Text: In 2004, a vengeful spirit forces a Bhawanigarh family to abandon their mansion. Decades later, Ruhaan and Reet, mistaken for dead, hide there, uncovering the spirit’s true identity as a family betrayal. The climax reveals a switcheroo between twins Anjulika and Manjulika, leading to a spectral showdown and a plea for forgiveness.

Context: My brother told me about a tale set in Bhawanigarh, where in 2004, a malevolent spirit forced a family to abandon their mansion. Fast forward to 2022, Ruhaan and Reet, who narrowly escape a fatal accident, seek refuge in this very mansion. Ruhaan becomes known as Rooh Baba, believed to communicate with spirits, amid the family’s misconception of Reet’s demise. The spirit’s identity is revealed to be Manjulika, Anjulika’s jealous twin, skilled in black magic. The plot thickens when the family discovers Reet is alive and Ruhaan’s pretended possession by Manjulika, who had been impersonating Anjulika all along. In a dramatic turn, the true Anjulika’s spirit traps Manjulika, advising the family to forgive Reet for her deceit. This tale, weaving through themes of supernatural revenge, mistaken identities, and familial bonds, culminates in a haunting yet poignant resolution, where the spirit’s entrapment brings an end to the family’s curse, leaving a lingering question of forgiveness and redemption.


The tale from Bhawanigarh intertwines supernatural vengeance with familial betrayal, reflecting deep-seated cultural values surrounding family dynamics and redemption. The malevolent spirit, Manjulika, driven by jealousy and skilled in black magic, embodies the dark consequences of familial discord, resonating with Domino Renee Perez’s observation that folklore figures “wield power by making often incomprehensible and at times contemptible choices” (Perez 155). The narrative’s twist, revealing Manjulika’s identity through a twin switcheroo, delves into themes of deception and truth, showcasing the cultural fascination with doppelgängers and the supernatural as mirrors to human psychology.

The climax, marked by a spectral showdown and a plea for forgiveness, underscores the cultural emphasis on reconciliation and the healing potency of forgiveness. This aligns with the belief in redemption’s possibility, highlighting the transformative power of understanding and absolution within personal and cultural realms. Furthermore, the mansion’s role as the story’s backdrop, abandoned due to the spirit’s wrath, emphasizes the significance of space in spiritual beliefs, akin to Ülo Valk’s analysis of how environments shape folklore (Valk 31).