Sophie is an international student from Taiwan. She is pursuing a B.S. in Computer Science at the University of Southern California. She hopes to find a career in computer security and plans to stay in the United States, specifically Los Angeles, to work. She enjoys watching anime and learning; from USC-sponsored workshops, she has learned how to code and create chatbots.
There’s this guy in ancient China in Tang Dynasty. Actually, um, he’s a really smart guy and he went through this test to be a government official, and at that time, the test was taken in pen. So, um, they don’t know how the guy look like when he takes the test, and then the person grading test assigned the guy to be in first place. And then he went to the emperor and the emperor saw him and the emperor thought the guy was so ugly. He couldn’t be a government official because he was so ugly. And then the guy was really sad because he was so smart, but because he’s too ugly, he got rejected to be a government official so he killed himself in front of the emperor. And then the emperor felt sad too because he killed a guy by calling him ugly. So, the emperor put the guy’s face and everything on chūnlián, which is the red paper we put in front of temples and houses in New Year’s, so the guy could scare off bad spirits with his ugly face.
Background Information about the Performance from the Informant
The informant read about this legend from a book when she was small. She remembered the story of Zhōng Kuí because she found it very amusing. Both the emperor’s reaction to Zhōng Kuí’s suicide and the fact that the man’s hideous appearance was the cause for the tragic end to his life were so ridiculous to her that it was funny.
Context of the Performance
I interviewed the informant in a study room at Parkside IRC.
Zhōng Kuí is a legendary figure in Chinese mythology. He is widely regarded as a vanquisher of evil who commands a force of 80,000 demons. His image is often publicly displayed on household entrances for protection, due to his disfigured appearance and fearsome reputation.
My Thoughts about the Performance
Although I knew about the legend of Zhōng Kuí, I was surprised to hear from the informant that many Taiwanese people place Zhōng Kuí’s face on red paper to repel evil spirits on Chinese New Year’s. In contrast, most Chinese attach ménshén, or door gods, to entrances to protect themselves from evil. However, both countries plaster chūnlián on walls for luck and protection on New Year’s. Even though China and Taiwan share some similarities, I find the many cultural disparities or variations between the two very interesting.