Tag Archives: Culture

Legend: Gnomes

My informant K is a good friend of mine and their entire family loves gnomes, their mom most of all. They have a variety of different gnomes in all shapes and sizes in their front and back yards and they believe them to be a good luck charm. They also have special gnomes for every holiday, like Halloween, Thanksgiving, and Christmas, and they even have pink gnomes for Valentine’s Day. K was born in Sweden and they have a lot of family that live there still, so Swedish culture is a big part of their family. K told me that in Sweden, gnomes are called “tomtes” or “nisses” and they are house gnomes who live under your house and protect buried treasure.

I always found K’s story about gnomes so interesting because I didn’t even know what a gnome was before I moved to Canada and I never would have guessed how important they were in some cultures. K told me that when they were younger, their parents told them and their younger sister stories about how gnomes bury treasure in the bushes every winter, and their parents would hide gold coins for them to find. They would even put out little dishes of food for the gnomes. I think it’s really amazing how their culture is able to bond their entire family together. K said that they would decorate and set up gnomes together, or gift them to each other for birthdays or as Christmas gifts.

Namaz E Janaza

My informant is Pakistani and has lived in many countries worldwide, yet has deep knowledge of his culture and is very associated with certain events and occasions that occur in Pakistan.

Funeral Ritual:

This prayer, typically known as “Namaz E Janaza” is a common type of prayer “performed at funerals”. It is a ritual that has “existed in Islam for a very long time” and is “very important to our religion and culture.” The ritual is illustrated by a “group of people that are praying as the body is put in front of them” He states that it is because “everyone is praying towards god when the body is also there” conveying the influences of religion on their life. The informant also states that it is “the same Islamic prayer from the Qur’an that people read.” It is a widely known tradition in South Asia, specifically Pakistani culture when it comes to funeral rituals and events that must take place in order to properly bury a body.

Context:

The ritual is “always performed by men in a room separate to the women,” and the informant continues to assert that “they cannot be together and a woman cannot speak the prayer to the body” highlighting the strict nature of this ritual and the specific cultural customs on death and funerals. It is usually done in Pakistan but also occurs in other Muslim countries that still honour this method of performing the funeral ritual. It is a very important aspect of how the body is sent to heaven and is a pivotal step in “family healing using religion and ensuring they continue in heaven”

Analysis:

The religious aspect of funerals is very common in many cultures, however, in Islamic culture, the split of the men and women into separate rooms signifies the power that the prayer holds as it is part of their tradition. Death and prayer being portrayed in a ritual allow families to use the religious scripture provided to them as a mode of grieving their loved ones in a structural manner, making it easier on the family that is closer to them. Although, the formality of the occasion eliminates personalisation of the funeral and family members when burying and honouring the dead as they must follow the known written words instead of making them uniquely theirs, which is seen in other cultures. However, it is a religious and important part of their cultural identity, therefore, the prayer does not solely mark the death of an individual but paves a path to their god that they are praying to, following the practices of their culture and tradition as it is passed down.

Luddi

The informant is one of my Pakistani friends who has lived in many different countries, yet is very attached to the culture of his heritage and is very involved in the rituals, ceremonies and overall traditions that are tied to his roots in Pakistan.

Dance:

The informant describes this dance, the Luddi, as a “circular formation that people dance to”. This dance entails the “clapping of their hands and spinning in circles as they are still moving in a circle.” Although the dance is not usually performed for a certain scenario or moment, it is “usually done at celebrations and ceremonies like weddings and dinners with the family” who are brought together and dance to specific songs that link to the informant’s culture. He describes his times watching the Luddi as a “coming together when [they] have not seen each other in a long time” and celebrating the family or a certain event happening at the time. It is always performed in Pakistan when the entire family joins, his family always visits to “celebrate their cousins, aunts, uncles and all the elders that have given us the privilege we have” conveying the importance of the dance in Punjabi culture.

Context:

The Luddi is typically done with “the group of women in the family that are important to the celebration or occasions” and this can range from “family of the groom or bride in a wedding or the parents and siblings of the birthday person.” The joining together of the women in a circle gives them a chance to “celebrate in a space without the men involved”. Although it is usually performed by older women in the family, younger women around the age of the bride and/or person of significance are able to join the dance and “learn the significance of what it means to become an adult woman” in the family that has their culture embedded into their daily lives. Luddi is msot typically seen in the winter and spring when all the family members come back from their travels for the wedding season, therefore, it allows the women to not only celebrate the occasion but also the family and other women.

Analysis:

The formation of a circle as part of the dance highlights the cycle of their culture and the generations that come together to form a chain that connects. It is creating a personal connection between the women of the family in that certain moment, growing as the girls grow and join the dance to celebrate each other. The clapping of their hands emphasises the celebration of the occasion and also creates a unified sound that the woman can sing and dance to, establishing their heritage and Punjabi culture in the form of performance and expression of their joy into feelings. The incorporation of this dance at weddings, which is also presented to be an important and momentous part of the culture in South Asia, highlights how the family is the base of their culture and even the women have their own traditions and rituals that create unity. Furthermore, the circle growing highlights the chain of Punjabi women in the family growing and the representation of the elders teaching the younger traditions to keep the culture alive.

A Day in my life on Christmas

Context:

My informant is a college student who lives in the same apartment complex as me. He is a communications major, 23 years old, and he is from Chicago. I asked him if he had any holiday traditions and mentioned what his family partakes in during Christmas. I was interested to see how similar his traditions are to mine and any other traditions I have heard, so here is what he shared with me:

Text:

“Okay so each Christmas my sister and I open our stockings first because when we were babies my mom bought us embroidered stockings with out names on them, then the presents are divided under the tree and everyone opens their gifts in order one person at a time, then we eat around noon, usually honey ham, green bean casserole, potatoes, and wine. Then we watch a Christmas or hallmark movie and then the day is pretty much over. But my sister having two kids has definitely changed things up.”

Analysis:

From the sound of it there are many Christmas traditions that families from all over share. My informant, as mentioned previously is from Chicago, but my family and I from California partake in a similar tradition. I think the main point of Christmas is to make each other happy and share a day with family giving to each other and enjoying the month leading up to this time. Christmas is the biggest holiday celebrated in the sense that stores will have sections dedicated to this time, and music will be played there are tree lighting festivals and little light shows you can go to to see the decorated houses and lights. Although there is a lot of history surrounding Christmas, the traditions that I have heard and the ones my family practices are not far from normal. These are all classic examples of holiday traditions that are practiced all around the world, even in different cultures. This kind of folklore can be seen in movies, shared from previous generations, and even researched in history books or music.

After further research, it could be examined that people would decorate trees in their homes with lights and colorful toys as far back as the 1500s. This goes to show that because these traditions have been documented and passed from different cultures and generations it still lives on and might even slightly change.

Funeral Headbands

Context:

H is a pre-med Biology major at USC who grew up in Vancouver, Washington. His parents immigrated to the US from Vietnam.

Text:

H: “For funerals, you have to visit every day for the first week after the funeral and then once a week for seven weeks. And then, on the hundredth day since the funeral, everybody comes back to the temple. It’s like, the biggest day for them (the dead). You pray for them, wish them well at the temple. The hundredth day is when you have everybody together and you have a big feast. You have these white headbands that you wear and on the hundredth day, they chop off the headband.”

Analysis:

Since H was raised in a Viet-American household, he and his family’s celebration of weddings is similar to an Irish wake funeral, but also adds cultural specificity to Viet customs. For example, it is common in Irish funerals to throw a party on the deceased’s behalf, not only as a celebration of the deceased when they were alive but as a re-engineering of the domineering sorrow of a funeral. H’s feast on the hundredth day pays homage to the one who died without inviting negative emotions into the celebration of the individual.

Funerals are a liminal space, as Von Gennup puts it, lingering between the stages of life and death in a person’s existence on Earth. Rather than using funerals as a chance to mourn, H and Irish funeral traditions connect with members of their community and pray for safety into the next part of existing for the dead. This acceptance of death, the massive respect and commitment to the dead after the funeral, seems cultural, as does the white headbands and time. There is an acceptance of death as time marches on, not a denying of it. Rather, H’s family seems to come to terms that nothing can get in the way of death but glimmers for an appreciation of life and the one the once dead led.