Author Archives: Madeline Feng

Chinese Tea Rhyme

Text: 

Original Script in Mandarin Characters:

甜配绿, 酸配红, 瓜子配乌龙。

Pronunciation in Mandarin Pinyin:

tián pèi lǜ, suān pèi hóng, guā zǐ pèi wū lóng.

Transliteration:

Sweet matches green, sour matches red, sunflower seeds match oolong.

Translation:

Serve sweet food with green tea, serve sour food with black tea, and serve snacks like sunflower seeds with oolong.

Context: 

I first heard the rhyme when I was enjoying a traditional-style tea party one day with my family when I was in middle school. I randomly asked my paternal grandparents how did they manage to choose different tea on different days, and my grandma replied with this tea rhyme and said the choice was dependent on what flavor of food and snacks we were having. Later when I interviewed my grandma for this project, it appeared that she couldn’t remember when, where, and from whom she learned this rhyme. Having circulated orally among people, this tea rhyme has been and still is a popular phrase across different regions in China.

Analysis: 

Historically, China is known for tea culture and tea serves a vital role in people’s daily lives. Tea-drinking is not simply a pleasant gustatory and olfactory experience, but also facilitates social and spiritual activities. When it comes to deciding which tea to drink, this tea rhyme is a shortcut that speeds up decision-making, though many may have their own preferences and theories. 

Broadly conceived as an agreeable saying, this rhyme reveals the basic logics in matching tea with food. According to the informant, this rhyme can be broken down into three parts and each part has a solid backing to it. To begin with, one should serve sweet food with green tea since its relatively bland taste tones down sweetness. Though not known to the informant, it has been proven scientifically that gallated catechin (GC) found in green tea acutely reduces blood glucose levels, resulting in the consensus that green tea makes sweet food and dessert “healthier”. Contrarily, the rich flavor of black tea is thought to be best served with sour food to reduce bitterness as well as add depth to its smell and taste. Lastly, sunflower seeds are a popular snack in China that tastes nutty, slightly salty, and savory. Despite literally specifying sunflower seeds as oolong’s “partner”, this tea rhyme generalizes a category of nutty and less flavored snacks compared to the aforementioned sweet and sour food, saying that oolong’s flavor will not be sabotaged but enhanced when served with this snack category.

In terms of the rhyme’s pronunciation in Mandarin, the three short phrases rhyme perfectly together with the first ending in a downward tone and the last two ending in an upward tone. Furthermore, the rhyme strictly follows a rhythmic structure (3 characters, 3 characters, 5 characters) as the last two phrases rhyme with two different characters but they sound the same vowels and the exact same tone. The rhyme’s catching pronunciation helps it withstand the test of time and remain popular among its specific folk group.

As much as Chinese people value tea and food, the theories behind matching a food with a specific tea are passed down generation to generation, and this tea rhyme not only allows us to take a glimpse into this rich tea culture, but also helps distill collective wisdom in tea-drinking.

Sichuan Rhyme about Domestic Life

Text:

Original Script in Mandarin Characters:

锅你洗了哇? 碗你洗了哇? 脏衣服一抹多, 你都洗了哇?

Pronunciation in Sichuan Dielect, Noted in Mandarin Pinyin:

guō nī xī lě wā? Wān nī xī lě wā? Zāng yī fu yí mō duō, nī dōu xī lě wā?

Transliteration:

You wash the wok? You wash the bowl? Dirty clothes so many, you finish washing?

Translation:

Have you washed the wok? Have you cleaned the dishes? Have you done the laundry?

Context: 

The informant is a 24-year-old female who currently studies in the United Kingdom, and was born and raised in Chengdu (the capital of Sichuan province). Sichuan dialect is her first language. Like other Sichuan families, the informant’s family used to have their TV on at dinnertime around 7 to 8 PM, when the local channel plays a TV series called The Happy Henpecked (“幸福的耙耳朵”, “耙耳朵” means soft ears and specifically refers to henpecked husbands in Sichuan dialect). The informant first learned the aforementioned rhyme as the first few lines from a rap at the beginning of the series’ opening theme music. As the TV series and its theme music grew popular among Sichuan people, the rhyme became an identity marker of Sichuan people who have seen this widely-known TV series due to its catchiness and somewhat accurate depiction of the Sichuan domestic life.

Analysis: 

Henpecked husband is a Sichuan stereotype that is not only recognized locally, but also transforms into a joke across mainland China. Known for their fiery temper, Sichuan wives are portrayed as the dominant “head of the family” in Chinese mainstream media. The Happy Henpecked is a comedy that depicts Sichuan domestic life in a humorous way, and the content of the aforementioned rhyme communicates exactly what to expect from a dialogue between the series’ protagonists, when a “bossy” wife questions her husband how is his progress in doing chores. According to the informant, most Sichuan Gen-Zs and their elder family members likely remember the rhyme because the popularity of the TV series has made it Sichuan’s cultural symbol.

Structurally, the rhyme is broken into three questions, with the first two questions containing 5 characters each and the last one broken into 2 phrases of 5 characters each. In addition to its rigid structure, the three questions end the same with “洗了哇” (“Have you washed…”) and rhyme together. As for the tones of the endings, they all end with an upward tone which is favored in the way Chinese people usually end a question or a poem. 

Rejecting socially constructed gender roles and gender stereotypes, the rhyme portrays a domestic relationship symbolized by a dominant wife and a submissive husband who finishes most chores. Unlike what people oftentimes expect from a piece of folk speech decades ago, the Sichuan henpecked husband stereotype proposes an anti-conservative family dynamic that embodies a relatively new view on gender and domestic life.

Shanghai Proverb Against Forgetfulness

Text: 

Original Script in Mandarin Characters:

阿拉做事体伐好脱头落襻

Pronunciation in Shanghai Dielect, Noted in Mandarin Pinyin:

ā lā zù zi tì fá háo té te lò pie

Transliteration:

We do things better not with a fell-off button and a dropped button loop.

Translation:

The proverb is used to remind people to not be forgetful.

Context: 

The informant is a 24-year-old female who was born and raised in Shanghai, and currently studies in the United States. Shanghai dialect is her first language. The informant first learned this proverb from elder family members, who oftentimes use this proverb to educate younger generations to mind their habits and social upbringing. The informant found the metaphor of button and button loop to be quite intriguing.

Analysis: 

Though the informant did not know about the origin of the metaphor “脱头落襻” (button falling off and the button loop dropping) when she first heard it from older generations, she later deliberately searched for the proverb’s origin. As it turns out, it’s likely that this proverb first emerged in the Shanghai dialect in the late 19th or early 20th century, when the old-fashioned clothes from that time period were known for having buttons and button loops to fasten. Hence Shanghai people started correlating a person being forgetful and being slovenly in their appearance with worn and unattended clothes characterized by their fasteners falling off. After learning about the button metaphor, the informant was both intrigued by it and surprised to find out that the proverb has been so natural in Shanghai dialect that she never actually found it to be incomprehensible.

Correspondingly, this proverb helped us learn about old-fashioned Shanghai clothing, but more importantly, it inevitably revealed how much Shanghai people value social upbringing and decency as reflected in their clothing and manner. Shanghai is historically known for its cosmopolitan lifestyle, and in this highly modernized metropolis delicacy, dignity and pride for themselves are highly valued. It’s no wonder that Shanghai people choose a metaphor regarding one’s looks to remind themselves to pay extra attention to their self-image, sending a social signal that they are decent, mindful people who don’t easily forget.

Cantonese Proverb Examining Appearance VS Reality

Text: 

Original Script in Mandarin Characters:

扮猪食老虎

Pronunciation in Cantonese:

baan[6] zyu[1] sik[6] lou[5] fu[2]

Transliteration:

Play pig and eat tiger.

Translation:

The proverb is used to describe ambitious individuals who pretend to be dumb.

Context: 

The informant is a 23-year-old female who was born and raised in Guangzhou, and currently studies in the United States. Cantonese is her first language. The informant could not remember when, where, and from whom she learned the proverb, but it has always been natural for her to both understand and use it regularly herself.

Analysis: 

The two animal metaphors in this proverb play their own parts, and combined, they work together to describe someone who appears to be ignorant and simple, but is in fact dangerously ambitious. Pig, often seen as a carefree animal, is featured to suggest someone’s simple appearance whereas tiger, the animal correlated with strength and superiority becomes the pig’s prey in this proverb. The seemingly absurd scene of a pig devouring a tiger suggests a dangerously ambitious individual can play dumb to achieve great means, touching on the discrepancy between appearance and reality.

The informant never researched but instinctively understands the proverb and has been using it quite regularly herself. Born and raised in the folk culture, she has no trouble understanding exactly what the two animals symbolize and is able to identify that the “pig” is actually what the proverb is describing. Despite the proverb is only made up with 5 characters, its concise and humorous message fascinates her even today.