Tag Archives: prank

Dropbear

Context:

PH is a 20 year-old student who lives in San Diego, California. She learned about the folk creature of the dropbear through her friend who is from Australia. She told me about it in an interview.

Text:

PH: my Australian friend tried to convince any non-Australian person she met about the existence of dropbears. This one is quite famous, I already knew about it. The fact that it’s so famous though made it easier to convince people because you can google dropbears and there’s a wikipedia page and lots of pictures so it seems legit. The pictures are all faked. The wikipedia page is actually about dropbears as folklore but at first glance it just looks real. Dropbears are koalas except carnivorous and vicious with very pointy teeth, they drop out of trees and attack people. Honestly almost every time my friend mentioned them to people she convinced them of their existence. It was always fun watching her casually do it to people. When we ran into other Australians she would mention dropbears and they would laugh and keep up the ruse.

Thoughts:

The legend of the dropbear plays into the exported national image of Australia as a land full of wild and strange creatures. People believe the informant’s friend when she tells them about dropbears because they don’t know any better, they assume that it’s true because they know that “there’s a lot of weird animals in Australia.” The informant’s Australian friend clearly takes joy in exploiting this popular representation of Australia and tries to convince people of something that is totally made up. It is something, according to this informant, that Australians seem to be “in on.” They know better but they like to perpetuate belief in the legend.

The idea of the dropbear, a hidden, dangerous creature that descends upon the unsuspecting walker at any moment, reveals anxiety about the unknown creatures in the woods. The jungle is a place of rich and dense biodiversity, and a lot of creatures can be dangerous. This legend reflects the anxiety of facing them. Moreover, foreigners’ gullibility with respect to the dropbear reflects the anxiety about encountering a national other, one characterized by wildness, the jungle, and primitivity. The Australian telling the story then stands in for this other, from a far off and unfamiliar land. The story also gives its tellers some national pride in being Australians.

Owa Tagu Saiam

Context:

I collected this bit of wordplay from my mother (LP) in a face-to-face interview. She grew up in a white Unitarian household in suburban Colorado in the late 20th century. She learned this joke from her mother, who pulled the prank on her and her brother when they were young.

Text:

The prankster says to their victim:

            “Say: ‘owa tagu saiam’”

After repeating it, the prankster asks them to say it faster until it sounds like they’re saying “o what a goose I am.”

Thoughts:

I remember other silly word pranks like this from my childhood, where one person employs a riddle or a pun to get another person to say something self-deprecating or otherwise humorous. The appeal of the joke comes from the moment of recognition when a string of nonsensical sounds becomes language. These games, while seemingly inconsequential and banal, offer a profound look into the mechanisms of signification. The humor of the joke comes from the moment of recognition in which a string of nonsensical sounds becomes meaningful, takes on significance. What was thought to be nonsense becomes sense, becomes a signifier of something completely unexpected.

The prank points to a couple of interesting traits of spoken language. One, that sounds bear no intrinsic relation to their significances: a string of gibberish to one person in one particular subject position (the victim when speaking the phrase slowly) can hold meaning to those occupying other subject positions (the prankster and the victim after the moment of recognition.) Secondly, it reminds the participants that all words are first and foremost just sound. Sounds are assembled and juxtaposed to signify abstract notions, and this process of signification can get so entrenched, so internalized that the signified takes precedence over the signifier, and the language-bearer is “tricked” into equating the two. This prank shatters that implicit assumption by pointing to the sonorous qualities of the word and laying bare the process by which sounds are tied to meanings. This disenchantment with the word, the recognition of the materiality of the signifier, has radical implications. For one, it allows for a kind of verbal play, a refiguration of sounds and their meanings, a liberation from the logocentric notion that words contain no ambiguity, no internal contradiction, that individual words always mean the same thing, like in a dictionary. But dictionaries are produced and disseminated by publishing companies that operate under certain ideological agendas which are always political, which have in their interest the imposition of hegemony.

Such pranks as these can act as subversive and counter-hegemonic, calling into question the ways in which meaning is constructed through language, opening up the potential for resistance through wordplay.

Pool at the Top of the School

Abstract:

This piece is sort of a legend or belief that there could be a pool at the top of Albemarle High School. It is a prank or joke that the upperclassmen pull on incoming freshman.

Main Piece:

“L: For our high school, they tell the incoming freshman that there is a pool on the roof. You guys didn’t have that?

C: No, I’ve never heard of that.

L: So what they tell you is that “oh you can’t get onto the roof, but there is a secret, exclusive pool that if you make friends with the janitors or something, you’ll get to go up and see the pool roof.” So my brother, he’s at SCA here, but he made the video that they show to eighth graders at the end of the year when they come into the school as incoming freshman and, um, he was playing around with Final Cut and they went up to the roof and he figured out how to CGI a pool on the roof to trick all the eighth graders. And at lunch they were all like “omg there is really a pool on the roof.”

Context:

The informant is a 19 year old girl who has lived in Charlottesville, VA for her entire life before moving to California for college. She attended Albemarle High School for all four years and first learned of this “pool on the roof” when she was an incoming freshman.

Analysis:

These kinds of pranks on “new” students or freshmen remind me of initiations that happen at clubs or in Greek Life. I think it is an event that students have to go through and the original belief is what bonds them together as the “new” student class. Going through that shared belief and realization that it is a joke helps bring the students into the community that has also gone through it.

Office Folklore- Unicorn Death

Subject: Office Folklore. Pranks and comradery.

Collection:

“Interviewer: So… you have an employee in your office who is in a band… what type of music does her band play?

Interviewee: Death metal.

Interviewer: And what is the name of her band.

Interviewee: Unicorn death.

Interviewer: Now, for her birthday or before she’d go on tour, is there anything, any hijinks the office would get into surrounding her band?

Interviewee: So, she only wears black, and so we took her office and we covered it all in pink posy-notes, and then we saran wrapped her chair, um… we put Justin Bieber… pictures and we stuck them inside her notebook and inside her drawers and…

Interviewer: Why Justin Bieber?

Interviewee: Because he is a music genre she would not be interested in… um, we all put on a unicorn hat that was pink with like a purple horn… and um we um forced her to wear it.”

Background Info: Sehi Computer Products is in San Clemente, CA and consists of an inside office and an outside warehouse division. They have roughly twenty employees at any given time with most employees sitting at open work stations in one larger room. Conversation is open with side banter occurring intermittently with tasks and projects. My mother has worked in the office since 1989.

Context: This story was given over dinner with my mother and father while discussing jokes and events to parts of our lives unique to the rest of the family.

Analysis: It is now part of office culture to collect and send photos of unicorns to workplace associates. By the time clock, there is a bulletin board of photos of different employees wearing a unicorn hat in honor of the employee and her participation in the band. Such actions allow for employees to feel involved in one another’s personal lives within the often impersonal and task-based office setting. Now that the employee is touring with her band, the employees still mention and joke about unicorns, allowing her to stay relevant in the office community and actively works to integrate her into their social circles. Furthermore, all levels of personnel in the office participate in the tradition which helps to break down the traditional structures of command that can lead to negative feelings between manager and staff.

Being told the backstory around the unicorns is a rite of passage for employees, marking them as participants and contributors in the office community. Often, summer employees clock in and out every day without understanding the significance of the photos. However, to people in the office at the time of the employee going on tour, it marks a tie to a dear friend and a spirit of kinship, originating in being part of the “in” group in the office.

Furthermore, there is an element of play in the pranks that plays on subverting the individual’s personality. The people playing the prank purposefully choose items they knew the individual being pranked would not like and augmented them. The prank is tailored specifically to her interests, and this level of care communicates to the individual that they are known and valued in the office environment. The prank was not malicious, but rather a celebration of the individual and her unique personality .

Rickrolling

The particular details and background of the following prank were introduced to me by a fellow student majoring in computer science.

 

The prank in question takes place on internet video platforms, most commonly YouTube, where viewers are led to believe they are accessing entirely unrelated material and instead are met with the surprise appearance of the music video for Rick Astley’s 1987 song ‘Never Gonna Give You Up.’ Having been performed so many times as to have earned its own name, the prank has come to be known as ‘rickrolling,’ a reference to Astley’s name.

 

Although I was previously familiar with the prank’s ubiquity, having been ‘rickrolled’ myself a number of times prior, its intentional nonsensicality was not apparent until being explained.

 

As a prank that exists in a simple digital form and relies entirely on taking advantage of the internet’s functions, ‘rickrolling’ is a definitive example of the relationship between perpetrator and victim when pranks are performed over the internet. In real life, there requires some kind of physical interaction to be pranked, but on the internet, there remains complete anonymity. The victim will likely never have any idea who ‘rickrolled’ them, and given the nonexistent physical consequences of the prank itself, will not have any incentive to find out themselves.

 

See More:

A transformative step for this prank occurred as that of a marketing tool in the leadup to the release of the second season of HBO’s television program Westworld. The creators of the show, known for its complicated narrative and plot twists, formally announced they would release a video revealing a comprehensive guide to every narrative step of the show in advance, effectively spoiling every surprise the season held before airing.

 

Because much of the show’s popularity derives from trying to guess and anticipate each of these twists, critics and viewers alike contentiously debated this unprecedented decision that would undermine the effectiveness of a highly anticipated release and seemed to reflect an unsettling ignorance (on the creator’s parts) of the show’s major appeal.

 

When the aforementioned spoiler guide was released onto the video platform YouTube, viewers were treated to the sight of the program’s lead actress singing a piano cover of Rick Astley’s ‘Never Gonna Give You Up,’ a nod to the traditional practice of ‘rickrolling’ and a solid indication that the entire announcement was a prank itself.

 

It is worth noting that even this sly and cleverly-angled marketing strategy relied on an unexpected narrative twist (although created in real life, impressively), just as the show itself relies on such methods to keep viewers engaged.