Tag Archives: Mythology

Nuwa repairs Heaven

Context:

H is a parental figure of mine who grew up in China and is currently living in California. 

This conversation took place over a weekly phone call with my parents after I asked them about stories that they knew from China. 

Text: 

H: So basically, Nüwa is the goddess in China, well not China but in heaven. She’s a goddess in heaven but she was supposed to keep an eye on Earth. But in very old ancient times, somehow the heaven collapsed because the four pillars that hold heaven collapsed and the Earth was not covered because heaven collapsed. And fire went out of control and water flooded the earth and in order to patch the heaven, Nüwa had to do something. So she melted five different colored stones to patch up the sky and she also cut off the legs of a great turtle. I guess the turtle is also a god, you know, and set those legs as pillars to support the sky. And she also helped to put out the fire and drain the flood, you know the water, and basically she helped save the Earth.

Me: Hmm Okay.

Reflection: 

I think this story is really interesting because it is about a feminine figure who has a lot of power in the world of gods, which is not something very typical in Western culture. It is also interesting because I do not remember this specific goddess, but I do remember that these pillars are part of other tales in Chinese mythology that surround Sun Wukong, a character in Chinese mythology that I learned a lot about as a child. This story also seems to build on the myths that have turtles in which a city or island is on the turtle’s back, although this story is using the turtle’s legs rather than its back. According to other sources, Nuwa also created humans which is why she is so protective of them and rushes to patch up heaven in order to prevent the fall out onto Earth. In some versions of this story, the five different colored stones that were used to patch the heavens explain why the clouds can be multicolored in our sky. 

Greenberg, ByMike. “Who Is the Chinese Goddess Nuwa?” MythologySource, 5 July 2021, https://mythologysource.com/nuwa-chinese-goddess/. 

Saci perrere

CONTEXT:

C is a 26-year-old Brazilian immigrant from Sao Paolo and another city. He lived in areas like Utah and some other states before moving to Austin, TX .

The context of this piece was at a Brazilian barber shop after customers were asked if there were any folklore they remembered. I had a Portuguese-speaking friend with me who translated the conversation/story for me after the fact.

TEXT:

“Go ahead and tell her, well it was this myth from the indigenous people. I’m not sure if it came from the Amazon or some other region of Brazil. But the myth goes that I tribe once tortured a young fawn and because there is a white Angel watching or somewhere in the story I don’t remember where, then an indigenous deity that was the protector of young female animals came out and created a trickster. He was known to set farm animals loose, spill milk, Tease cattle dogs, cursed chickens and spoil their eggs. What everyone remembers though and still says they hear sometimes today; is this bird he transforms into that sings a sad end haunting song. the only way to escape this prankster apparently, is to run across the stream, he doesn’t hurt you but a lot of tribes when asked about why they moved, say they crossed the river to escape a Saci Perrere that was haunting them on their old land.”

ANALYSIS:

This myth in Brazilian culture, emblematizes an interesting aspect of the culture which is known as “tipos” and gives a flair from one of Latino America’s largest African demographics in Brazil. In this myth, indigeneity of Brazil takes on an African representation in this mythical deity’s imagery. The Saci Perrere’s standing as a trickster figure could be construed as more racialized than most. Although, cited as an indigenous diety here, all of the genie like imagery depicts an African prankster. Unfortunately, what I mentioned about racial identities and tipos plays into this myth in a negative way. Many emphasize that the cap that the magical genie is known to smell bad and that in fact this is a very dangerous deity. As time passes too, this reading can also take on a life of its own in today’s stereotypes that derived from the days of slavery that immigrant populations and especially diasporic African communities cannot swim because of migrating overseas and lack of resources. Otherwise, this myth carries on a waning value of indigenous Brazil, to preserve the wildlife and nature, but also tells a bit about gender roles too by imbuing the value of protecting the feminine.

Earthquake on a Bull’s Horns

Context: The following is an account from the informant, my father, that was told to him in a casual setting during his childhood in a Pakistani village.

Background: The informant was recounting some sayings and stories that his eldest aunt used to tell him and other children during the day, sometimes while she was working. This particular piece was collected soon after an earthquake occurred. As a child, he recalls being captivated by such fantastical stories, although he is not sure whether the adults actually believed them or merely told them to children to entertain them.

Main piece: 

Informant: (After an earthquake) How can an earthquake happen? The whole ground was shaking!

Aunt: You should know that the earth is held up by a huge bull. He supports the whole world by balancing it on one of his horns. When he gets tired of holding it up, the bull switches the earth to his other horn, causing an earthquake to occur.

Analysis: This story is fascinating to me because it isn’t immediately apparent how such a myth was introduced to the area my father was growing up in. After some digging, it appears there may be a basis for this story in medieval Islamic cosmography, the unorthodox ideas relating to the structure of the universe held by some scholars of the time period. It has also been claimed that this could be derived from the biblical Leviathan. There is also a very similar Bosnian-Slavic myth, Tur, which tells of a giant bull that lives underground, causing earthquakes when he moves his horn, and even similarities to the Greek myth of Atlas holding up the world on his shoulders. 

For a very similar relation of this myth, see chapter 5 in the book Developments in Earth Surface Processes volume 17, Earthquakes and Coseismic Surface Faulting on the Iranian Plateau: A Historical, Social and Physical Approach.

Durga Puja

Context:

The informant – RB – is a middle-aged Hindu woman, originally from West Bengal, India. She now works as a nutritionist in South Florida, and is one of my mother’s closest friends. The following happened during a conversation in which I asked her to tell me about some of her favorite Indian folklore, particularly about holidays and celebrations.

Piece:

We have another festival that is very… what should I say? It’s the main festival from West Bengal, which is where I come from. And that’s called Durga Puja. Puja is any kind of celebration that involves some kind of religious prayer ceremony. So let me start off with Dussehra. So what happens is, and as you know, our Indian calendar is a lunar calendar, not a solar calendar. So the date of this celebration varies from end of September to end of October, depending on the lunar cycle. It’s actually a nine day festival, but the main days of the celebration are days six, seven, eight, and nine. And on the tenth day, so the story goes like this:

There’s this goddess, Durga, she lives in the Himalayas with her husband Shiva. And she has two sons and two daughters. One of her daughters is the goddess of wealth, Laxmi. Her other daughter is the daughter of knowledge, Saraswati. The other son used to be the sons of fighting battles, Kartik. And then there’s the elephant god, the youngest of her sons, Ganesh.

I’ll tell you a little story about Ganesh. His mother was taking a bath and she told him that, “You know what, I’m taking a bath, don’t let anybody come in here, because I don’t want anybody to come in.”

In the meantime, his father, Shiva, comes to visit, and Ganesh says, “You can’t come in,” because, apparently, he’s never seen his father before.

His father, also a god, says “Of course I can go in, that’s my house.”

And Ganesh said, “No, you cannot go in! My mom said I’m supposed to be guarding the door and I won’t let you in.” The father gets very upset and looks at Ganesh with so much anger, that his head falls off his shoulder.
The mother comes out and sees what’s happened, and is like, “Why did you just do that to our little boy?”

So by that time, his anger has kind of subsided, and he’s like, “Oh my god, we can’t have him without a head. We have to find a new head!” So apparently, he sends people all over the world, saying, “Go find me the first living creature who’s sleeping with its head facing the East. Cut off its head and bring it to me.” So everybody goes everywhere and can’t find someone, because, apparently in India you can’t sleep with your head towards the East, since the sun rises in the East. They go all over the world, and they find this elephant. So what they do is, they cut off its head and they bring it.

And the mother goes, “What the heck! I can’t put that head on my little baby!”

The father says, “Well, I can’t change the rule, I said the first living being with its head facing the East,” so he puts the head on the child, and the child is alive.

The mother goes, “No one is going to worship him! Everyone will make fun of him! Nobody is going to respect him.” So now it is written that, before any prayer or any celebration, – anything – you have to first pray to Ganesh before you can do any official celebration. So now in every part of India, before prayer, or any celebration – a wedding, anything – you must first pray to Ganesh. Ganesh is also the God of removing obstacles, so he’s become a very popular symbol. I have a Ganesh in my house; I think your mom has a Ganesh in your house, too.

So, that is Ganesh’s story, but that is also the youngest son of Durga when she comes to visit. And so the art is her parent’s house. So she comes for those few days, with her children, and on the tenth day, she goes back to the Himalayas to be with her husband. So what happens in West Bengal where I come from, is those days are… it’s a lot of fun, all the schools, offices, colleges, everything is closed. It’s hard for me to explain. They put up all these temporary structures on the streets and stuff and then have these celebrations and, it’s like all over West Bengal. And there is food, there is music, there is lighting. So that is the story behind one of our festivals.

RB: We call it religious, but they are more social religious than just religious, because it all involves inviting people, having dinners, lunches, dressing up, having music and dances. There’s a lot of culture that is associated with these festivals, so it is not that you’re just in the temple, reciting hymns or chanting. That is a very small part. It’s all about dressing up, looking good, and eating food. That is how we keep in touch with each other. At these festivals, at these religious ceremonies as we call it, we go visit each other. We keep in touch with each other and socialize with each other. I think we use it more for socializing and less for religion, which is how it should be.

One thing I want to clarify is that Hinduism is not a religion. It is mostly a way of life. And that is why you can’t be converted to Hinduism: because, either you are born one or you’re not. And if you are born one, you are taught the way of life since you’re born. But, you can still marry into it. We do not require people to change their religion when you marry, because we just think that when you come to a Hindu household, you will learn the way of life. Hinduism does not require that you go to a temple everyday, or pray everyday. They just teach us that everything should be a part of your life: that you clean your house and take care of each other, etc.

Analysis:

It was very fascinating to hear about how many of the primary holidays in India/West Bengal have elaborate creation myths of their own. It seems that many of the holidays are tied in directly with the events of the religion’s mythology, celebrating anniversaries of the Gods’ actions and locations in the mythologies.

It seems as though Hindus really value large social gatherings, and use religious holidays as excuses to throw huge social celebrations. In fact, it seems that the point of many religious occasions is much more social than it is religious. I feel that this is likely the result of a seemingly much more inclusive and accepting religion, that values socializing and lifestyle over religious and social boundaries.

 

Egyptian Myth

The following was recorded from a conversation I had with a friend marked EAL. I am marked CS. She shared with me a religious myth she grew up learning in school.

 

EAL: “So basically like this is one of the Egyptian myths out there and one of the most influential. So Osiris he was like a god and the king of Egypt. And his…um, brother Set, who is the god of chaos basically, imprisons him in a sarcophagus and so like Set takes the throne. And…um, Osiris’ wife Isis still has their son whose name his Horus. And basically she like protects him because he’s vulnerable or whatever. And once Horus grows up to where he’s strong enough, he fights Set and tries to take the throne back for his family and resurrect Osiris.

CS: “Does he do it?”

EAL: “Yeah so he defeats Set and Osiris becomes the king of the afterlife and restores ma’t (the order of the universe).”

CS: “How did you learn this story?”

EAL: “I read a book called the Red Pyramid Chronicles. And I also learned a lot of it through my art history class because it features a lot of Egyptian art.”

 

Background:

The participant is a freshman at the University of Southern California and was raised in Chicago, Illinois with a strong Christian religious background. Her mom introduced her to mythology, mostly Greek and Egyptian, at a very young age.

Context:

An in person conversation that was recorded while walking to an event.

 

Analysis:

I found this myth to be interesting because she has learned the story in two completely different facets of knowledge: a young adult series and an art history class. The idea that both referenced this Egyptian myth at some point in time really reflects the idea that folklore travels into all fields and this is an agreeable reason why it is always subject to variation.