Tag Archives: Japanese

Salt After Funeral

Description: After a funeral, people would put salt on themselves in order to keep spirits out of their home.

Background: The informant observed the ritual from his mother.

Transcript:

ML: My mom puts salt on herself before entering the house after a funeral.

Me: Is there a reason that your mom does that?

ML: I think it’s a japanese thing, it wards off spirits so they don’t enter your home. she sprinkles it on top of her head right before entering our house when she comes back. She tells us to leave the salt by the doorway when she goes to a funeral so she can just grab it and pour.

My thoughts:

In many traditions, salt is seen as a way to ward off spirits. While I do not know precisely why that is the case, I have a few theories. It might be tied to salt’s ability to preserve food, linking it to an ability to ward off death and decay. Of course, the entire concept of preventing evil spirits from entering your home is a staple in not just Japanese culture but Asian culture in general. Home is a sacred place because that is where we spend most of our time. Evil spirits can curse your house and give you family bad luck. So there are often rituals such as this to ward off and prevent bad spirits from entering the home. On the opposite side, there are also rituals, such as presenting offerings, to draw in good spirits to the home and create good fortune.

The Story of Izanami and Izanagi

Main piece: 

EG: So my dad’s from Japan, and there’s this story about how the island of Japan was made with the gods izanagi and izanami, and there was something about how izanagi was stirring the sea to create the island of Japan. And then there was something about izanami hiding a cave, so the sun wouldn’t come up because he’s related to the sun or something. And then she would come out of that cave when she heard music, and that’s why they have Taiko drumming.

Interviewer: And how does that relate to your childhood?

EG: Uh as a kid my family went to Japan every summer so it can relate that way. And since we were in the countryside, or like suburbs, or like near the mountains, there’s a lot of shinto shrines and stuff and a lot of the Japanese kids shows had elements of Japanese folklore like kappa and stuff. 

Context:

My informant, EG, grew up in the US and visited her dad in Japan every summer. Being surrounded by Japanese suburban culture there was a very special experience to her, which is why she remembers the story––especially when Japan in western media is generally only depictions and stories about the very urbanized areas. EG was also the president of the Taiko club at USC, which would explain why she remembered the bit about Taiko drumming. This story was collected over a phone call about her time in Japan.

Thoughts:

Upon doing further research to fill in the gaps of the story, it turns out that Izanagi and Izanami were two, occasionally interpreted as a romantic couple, who created everything as we know it. They created more than just the ocean and Taiko. I think that this story is really interesting because the world springs forth from their bodies; like Izanagi’s eyes became the sun and moon deities, for example. This happens in a lot of other culture’s folklore. A famous example would be the Greek version of the Earth, Gaia, and how the parts of her body create the world. I think it’s interesting that creation stories often have this thread of the world being a singular body.

(For another version of the story of Izanami and Izanagi, please see this link:  https://www.britannica.com/topic/Izanagi, Encyclopedia Britannica.)

Waving/Beckoning Cat

R: Well, we gave him a cat for luck.
C: Why? And why is it waving
R: I’ve actually heard two stories for that. One, was a long time ago, there was an emperor who was a good man. He would always greet everyone he saw as he went about his walks. One day, he saw a cat waving at him and so he stopped to wave back. Then, right in front of him, whoooosh, a horse galloped by and would have hit him!
The other one I’ve heard is that the cat is actually beckoning you. So there was an emperor who was sitting under a tree and enjoying his day when he saw a cat beckoning him to come. So he did and then right after he was out from under the tree, lightning struck it and would have killed him had he not gone to the cat.
So now when someone is starting a new business, you give them a waving cat.
Context
The informant gave their brother-in-law a waving cat when he opened a new business and shared that story to those present when prompted to by his children. To the informant, it was a way of honoring their brother-in-law’s culture and sharing stories (the informant enjoys storytelling) that they had heard from their parents when growing up.
My Thoughts
I have heard several versions of this story besides the two shared here and have seen many different waving cats in Japanese stores. This shows the cultural desire to be able to influence things such as luck and to honor the things and people that bring good fortune: a good turn for a good turn. In another version of the story [see link below] the samurai is the one saved by the cat and he then goes on to give much wealth to the temple that the cat belonged to and honor the cat upon its death.
https://www.cnn.com/travel/article/maneki-neko-temple-tokyo/index.html

Hanako-san

Context: The following is an account from the informant, my younger sister. She told me this after I asked if she had heard any interesting stories lately, as many happen to pop up at schools. When I asked for more of the conversation or more detail, she said her memory was fuzzy and she was unable to recall.

Background: The informant was relating to me something interesting she had heard from her Japanese friend in high school recently. She had never heard of such a story before, so she thought it was interesting.

Main piece: Once, I mentioned to my friend that I always changed my clothes in the third bathroom stall. She said, “Oh, did you know that in the third stall of every girls bathroom is a Japanese ghost?” 

Analysis: After doing some research, the friend appears to be referring to the Japanese urban legend of Hanako-san, the spirit of a young girl who haunts school bathrooms. In order to summon the ghost, individuals are required to go to the girls’ bathroom, usually on the third floor, and knock on the door of the third stall, asking for her presence.

I think it is interesting to hear about such a tale, which is popular in Japan, in the United States, where it is relatively unknown. Also, this ritual of calling upon a ghost in the bathroom bears stark similarities to the commonly known Bloody Mary ritual. It’s also interesting to note the frequent occurrence of female ghosts or spirits haunting school bathrooms, which would normally be a rather odd place to haunt, since people don’t spend too much time in the bathroom, such as Moaning Myrtle in the Harry Potter series.

The Bamboo Cutter

Context:

The informant–HO– is a third generation Japanese American 18 year old woman born in California who attended a weekly Japanese language school from age 7 to age 9. The tale was told to her by her grandmother (born in Japan) in English. I, the interviewer, am labeled as DJ.

Piece:

HO: So once upon a time, there was this little old man. He and his wife never had kids. So they were like very sad old people. And his job was to just like go out and cut bamboo all day, and then, like, sell it. So then one day he was like walking through the bamboo forest and was like, “Oh my God. Why does that bamboo look like the moon is shining directly on it?” Because it was. So he was like, “I’m gonna cut that bamboo down. It’s, like, I feel like it’s a sign.” And once the bamboo, like, falls down, he sees that, like where he cut it, there’s, like, a little tiny person like that big. Maybe, like, a few inches tall. And it’s just like a little lady. And she’s just, like, in there. And he’s like, whoa. You must have been sent from the gods cause you’re like a little child. And we never had kids. And then he takes it home to his wife. She’s like, “That’s a tiny kid.”

DJ: Wait, is it a kid or is it a woman?

HO: It’s like a tiny little girl, I would think. And then they’re like, “OK, well, we’re taking her in as our own.” And then- But then they don’t let anyone see her, obviously, because she’s, like, definitely smaller than the average baby. So several months later, she’s like the size of like a normal little girl, like a teen girl. Not 100 percent sure. And then they, like, have like a party where they, like, reveal her to the world. And everyone’s like, “Whoa. She’s the most beautiful person I’ve ever seen.” And they’re like, “Yeah, we know.” And then, like, news spreads fast because Japan is, like, tiny. So then everybody, like every man on earth is like, “Whoah, whoah, whoah, whoah!” They like travel to their little bamboo house and they’re like, “What’s up? Can I marry your daughter?” And the dad’s like, “No,” he’s like, “I’m not even, like, technically her real dad. So that’s why I’m telling you no.”

DJ: Oh, he tell people that he’s not her real dad?

HO: Yeah. Which is, like, really suspicious. That sounds like you stole her. Whatever. And then… And then he talks to his daughter in is like, “So like what do we do about all these suitors?” And she’s like, “I’ll pick one if they can do all these crazy tasks. And I don’t remember what any of the tasks are. So that’s my bad. But. Then, obviously, none of the men can do any of them. So she’s like, “OK, you’re all, like, not going to marry me. Because you’re the worst.” And then, like, the emperor, like, comes to see her and he’s like, “Well, what about me?” And she’s like, “No.” And he’s like, really disturbed by it because he’s like,”How could she say no to me, the emperor?” So then she’s just, like, lonely all the time and the dad’s like, “Well, it’s kind of your fault. And then she’s like, “Yeah, I know, but like the moon was just talking to me, and it told me that, like, my moon family is, like, coming back for me. The dad’s like, “No. No.” So then he calls up the emperor and is like, “Hey, we need to, like, we need to literally get all your guards and we’re blocking our house off because that would work against moon people” And so they like, guard the house. And the daughters like, “This is stupid, like. We’re otherworldly.” And then the moon people just, like, descend on a cloud, like, they have like a chariot on a cloud. They just like come down and are like, “Get in the chariot.” And she’s like, “All right.”And then she gets in the chariot. And she’s like, “Just think of me when you look at the moon.” And the dad’s like, “OK.” And then she just, like, floats away. And that’s the end.

Analysis:

This tale carries on a theme in Japanese folk tales of supernatural children hatching from plants discovered in the wild and taken in by an elderly couple. The tale is also a pre-science fiction narrative features extraterrestrial beings from another planet visiting Earth.

For a similar tale in which a child is discovered in a giant peach rather than a bamboo stock, see Momotarō (Peach Boy)