Tag Archives: death

The Pregnant Woman Ghost

Nationality: American
Age: 23
Occupation: Student
Residence: Los Angeles
Performance Date: March 21st, 2013
Primary Language: English

Informant Background: The informant is a student in Los Angeles. His family is originally from Indonesia. His parents moved to the United States and they now live in New Orleans. He speaks only English but he said his family still practice many Indonesian traditions especially folk-beliefs. He travels back once in a while to Indonesia to visit his relatives.

 

Okay, so there is this woman who was pregnant but she wasn’t married…she doesn’t have family or relatives…then when she was giving birth to her baby she died ‘cause the baby somehow came out of her back. …And then she became a ghost who looks like a woman but she has this bleeding hole in her stomach. She would appear with long black hair over her face while holding her dead baby …you know like those Asians ghost you see in movies where it’s like a girl with super long drapy hair in front of their face.

The informant heard about this story through his relatives in Indonesia. He is not quite sure what situation the ghost would appear but he said that she is one of the well known characters in Indonesia traditions.

 

 

I think this ghost story shows the improper ritual for two of life’s most celebrated moment: birth and death. The spirits of the mother and child transform into ghosts because they did not get a proper burial. It is also similar to other ghost stories where the ghost is created because the person died too young, in this case both of them.

The hole is a reflection the improper birth and death of both mother and child: the mother who died trying to give birth and the child who died before even being born. Souls or spirits can become ghost because of improper death or death rituals. Similar to other origin of ghost instead of being released into heaven the spirit stays on earth looking for family and relative for closure. It was both unconventional birth and death that leads to the belief of this ghost.

The absence of a proper burial is evident to the lack of family. The woman was pregnant without a husband, which is deemed unconventional and unacceptable by many societies. With no family she had no one to give her a proper funeral. Her ghost, in my opinion, is then her spirit that lingers around looking for family to give her closure.

I think this story could also be an indirect way to teach girls the consequences of going against traditions. Since the woman in the story did not have a proper wedding, she then was not able to give birth properly: going against tradition in this case not only lead to her death but an unsatisfying afterlife.

The Bot Chon Ghost Story

Nationality: American
Age: 23
Occupation: Student
Residence: Los Angeles
Performance Date: March 25th, 2013
Primary Language: English

Informant Background: The informant is a student in Los Angeles. His family is originally from Indonesia. His parents moved to the United States and they now live in New Orleans. He speaks only English but he said his family still practice many Indonesian traditions especially folk-beliefs. He travels back once in a while to Indonesia to visit his relatives.

 

This is a story of a famous Indonesian ghost called Bot-Chon. In Indonesia when someone die you would wrap them with cloth. Before the burial the cloth is tied around the body. Once in the grave the body is covered with planks of woods. Soil is then put into the cloth to symbolizing the body going back into the earth, or like the body going back nature. Before the body is buried the cloth you are supposed to untie the cloth so the cloth kind of sit loose in the grave so the spirit can flow out after the burial. The ghost is then from people who forgot to untie the ghost…you know it’s like their spirit is trapped inside the cloth…So the ghost will haunt the family and friend until the cloth can be untied. It is kind of funny because  the cloth is tied around the body so this ghost just kind of hop around like a statue.

The informant learned about this tradition when he visits his family back in Indonesia. The untying of the cloth also is a way family and relatives can have the final moment of closure with the deceased. To not untie the cloth represents how the living family did not have a proper farewell moment. The ghost haunts as a way to seek their last goodbyes. To get rid of the ghost is to go back to the original burial site and untie the cloth to release the spirit.

 

 

I agree that the appearance of the spirit has a humorous quality. Since the body is wrapped in cloth the spirit would appear almost as a mummy who could not walk. I think this ghost story shows the importance of funeral as a life event. Funeral is one of the biggest life event that is ritualized and celebrated. In this case the mistake or neglect at the funeral turns the person into a ghost, similar to a lot of ghost stories where ghosts are lingering spirits or souls that did not get proper burial tradition after death. Ghost in many culture are result of a bad funeral; ones that neglect the traditions or did not follow the rules. This case is the same how the ghost is the spirit asking to be released.

The burial and putting soil into the cloth is similar to Western funeral traditions where the family would through dirt on top of the coffin before the actual burial. It is only a symbolic gesture of the last goodbye and putting the body back to nature. Unlike western traditions this tradition from the informant does not put the body in the coffin. So the body will decompose with the soil, the wood planks, and the clothes, all into the ground.

Yes/No Pencil Ritual

Nationality: American
Age: 24
Occupation: Student
Residence: Los Angeles
Performance Date: April 13th, 2013
Primary Language: English
Language: Cantonese

Informant Background: The informant is originally from Hong Kong. She now lives permanently in the United States but travels back once a year to visit her relatives in Hong Kong. She speaks both Cantonese and English. Her family practices many of the Chinese traditions, folk-beliefs, and superstitions. She celebrates many of the Chinese holidays through cooking of special “holiday food.”

 

Many grade school children play this game with a pencil. You can only use pencil. No mechanical pencils or pen. So first you would write on a piece of paper: “yes” and “no.” Then you put the paper on the table and then put the pencil in the middle of the paper. There are usually four people at each corner of the table. Then you call on the spirit into the pencil…After that you can ask the spirit questions about your life…you know something like: does he like me, will we be together, how long will we be together, am I going to pass this test, etc… But you can be cursed to die if you ask about how the spirit died or who the spirit is. It is okay to ask about their past life but never ask for the name or how he/she became a spirit. Sometimes more specific things can be written on the paper for different situations…I heard some news in Chinese newspaper where people die from this game because they ask the question they shouldn’t.

The informant stated that she played with her friends in middle school in Hong Kong, though she said that many adults play this game as well. She said she did it when she played the game nothing happened but she and her friends got very scared that she tore the paper into many pieces, broke the pencil, and ran away from the room as fast as they could.

 

I think this game challenges the idea of beliefs and the origin of ghosts and spirits. As seen by many other ghost stories, spirits usually arises from untraditional death or improper burial. In this case it is taboo and deathly to find the origin of the spirit. This game also reflects how people are unsure about the status of their lives; also trying to find answer to unanswerable questions in life. Not being able to ask how the spirit came to be also reflects the unknown origin of how ghost came to be.

The use of the pencil shows how the idea of ghost is most of the time associated with objects with no modern technology; how they are paused in certain time period.

The paper and the pencil reflect the idea of contagious magic how an object can possess power after certain rituals. In this case the informant and her friends destroyed those objects because they perceived those objects as having power after the rituals performed.

This dare is also similar to the idea of children folklore where there are underlying meanings, in the case the fear of the unknown. Similar to how female children conduct their Bloody Mary dare in groups as a bonding experience, this dare has a similar underlying purpose. It is a group bonding experience under the shared fearful experience, or bonded under the same curse. Similar to the Bloody Mary dare, the truth value is not as significant as the actions performed.

The dare as a ritual then turned into a legend through unofficial and official storytelling. The news about death from this game is then a memorate for the legend and keeps the ritual as an existing and ongoing legend.

Clock and Watch

Nationality: American
Age: 25
Occupation: Student
Residence: Los Angeles
Performance Date: April 13th, 2013
Primary Language: English
Language: Mandarin

Informant Background: The informant was born in rural parts of China called Hainan. She lived there with her grandparents where she attended elementary school. She moved to the United States when she was thirteen. She speaks both Chinese and English. She lives in Los Angeles with her mother but travels back to visit her relatives in Beijing and Hainan every year. She and her mother still practice a lot of Chinese traditions and celebrate Chinese holidays through special meals.

 

In Chinese you can’t say the word clock because in Chinese the word clock sounds the same as death. People usually point at the clock instead of saying it or called it “big watch,” “time,” “the time thing,” etc. If you end up saying the word then you have to apologize to the people around them for giving them bad luck.

The informant lives in the United States but still speak Chinese. She was taught about this ever since she can speak the language. It was emphasizing in the family and she found out it is practiced among her relatives and her friend’s family as well.

 

I think this is similar practice to the reason Chinese people avoid saying the word four because it sounds like they are saying death. Death, which is the unknown, is feared and avoided in everyday life. The idea of death is only mentioned and emphasized at funeral. The clock, in this case, has a nickname to avoid saying the actual word. Certain words that have overlapping sound are then muted for everyday life. The same way funeral rituals occur as a special event, words surrounding that particular event are prohibited to occur at any other time otherwise bad luck will enter your life. It is also similar to Western culture’s belief around the number thirteen where in a tall building floor 13 are eliminated.

I always find it peculiar that many everyday word and objects can have bad luck connotation through the way it sounds; also having to apologize for saying those words by mistake. This reinforces the idea of belief and how the truth value of it is irrelevant to whether or not it is practiced. Saying the word “four” or “clock” in Chinese would not bring bad luck but it would bring the belief of bad luck. I think that these traditions are carried through as accepted practice rather than the actual fear of the consequences.

I’m so hungry I could eat a corpse and chase the mourners

Nationality: Irish, Dutch
Age: 19
Occupation: Student
Residence: Mission Hills (San Diego), California
Performance Date: April 9, 2013
Primary Language: English
Language: None

Informant: “I’m so hungry I could eat a corpse and chase the mourners.”

 

The informant is a young man who comes from suburban Mission Hills, San Diego and describes himself as relatively “quiet and introverted” and “nerdy” as well as very involved in politics. The informant is a sophomore neuroscience major at USC and works in a neuroscience image and understanding lab, which focused on visual research.

The informant heard this metaphor when he was about 14 years old as a freshman in high school from a photography teacher. The informant described this teacher as very eccentric, with a “very unique” and hilarious personality who would say this metaphor in a very happy way. The informant says that because of this, he associates the saying with something positive and likes to use it himself. Additionally, the informant stated, “we had his class right before lunch and sometimes he would say ‘oooh (raised vocal inflection) I’m so hungry, I could eat a corpse and chase the mourners,’ and start hustling down the stairs.” The informant likes this saying because “it is just so bizarre ” and it just stuck in my mind because “he said it a lot and it was said in such a fantastic way.”

The informant does not know exactly what saying is suppose to mean, but the informant thinks that perhaps it means that the speaker is so hungry they could eat a corpse and then would still be hungry enough to chase the mourners to eat them as well. However, the informant also pointed out that “because there are mourners the corpse must still be fresh.” Ultimately, he thinks the saying is just supposed to be bizarre.

This is a somewhat unique variant of the “I’m so hungry I could eat a ___” folk metaphors. Typically the blank is filled with something like a cow, a horse, some other large animal, or a mass quantity of food such as 1000 hamburgers. This variant on the other hand, refers to cannibalism and death. The change in the normal usage is slightly disconcerting and creates a form of death-humor paradox as the metaphor becomes humorous when it is so unexpected.