Tag Archives: driving

Running Over Lemons

Text:

Driving over lemons with a newly purchased vehicle.

SB: We place a lemon under every tire of a vehicle we just bought, and then we drive it over so we crush all of the lemons, so it’s as if all the lemons are taking the brunt of the bad luck that the new vehicle might be running into in the future. It’s a preventive measure type of thing…because all the lemons have taken the bad luck, you’re not supposed to step onto a crushed lemon you see on the street because all that bad luck could transfer to you.

Context:

SB is uncertain about the tradition’s origins or what the exact context is. However, she mentions that in in Hinduism, “when you visit a temple, sometimes you break open a coconut, and I’m assuming it has some similar things in terms of destroying these fruits.” She connects breaking these fruits as physical acts of removing bad luck, and she iterates that her family does this whenever they get a new vehicle.

Analysis:

In situations where we feel like we don’t have control, we often try to assert authority through superstitious beliefs. While they may not be scientifically accepted, they can be held true by a community and naturally embed itself into familial tradition. Specifically, when we buy a new vehicle, there’s a lot we may not know: the ins and outs of how the car drives, what it’s like to drive the car amidst a bustling highway, and other factors that could influence our sense of security. When we drive, our lives are in the hands of everyone else on the road. These acts to ensure safe driving can remove the stress from a very anxiety-inducing activity for some people.

There are many driving rituals that exist to prevent bad luck or appreciate good luck, such as holding your breath when passing a graveyard or hitting the dashboard when narrowly escaping a yellow light. Despite laws and policies that attempt to keep our roads safe, institutions can’t really dictate belief. So much of this unofficial knowledge and these individual and communal rituals blossom from a desire to claim more direct control and exercise our personal beliefs. There is no law that tells us how to magically bring upon good luck, and there is no science supporting some of these rituals, but we believe in them anyway and engage in these practices to add an extra layer of security.

Hit the ceiling on Yellow lights

Date: April 20, 2022 

Source and Relationship: T, best friend

Type: Superstition, Tradition

Folklore/ Text: Hit the Roof on Yellow Lights: “Since I’ve had my car, I always knew I wanted to do some weird little traditions with it. I thought it was a right of passage to have your own superstitions about driving. Basically, one day I was watching some movie with Brad Pitt in it and the character driving had to speed to make it through a yellow light, and when he did, he punched the ceiling of his car. They never really explained why he did that but I thought it was awesome so now I do it for good luck. All my friends have learned to do it with me when we’re in the car together too, which is great, because that means extra good luck.”

Explanation/Context: I love this superstition of T’s because it is so specific to her and I’s friendship together, so much so that I’ve found myself doing it in my own car for good luck. Our entire friend group knows about how spooked out T gets about angel numbers and specific street signs, so it only makes sense that we all participate in this strange ritual each time we narrowly escape a red light. I feel it has a placebo effect, as someone who is not superstitious, but nonetheless it provides her comfort and a semblance of safety when driving along Los Angeles roads, which superstitions often do. 

Jeep Wave

Main Piece:

So my thing is more of a gesture. It’s kind of something that happens and I didn’t know about it till after I got my car. But basically, once you get the Jeep, there’s something known as a Jeep wave. And so basically it’s with, I don’t really know, like, I think there are different variations of how you do it. But the one I was told is that you put one hand and one hands on the wheel, and it’s just like, three of your fingers are just like couple your fingers up. And it’s the idea is if you see a Jeep, like driver and you and you’re driving your Jeep and you’ll see each other you do a Jeep wave. And it’s a form of like a community type thing, but like it’s really just like a wave that you do. So

Relationship to the Piece:

My informant has driven a Jeep for the last few years and was told this by his friend who also drove a Jeep and it’s become a way for him to connect to his community of Jeep drivers, especially as he recently began to drive his Jeep around LA. 

Context: 

My informant is a 19-year-old BFA lighting design student at the University of Southern California and I was told this as we were hanging out in a theatre on campus swapping tales of folklore. 

Analysis:

I’d never heard of the Jeep wave, but I think it makes sense, as especially in America, the cars we drive often become aspects of our identity, especially with all the stereotypes we associate with certain makes and models of vehicles. It makes sense that a little community would form around certain cars, but it also creates questions, like who began the gesture and how it spreads. 

Lifting Your Legs Over Train Tracks for Good Luck

Context: The informant and I were driving in the car when we passed over train tracks and she told me the piece. The piece was collected in its natural performance setting.

Background: The informant is my mother, who is a third generation Irish immigrant. She learned the piece as a child from her parents who would say it when passing over train tracks.  

Piece:

“Lift your legs for good luck!” 

Analysis: I grew up hearing this piece from my mom every time we drove over train tracks. Neither one of us knows why it is good luck, but I believe it is an exercise in controlling something tangible to control the intangible. Train tracks can be dangerous places. By lifting our legs, perhaps we are attempting to subvert this danger. Some variants of this practice involve lifting one’s legs in order to prevent them from being chopped off by the train tracks while other variants threaten that if one does not lift their legs, they will die young.

For another variant of this practice visit:

Edelen, John. “Lifting Feet Over Train Tracks.” USC Digital Folklore Archives. University of Southern California, May 13, 2019. http://folklore.usc.edu/?p=47643.

Ghost on MA-70

[The subject is PD. His words are bolded, mine are not.]

Context: PD is a college student from Massachusetts. He is Caucasian, of Irish-Catholic heritage, and has lived in the United States for his entire life. This story was told to a small group of people during a party, just after midnight, when the conversation had shifted to ghost stories.

PD: It was like… this is how I know it was definitely a ghost, because it was like 2 AM, like broad daylight, like I was driving from Clinton to Worcester, and like to get from Clinton to Worcester is like this ten mile stretch of like nothing but woods. Like no people, no houses, no nothin’… and I was like stuck behind this like 19-like 80s, 90s, like fuckin’, like a… it was like a Plymouth, like a car they don’t even like make anymore and shit. And the dude was going like 10 miles below the speed limit, and I was like fuckin’ pissed as shit. And like out of nowhere, the dude just like pulls over to the road, and like gets out of his car, and sprints and just like leaps over the fence and into the woods. And I’m like, ‘what the fuck was up with that?’ So ten seconds later I do a three point turn and turn around, dude’s gone, car is gone, I don’t know what in the fuck happened, but I asked my fuckin’ boss Emily, who’s like been in the parks department for like five hundred years, and she was like, “oh yeah, I’m pretty sure like a bunch of people died on route 70 back in the eighties before we started like improving it.” And I’m pretty sure I saw a ghost!

Thoughts: At the beginning of the story, I think PD meant to say it took place at 2 PM, since it was in broad daylight, and he was sure that this was a ghost because he could see it clearly. I noticed that this legend is very dependent on the modern time frame that it is set in, because the old style of car that the ghost was driving stood out to the storyteller, and connects to what Emily had said about the roads being unsafe in the eighties. I also found it interesting that the car the ghost was driving was said to be a Plymouth, since the story takes place in Massachusetts and Plymouth, Massachusetts is one of the oldest towns in the United States and is generally thought of as a place with lots of history and folklore, including ghost stories.