying, in the morning when you wake up, all your clothes are new?

PK: Yes, from underwear and beyond— now they say everything should be new. Everything new. It’s with the new year, new clothing, new everything. Now frankly if it has any other meaning I don’t know. But from childhood we would wake up [in the new year] with so much joy and mirth and we’d all change our clothes, from underwear to undershirts, everything. They would sew new clothes, you know? [In Iran] it wasn’t like now where you’d go shopping… you had to have your clothes made. “Khayat,” you know, tailor. Then, everything was new. Even a ribbon for your hair was new. Everything new.

BK: What would happen to the old stuff?

PK: Nothing. It’s not like we threw it away! We just… wanted something new. Then, all dressed up, we’d go do “Aideedani” [visiting people during the new year].

Collector’s Reflection

With the strike of the new year, PK’s family would immediately change their clothes. Often, the clothing they changed into had been sewn specially for the occasion. It was not essential to change your entire wardrobe— that would be wasteful. But it was important to begin the new year fresh, and clothing was a part of this. You wouldn’t only wear a new t-shirt and shorts, though. Men would dress in tailored suits, women would adorn themselves in fresh jewels.

This tradition has evolved as the world has Westernized. Persian-Americans often go on a shopping spree on or prior to the new year to stock up on fresh clothing. The time aligns with the American tradition of “Spring Cleaning,” so while in Iran one wouldn’t toss their old garments, today it’s much more “out with the old, in with the new.” 

Badgeralls

MAIN PIECE

Badgeralls

“Badgeralls are just like red and white overalls that you wear at football games.  Really only the girls wear them, but guys also do when they wanna be funny.  If you don’t wear them, other students can tend to think you’re not a student. ”

BACKGROUND

DA, is from Madison, Wisconsin and has lived in the state all her life.  She knows this from going to many football games at  the University of Wisconsin – Madison and participating in the folklore herself.  She says she remembers it from when she didn’t do it and got told off by her friend. 

CONTEXT

DA is a cousin I have that goes to college right now.  We sat down and I invited her for a zoom call.  She seemed a bit stressed about her finals, but she was very elated to talk and take a break from studying for her chemistry exam.

THOUGHTS

It is very common to see female students to have specific clothing items they are told to wear for football games, but what is so different about this one is that it’s not skimpier than average clothing because you are apparently supposed to wear the badgeralls over your clothes.  I believe that this choice was probably made due to the cold temperatures Wisconsin reaches in the fall and winter months.

Direction of knots on clothing

Context: The informant is the kendo teacher in a kendo club that the collector joins. Kendo is a traditional Japanese martial art and sport. Players use bamboo swords and protective armors. The informant and the collector were at a club party. The collector asked the informant about folk beliefs in Kendo. The informant is Japanese American. He has practiced kendo for thirty years.

 

Main piece:

In kendo, clothing is in traditional Japanese style. There are no buttons. All parts are tied around the body. When players are fastening their clothing, they should keep the knots (結び, In Roman: Musubi ) horizontal. The knots must not be vertical, because that is only for clothing of deceased people on their funerals, according to Japanese culture.

 

Collector’s thought:

It is probably common in customs that something about dead people is treated opposite from how it is supposed to be for living people. This may be an attempt to make a clear division between living people and the dead. An example of similar practices: in East Asian culture, for clothing that has two parts of collars, the collar on the left side should always be on the top for living people. Right collar on the top is only for dead people.