Tag Archives: Mexico

Dia De Los Muertos “Ofrendas”

Text: “Every year in late October we make a shrine of all of my family member who have passed away, like the one in Coco, and we put out their favorite things. For example we put tulips for my grandma and one of the great grandpa’s ties on the shrine. The idea is that in November 1st they will come visit the shrine and interact with the items and watch over us for the rest of that year in return for us honoring their memory. The shrines are called ofrendas and the kids usually make them but the parents make sure they are structurally sound and beautiful. Making ofrendas is one of my favorite things to do with my siblings and cousin.

Context: GB is originally from Madrid Spain but his mother has strong roots in Mexico, where the tradition was created centuries ago. GB told me stories about making the ofrendas with his siblings and was excited to show me pictures of an example of a shrine from a past holiday. The tradition is very important to GB’s mother because she would make a family ofrenda with her siblings as a child and it seems to be a very long standing tradition from her side of the family.

Analysis: The ofrendas are a central part of the Day of the Dead celebration, which is a time for families and communities to come together to remember and celebrate the lives of those who have passed away. The brightly decorated shrines are meant to welcome the spirits of the dead back to the world of the living, and they are often decorated with offerings such as food, drinks, and personal items that were important to the deceased. The twist of this tradition regards the fact that making these ofrendas means the ghosts of the dead will look over them for the rest of the year, because traditionally the dead can only interact with the living on the days of dia de los muertos. I think this addition is sweet, especially for younger children, for them to be able to feel close to loved ones they may have never gotten to meet. Furthermore, it is a great way for them to get to know what their family members were like based off of what they put on the ofrendas.

Ritual: el Día de los Muertos

When I asked my informant if they had any special holiday traditions or rituals, they thought of el Día de los Muertos or the Day of the Dead. S told me that this was one of their favourite holidays, they love the vibrant colours, the joyful celebrations, the delicious food, and the beautiful altars set up in honour of loved ones. S told me that when the sun set, they would stroll down the streets of their neighbourhood every year, watching families setting up their altars for their loved ones who had passed and they would see candles flickering in the night, incense burning, and pictures of happy faces. They would also see lots of marigold blooms set around the altars, known as ‘ofrendas’, and the flower’s bright orange colour and strong fragrance are to help guide the souls of the dead home. S said that their mom would always bring out a tray of fresh pan de muerto which is a sweet bread that is eaten on this holiday, and they all took a piece. They love this holiday because they always felt a strong connection to their ancestors and their culture during el Día de los Muertos, and they said that it will always be a special time for their family and them.

I have always loved hearing stories about el Día de los Muertos and I think that it is such an amazing way of celebrating the life of a loved one who is no longer with us. Growing up, every time the thought of dying and the afterlife came to mind, it would quickly spiral out of control and I would get very anxious and stressed out because I just couldn’t wrap my head around the concept of it. Not knowing what happens when we die is a scary thought and I didn’t really have a comfort to hold onto. This is why I think el Día de los Muertos is such a great holiday because it helps you feel so bonded to your loved ones, even if they were no longer with you. The belief that the spirits of the dead come back from the afterlife to visit and spend time with their families on Earth would have been a very comforting and reassuring thought for me growing up.

Chupacabra

Original Text:

Chupacabra

Translation:

Goat-Sucker

Narrative:

It is one of the many legends that are in Mexican culture. The informant states that “many people think that it is a creature more than an animal, but they do not technically know what it is.” In her Mexican culture, it is described to “target more farmer-culture because the creature is said to come in the middle of the night and suck the blood from goats. When the farmers wake up the next day they are described to have seen “puncture wounds on the animals, which they thought was a coyote but the marks don’t match anything.” It has never been seen by the naked eye. They target goats because “they are out in the open, and it can catch them.” It only happens in the “rural areas of [her] family’s farmland” and it even comes from areas in El Salvador and has no evidence such as pictures taken. They have to “put their animals inside before the chupacabras come” because they do not want something to happen. She states that the saying is “take care of your cattle or else you will lose money”

Context:

This is “usually said by everyone, specifically farmers who have stories of their cattle and goat being killed and sucked of blood.” It is most relevant in Mexico and other countries in Latin America that have taken over the thoughts of farmers that constantly fear it. People who live in the more rural areas learn about it at younger ages, especially if their parents are farmers that have to be careful and genuinely fear the legend of the chupacabra. They are known to affect the lives of those that are not fortunate. It has become one of the most well-known myths of Latin America. It is said to be the “vampire of Latin America” and even threatens children saying that if they behave badly then they will turn into livestock and the chupacabra will come to get you”

Analysis:

The myth of the chupacabra has become one of the most well-known stories and may have been fabricated to give a reason as to why some disease or other animal may have attacked the livestock and are not able to find what exactly. Chupacabras are presented as horrific creatures that affect the less fortunate, emphasising the trials that they have to go through in order to continue to live as the livestock are seen as some of their main sources of stability. Without the livestock, they are not able to live in a stable environment and therefore use the chupacabra as reasoning as to why their livestock might be suffering. The children are told the story to also stay safe at night and listen to their parents saying this narrative so that they are not a threat to the chupacabra.

La Chupacabra: Legend

Text: 

Me: “Did you grow up hearing any legends?”

DR: “I know about The Chupacabra. Growing up in my Salvadorian household I remember constantly hearing about The Chupacabra. From what I remember, it’s a creature that almost resembles a dog or like a coyote that was dangerous and would only appear at night. Supposably, they would suck the blood of goats until they died”. 

Me: “Why specifically goats?”

DR: “Not quite sure, but it doesn’t only pertain to goats, I often heard different family members saying that it applied to various types of domestic animals…like on farms. I guess it has to do with the idea that at night farm animals are usually left outside in fenced capacities which makes it easier for The Chupacabra to attack them. Actually if someone was out late, they would be taken away and eaten by The Chupacabra, which is why my parents would always warn me about it and kids I grew up with would always be scared of it”.

Translation: “The goat-sucker”

Context (informant’s relationship to the piece, where they heard it, how they interpret it):

-DR’s relationship to this piece stems from her Salvadorian and Mexican culture considering this legend is said to affect those of Mexican, Salvadorian, and other Latin American cultures which is why DR grew up constantly hearing about this legend within her mixed household. DR would hear this legend from her immediate Salvadoran father and from her extended Mexican family. She would also hear it from her extended family from El Salvador who have reportedly seen The Chupacabra in their home country. Not to mention, DR would also hear this legend from other students in elementary school. DR interprets this legend as a scary phenomenon that makes children scared of the dark in hopes to keep them safe from the dangers of kidnapping, drug dealing, and gangs that would be evident at night in many Latin American countries. 

Analysis(what kind of personal, cultural, or historical values might be expressed) YOUR interpretation:

– The overall cultural value within this legend stems from the various origin stories that can be told within Latin American cultures and households; specifically in this case, a Salvadorian home and their overall spiritual beliefs. Not to mention, the personal values that can be expressed within this legend is that it allows the individual to inherit fear of this creature and to be extra cautious at night or within how they care for their farm animals which exemplifies their consciousness beliefs. I see this legend as an overall concept of obedience when it comes to a parent’s emphasis on their motive to scare their children from going out at night in order to avoid danger. Considering that I have heard about this legend myself, I interpret La Chupacabra to be a terror embedded concept that is directed towards children in order to maintain their behavior and as a possible excuse that farmers can use as a way to redirect their mistreatment of farm animals who pass away on their watch. One similar legend that has similar qualities to La Chupacabra is the legend of Bigfoot that I grew up hearing. These two legends are similar in the fact that they are both considered legends regarding creatures that stem from conspiracy theories. Not to mention, the only difference between these two legends is that I grew up hearing about Bigfoot from a social process while DR grew up hearing about La Chupacabra as an individual memorate process, given her families reported encounters in their home country.

Family Ghost Friend

Context

The informant is a USC student who has lived their entire life in a neighborhood near the USC main campus. Their family is of Mexican origin, and this story is about a ghost that has haunted their family throughout the generations. We conducted this interview in the basement of Taper Hall during our shared ANTH 333 discussion section, and so this story is what the informant could think of as a story to tell off the top of their head.

Text

Int.: Okay, I’m recording.

LH: Okay, so basically this story, I don’t know who came up with it, but it like ran amongst like my little cousins and I when I was growing up, I used to live very close to USC campus. And I remember one day, my mom would tell me just randomly like, “Oh, your little friend stopped by your blah blah blah.” And I was like, “What do you mean my little friend?”

LH: I was like, 11 when this happened. I was like, “What do you mean, my little friend?” And the story goes basically that like, in my family, we had an uncle who like died tragically in a fire when they were still in Mexico.

[Interviewer laughs in surprise]

LH: I know this escalates very quickly. He died very tragically as like a kid in a fire and blah blah blah, and everyone in my family thinks that my grandma is cursed. Like, we think that she like dead ass has like something on her, like, witchcraft. And so the story is that once like, my uncle died in the fire, he had been like haunting my grandma like ever since and like following her around.

LH: And so every time we would go to like, my grandma’s house, the vibes were so gross. It was so cold in there. It was–it felt like you were being watched all the time. And my mom would say that, like all the little kids in the family at the time, would have like the same constant imaginary friend whose name was Pablo.

LH: And she was like, yeah, like your little cousin saw your–or like Pablo the other day and I’d be like, “Who the fuck is Pablo?” Like, what are you talking about? Until one day my old–My other uncle he was like, “Yeah, you had this uncle who–” blah blah blah, this and that. And basically like, to this day we tell this story to like the little kids because like, my grandma’s house has always felt so, like, grody and like, weird, like, the vibes.

LH: The vibes have always been off and so to this day, every time we get, like, a new little cousin in our family, or like, someone else in the family would be like, “Yes, you know, my grandma’s haunted but she has like this little boy following her. But yeah, that’s like, pretty much the sum of it.

Int.: That’s crazy.

LH: Yeah.

Analysis

I love this story for how it reveals the family structure of the informant as one that is strong and large. From a folklore studies perspective, it reveals how folklore often spreads through family structures and reinforces cultural beliefs–such as the belief in ghosts–in the process. The ghost in this story arises from a family legend–that of the boy who died in a tragic fire. It also shows how children influence the folk beliefs in adults, not just the other way around. Because the family children all have similar or the same imaginary friend, it reinforces the belief in this ghost and continues this legend. In a way, it keeps the memory of the boy who died alive. The ghost becomes disembodied from the real boy in terms of actual facts, such as what the boy looked like, how he behaved, and more, but the shared idea of him continues to change as the imaginary friend persists throughout the family.