Tag Archives: wolf

Three Little Piggies- Bedtime Story

Main piece:

“There is the story about the three little pigs. They are brothers and there is a lazy lazy one, a lazy one, and a hard-working one. They build three houses. Each one builds one house, all out of different materials. One of them built it really quick and was like ‘yeah whatever’, the other one worked a bit harder, but not super hard, and the last one worked really really hard on it and made it out of bricks. When the big bad wolf came the house of the super lazy pig that made it out of straws and sticks blew off, and the other sorta lazy pig’s house also blew off, the only house that protected them was the house made out of bricks.”

 

Context and Analysis:

I asked my informant a 21-year-old female if she recalled any folk stories. The informant narrated to me the story of the “Three Little Pigs.” She claims this was a bedtime story told to her when she was a child. She believes the story speaks to the rewards of doing hard work and applying dedication. The informant identifies a lot with the story for her dad was a very charismatic storyteller, so as a child she was very invested in the lives of the little piggies and this story really stuck with her. She remembers her feeling of terror vividly knowing the wolf was approaching the houses of the first two piggies and they were going to blow away. The informant explains how having this story be such a large part of her childhood has taught her hard work and dedication. She will forever remember the hard work the third pig put into his house and the rewards that came from it.

I too remember hearing a version of this story as a child and agree with my informant on the interpretation. There are many versions of the story, but the meaning ultimately remains the same. The story emphasizes the rewards of hard work. The first two pigs did not do a good job of building their houses, and because of this when the wolf came to test their houses they fell apart. The last pig worked really hard and put a lot of effort into building his house making it the only house left standing between the three pigs.  I believe this story is a great tale to teach children about the value of hard work. 

By having the middle pig who did not do a bad job, but didn’t do a good job I think the story also addresses mediocrity. If the middle pig had put in a bit more work into building his house, it would have probably been successful in protecting him from the wolf. This highlights the importance of following through and putting in the full effort as opposed to just “good enough.”  

The use of animals makes the story more entertaining for children because it adds a sense of fantasy and simplicity by using non-human characters. Non-human characters are more relatable and flexible as a tool for storytelling because the author can make them do whatever he pleases. Having pigs be the main characters also makes the kids more invested in the story since talking pigs with houses are unusual and new to them. I think the use of three is also important to note as it is a prominent number in storytelling. Having a trio creates a pattern making the story more memorable and emphasizes an idea. 

 

 

The Boy Who Cried Wolf- Children Story

Main piece: 

“There was a boy who was a shepherd. The boy would get very bored watching the sheep all day, so he decided to yell out that there was a wolf amongst the sheep one day. All the villagers came in a hurry to find out that there was no wolf. The next day the shepherd boy did it again. And the villagers came running, only to find that once again there was no wolf. On the third day, the shepherd boy was watching the sheep, and a wolf came. The boy yelled out to the villagers, ‘there is a wolf! Help! there is a wolf!’ but this time no one believed him, and the wolf ate all of his sheep.”

Context and Analysis:

My informant is a 21-year-old female. I asked her to narrate to me a commonly known story she is familiar with. The informant narrated to me the story of the “Boy Who Cried, Wolf.” She claims this was a bedtime story told to her when she was a child. My informant believes the message of this story is that “if you lie people will catch on to it and then they will not believe anything you say ever, even if it is true.”

I agree with my informant’s interpretation of the story. The story of The Boy Who Cried wolf is often used to teach children about the dangers of lying. The story follows the plot of a boy playing around with the kindness of the village and the sense of community that made them reach out to help when the boy was in danger. Because of this when the boy was actually in danger, the villagers no longer believed him and did not come out to help. I think this story also emphasizes the fragility of community awareness and support. Most communities are known for caring for one another and wanting to help other members of that community, however, this bond takes work on both sides. Each member of the community must participate in making it strong. By tricking the village, the boy broke this bond and therefore he was excluded from the community. I think many times people take these communities for granted and do not put in what they are getting from it. This story does not just warn about the dangers of lying, but also about preserving the trust within a community.

I think the use of three is also important to note as it is a prominent number in storytelling. The boy cries out to the villagers three times. Having a trio creates a pattern making the story more memorable and emphasizes an idea. 

Aralez

“The Aralezs are a kind of mythical creature from Armenia. To put it simply, they are essentially like a cross between a dog or a wolf and an eagle, so basically a dog with wings. Legend has it that they live on Mount Ararat, which is pretty much the most sacred landmark to Armenians. They used to be worshipped along with a lot of the pagan gods and goddesses before Armenia was Christianized and stuff. I guess the most notable thing about them is that they come down from the mountain in times of war to lick and heal the wounds of Armenian people. I’ve also heard of some people entombing their dead relatives in towers so that the Aralezs could come down and revive them.”

This is from my roommate who was born in Yerevan, Armenia, but he and his family moved to the U.S. in the late 1990s, before he was even five years old. However, he has spent most of his summers back in Armenia, visiting family and whatnot. He is fluent in Armenian and speaks it at home. He’s never really believed in the Aralezs, but he learned about it from his grandpa who would always tell him stories, with some involving Armenian mythology.

The Magical Wolf Island Riddle

This informant is a senior at USC in the Marshall School of Business.  He told me he had a riddle for me that he was asked in an interview for consulting, but then later said it could have been an investment banking interview as well he didn’t remember.

Out in the middle of the ocean there exists a magical island with only grass.  There are 120 wolves and 1 sheep on the island.  The wolves can live off the grass but they would rather eat sheep.  Every time a sheep is eaten that wolf turns into a sheep.  Now the wolf has to worry about being eaten by another wolf.  All the wolves are rational and smart and want to survive.  Given that there are 120 wolves and 1 sheep on the island, will the sheep be eaten?

The answer is: No the sheep will not be eaten.  This can be shown much simpler with smaller numbers.  If there is 1 wolf and 1 sheep the sheep will be eaten.  If there is 2 wolves and 1 sheep the sheep won’t be eaten, because each one knows the other will eat him right after.  So with this reasoning, whenever there is an even number of wolves on the island, the sheep won’t get eaten.

I definitely didn’t know the answer off the top of my head, but once I heard the answer it seemed like a pretty simple concept.  This shows how much people working in high finance value critical thinking and problem solving skills.

 

 

Ungus, Bungus, Tipopi

Context: The informant is a grandmother of 8 whose parents were originally from Afghanistan but settled in Pakistan. She also lived in Saudi Arabia for many years and has a working knowledge of Farsi, Arabic, and Punjabi along with her native Urdu. This story is a popular one among her grandchildren; here it is transcribed in English, though it was originally told in Urdu.

“Once in a house near the jungle there lived a goat with her three kids. Their names were Ungus, Bungus, and Tipopi. One day, the mom goat had to go out, maybe to get groceries, but she told her children: lock the doors and don’t let anyone in except me. I will say, Ungus, Bungus, Tipopi, open the door! And only when I say that do you let me in. So the kids said, ok Mama, and she walked out and locked the door and she went.

Now in the jungle next to the house there lived a big scary wolf: he had long hair and big eyes and hungry and he saw the mom goat leave, and he heard what she told her babies, and he said to himself, I think I’m going to go eat those delicious goats.

So he went up to the house and he knocked on the door and he said, Ungus, Bungus, Tipopi, open the door! And Ungus and Bungus ran to open the door, but Tipopi said to them, wait! This is not out mom! Our mom’s voice is light and sweet, and this voice is heavy and ugly. So Tipopi said to the wolf, You’re not our mother! You’re the wolf that lives in the jungle! Go away and don’t come back!

And the wolf was very mad but he had to leave.

And now when the mother goat came back and she opened the door and her babies rushed to tell her what happened, and she was so relieved that they were all safe.

Then the next day, she had to go out again, but was so worried and scared that she said, now when i come home, I will say to you, Ungus, Bungus, Tipopi, open the door! And you ask to see my hand, and i will show you my hand. And only then do you open the door. And her kids said, Ok, Mama. So she went out the door and locked it and went.

Now the wolf had seen the mother go out again, and he wanted to try again to eat the kids; but this time he ate a whole spoonful of honey before he went, to make his voice light and sweet, and went up to the door and said, Ungus, Bungus, Tipopi, open the door! And the kids heard a light, sweet voice so they rushed to the door and asked, Mama, show us your hand! And the wolf showed his paw, and it was big and black and hairy and ugly, and Tipopi said, This is not our mother! Our mother’s hand is small and white and pretty. This hand is big and hairy and black! And he said to the wolf, You are not out mother! You are the wolf that lives in the jungle! Go away and don’t come back!

So what could the wolf do? He left.

And again the mother goat came home and the kids rushed to tell her what happened, and again she was so happy they were all safe.

And when she had to go out again the next day, she was very worried and scared so she said, this time when i come home, i will say, Ungus, Bungus, Tipopi, open the door! And you will ask me to see my hand, and I will show you my hand. Then you ask me to show you my foot, and I will show you my foot. And only then will you open the door. And the kids said, Ok Mama. So she went out and locked the door and she left.

And the wolf was watching and he saw her leave, this time before he went to their house, he ate a whole spoonful of honey to make his voice sweet and light, and he covered his whole paw in flour to make it look pretty and white, and he went up to the door and said Ungus, Bungus, Tipopi, open the door! And the kids rushed up to the door and asked, Mama, show us your hand! And this time, the wolf showed them only one finger, and his one finger was as big as the Mama goat’s whole hand! And the kids said, Mama, show us your foot! And the wolf showed them his foot, and it was huge, and black, and it had long claws–this long claws! [holding hands about a foot apart] And Tipopi said, this is not out mother! Our mother wears pretty shoes and her feet are small and white. This foot is big and black and hairy. This is the wolf that lives in jungle! Go away, Wolf! Don’t come back!

And the wolf was so angry, and he was so hungry, but what could he do? So he left.

And when the Mama goat got home, her kids rushed to tell her what happened.

And the next day she had to leave again, and she said, now when i come back today, and i say Ungus, Bungus, Tipopi, open the door! Just do what you did yesterday, and you will be safe.

And the wolf was waiting for her to leave again, and this time he ate a whole spoonful of honey to make his voice sweet and light, and he covered his whole paw in flour to make it look pretty and white, and he covered his feet in flour too, and we put tiny beautiful shoes on his big toes–just one big toe fit into the whole shoe, can you imagine that?

And the wolf went up to the door and said Ungus, Bungus, Tipopi, open the door! And the kids rushed up to the door and asked, Mama, show us your hand! And the wolf showed them only one white finger, and the kids said, Mama, show us your foot! And the wolf showed them his one toe covered in flour in the pretty shoe, and the kids rushed to open the door…

And there he was…standing in the doorway…his big big eyes…and his long long hair…and his drool dripping off his teeth…it was the wolf! And the kids ran screaming into the house, and the wolf came chasing after them, and he swallowed up Ungus and Bungus in one gulp. But Tipopi hid inside the milk jug, and wolf looked everywhere, but he couldn’t find him. So he left.

And when the Mom goat came home, she saw the open door…and she went in and she saw the ripped curtains, and the broken tables and chairs…and she started calling, Ungus, Bungus, Tipopi, where are you? Ungus, Bungus, Tipopi, come out! Ungus, Bungus, Tipopi, your mom is home!

And Tipopi heard her and he peeked out of the milk jug and there was his Mom, and he leapt out and hugged his mom and started crying and he said, Mama the wolf came and ate my brother and sister! And the Mom goat was very sad and very scared and angry, but she said, Tipopi, go get my sewing kit. And Tipopi ran and found his mother’s sewing kit and the Mom said, You stay here, and I will go find the wolf.

And she went out into the jungle and she walked and walked, and then she came to a river, and it was warm and sunny, and there was the wolf, lying against a tree asleep. The mom goat crept up to the wolf and began to cut his belly open, and when she opened it, there was Ungus, and there was Bungus, and they were scared and they started crying, but the Mom goat went, Shh! Shh! [puts finger to her lips and makes a “come on” gesture with one hand] and she got them out of his belly. And then she went down to the river and found two huge stones, one for Ungus and one for Bungus, and she carried them all the way up to the wolf, and she put the stones in his belly, and then she sewed it up, and it was so fine you couldn’t even tell it was there. And then she took her kids home, and then they were safe and together at last.

And when the wolf woke up he felt so thirsty, so went down to the river to drink some water, and he was so heavy the he just tipped [tilts her whole body to the side] over and he fell into the river and drowned.”

Analysis: This story can be examined through multiple facets. It’s a simple fairy-tale, along the lines of the Three Little Pigs and Little Red Riding Hood. The wolf here could be symbolic of nature/the wild, and how it is dangerous to people living in villages where the border between the wild and the domestic is very thin. It is notable that it is not just any herbivore that is attacked in this story, but goats, domestic animals which are an important source of sustenance and incomes in some of the more rural areas, as they provide milk, meat, and hides. So in that respect the story is a simple study of the dichotomy of village/jungle and civilization/wild, and how it is dangerous, but nevertheless not uncommon, for the two to meet or mix.

It is also notable that, while in the Western version of Little Red Riding Hood it is a little girl who is sent by herself into the wild and disobeys her mother and therefore gets into trouble; in this version it is three siblings of mixed genders who are attacked in their own home while trying to obey their mother. This would seem to squarely place villainhood on the wolf’s shoulders, and none of the blame on the innocent(s); while Little Red Riding Hood is often blamed for what happens to her by pointing out that she shouldn’t have disobeyed her mother. As such the message  in Little Red Riding Hood seems to be, listen to your parents and if you don’t it’s your fault if something bad happens to you. Whereas  the moral  in this story seems to be that bad things happen even when you’re good and smart and listen to your parents, and it’s nobody’s fault but the bad people who hurt others.

It’s also interesting that, in some versions of Little Red Riding Hood, the girl and her grandmother are eventually rescued by a father figure, the woodcutter; but in this story, the kids are rescued by their very brave and clever mother. I think this reflects the fact that in the informant’s family and culture, the bond between mothers and their children are usually very strong, whereas the relationship between father and children depends on each individual family: some fathers are strict and distant, others indulgent and doting. The informant’s own father, she reports, was strict but loving, but her relationship with her mother, and especially the relationships between her younger sisters and her mother, were very very close. Contrast this with the heroicizing of the father figure in Western culture, where any time the child is in trouble, it is the big strong dad that comes to the rescue, and perhaps the mother figure comforts the children afterward (for instance, The Lion King, The Little Mermaid, the character of Wolverine).

And finally, the reasons it appeals to so many kids of different generations are pretty obvious: especially when there is a good storyteller, who knows her audience and how to get the reactions from them. The description of the wolf is something the informant says she usually embellishes to get the kids really frightened, and then making gestures to go along with the story (for instance, imitating the mother goat’s small, pretty white hand) is always part of the act of storytelling too.The fact that there is a happy ending for the kids (with whom the children usually identify) and that the wolf gets what he deserves also makes it a popular story in the informant’s repertoire.