Author Archives: Stella Horns

Mary Mack

Context:

AS grew up in Ontario, Canada, and remembers playing this clapping game on the playground growing up. This piece was performed as a form of play between two children in coordination with a clapping game. The game consisted of both participants clapping their two hands together, then clapping on of their hands to the other person’s (right hand to right hand) and then repeating, alternating the hand that they clapped against the other participant’s.

Main Piece:

“Oh Mary Mack, Mack, Mack,
All dressed in black, black black,
She asked her mother, mother, mother
For fifty cents, cents, cents, 
She climbed a fence, fence, fence,
She went so high, high, high,
She didn’t come back, back, back,
Till the Fourth of July, -ly, -ly”

Additional Commentary:

“I don’t know why we said fourth of July because that meant nothing to us as kids. But, the point was, is it kept going and going and going and going, and it got slowly faster and faster and faster until one of you messed up. Then you probably slapped ‘em or something, I don’t know. So there were lots of variations on that.”

Analysis:

Both the rhythm of the clapping game itself and the song are relatively simple, so once the game and song are learned, the challenge consists in the ability to maintain coordination of singing and clapping in the correct rhythm while continuously increasing the speed. The song rhymes and repeats in sections, which makes it easier to remember.

AS has no idea what the song was about, but still remembers the lyrics and hand movements decades later. Though, with the general trend of folkloric children’s songs being about taboo topics like sex and death, there are some lines that could point in that direction. The lines “She climbed a fence… she went so high… she didn’t come back… till the Fourth of July” seem like they could hint at something darker, especially since they do not clarify how she came down (climbing or falling). The final line also points the origin of the song in the United States, as the Fourth of July is Independence Day in the US. AS grew up in Canada, so, as she mentioned, the date “meant nothing to us as kids.”

When trying to discern the meaning of the song, it’s important to mention that there are other recorded versions of this song that include different variations on the lyrics. In another version, it is not Mary Mack that climbs the fence and doesn’t come down till the Fourth of July, but instead an elephant that jumps the fence, touches the sky, and doesn’t come back till the Fourth of July. For a recording of that version, refer here: “Miss Mary Mack,” Ian Cabeen, USC Digital Folklore Archives, May 17, 2021. http://folklore.usc.edu/miss-mary-mack-2/

Cherry Festival (Blenheim, ON)

Context:

AS grew up in Blenheim, Ontario, and attended this festival annually while growing up.

Main Piece:

AS: “So, the area I grew up in, full of orchards, all kinds of tree fruits. And one of them was the Cherry Festival, and it was known because, I swear to god, people compete spitting cherry pits. And the world champion cherry pit spitter came from our town. We were like ridiculously proud of someone who could expel a cherry pit, like, a really surprising distance.”

Analysis:

The Blenheim Cherry Festival (identified in online sources as Cherry Fest) is a great example of the practice of festivals celebrating a key local industry. Since, like the AS stated, the area is “full of orchards, all kinds of tree fruits,” cherries are a large part of the culture of the town. The festival occurs in mid-July, the peak of cherry season in Canada. This peak falls later because the Ontario weather is colder than in many other cherry-growing areas.

One of the central activities at this festival is a cherry pit spitting competition. Immediately, this makes sense because it directly involves cherries, but it also makes sense on further levels. Where the entire festival celebrates the growing of cherries, a full industry that is not especially approachable or accessible to enter for the lay person within Blenheim. If you do not already work in the Cherry industry or own an orchard, it is difficult to start commercially growing cherries. So much of this festival has a clear delineation between the industry insiders who participate in the trade, and the festival attendants who are not involved in the industry, but may still connect with the town’s cherry-centric identity (or just enjoy a good festival). But the cherry pit spitting competition, while it is still centered around cherries, evens the playing field. Anyone can be good at spitting cherry pits; there is no need for start-up capital or a commercial orchard. This competition invites the non-industry lay person into taking an active role within the festival, and therefore invites them into the community of Blenheim.

Hamburg Greeting ‘Moin’ (or ‘Moin Moin’)

Context:

RH grew up in small villages around the city of Hamburg and spent parts of his young adulthood living in or commuting to the city for work. Now, he lives in the United States, but some of his colleagues are also either originally from Hamburg or still live there and communicate via video calls.

Main Piece:

RH: 'Moin Moin' sagt man auch also so'n Grüßspruch.

SH: Weißt du wo 'Moin Moin' herkommt?

RH: Nein. Ich weiß das nicht wo das herkommt.

SH: Ok.

RH: Das ist, also, ich hatte früher gedacht das das einfach 'ne Hamburger, also eine Plattdeutsche version von 'Morgen,' so von 'Guten Morgen' wäre, aber das ist es glaub ich nicht. Aber das müsste mann bestimmt auch rausfinden können.

SH: Ja. Also 'Moin,' oder 'Moin Moin' ist, sehr Hamburg-isch?

RH: Ja ist es. Das sagen meine Kollegen morgens auch viel. Ich weiß nicht was die Amerikaner davon halten, aber.

Translation:

RH: You also say 'Moin Moin' as a greeting phrase.

SH: Do you know where 'Moin Moin' comes from?

RH: No. I don't know where it comes from.

SH: Ok.

RH: That is, so, I used to think that it was just a Hamburg, so a Plattdeutsch version of 'Morning' as in 'Good Morning,' but I don't think it is. But you should to be able to figure that out.

SH: Yeah. So 'Moin' or 'Moin Moin' is, very Hamburg-y?

RH: Yes it is. My colleagues say it often in the mornings. I don't know what the Americans make of it, though.

Analysis:

RH is from the area surrounding Hamburg, where the usage of ‘Moin’ as a greeting is very common. He mentions the theory that ‘Moin’ originates from a Plattdeutsch word for ‘morning,’ but says he does not believe that theory anymore. One reason for doubting that theory is that the usage of ‘Moin’ is not restricted to the morning, but can be used any time of day, and even as a goodbye.

RH does not speak Plattdeutsch, which is why he is not sure if ‘Moin’ could track back to the dialect. Plattdeutsch is a dialect of German that was the prevailing language in northern Germany until the formation of the German nation-state and the following standardization of the German language and education system that favored southern German ‘High German’ instead. Plattdeutsch has an association with rural and poorer people and carries a class connotation.

‘Moin’ is the first example of northern German slang that I would think of if asked. It’s overwhelmingly common and has spread far beyond just northern Germany. I have frequently heard it used when in Hamburg, and unlike many other examples of folk speech that have distant historical roots, it seems to be fairly popular with the youth. This is a contrast to ‘Hummel Hummel,’ ‘Mors Mors,’ another northern German greeting that is now generally seen as an old fashioned greeting. In contrast, ‘Moin,’ or ‘Moin Moin’ is a very casual way to greet someone, and is a multi-purpose greeting that does not need to be tailored to specific occasions. For more information on ‘Hummel Hummel,’ ‘Mors Mors’ and the Plattdeutsch dialect, see “Hamburg Greeting Exchange ‘Hummel Hummel’ ‘Mors Mors'” by Stella Horns on the USC Digital Folklore Archives.

Boston University Seal Superstition

Context:

The informant, NR, is a current Boston University student and heard about this superstition from friends while walking around campus.

Main piece:

“So, there’s a, there’s a giant seal in the center of Marsh Plaza, which is kind of like the center of campus. And it’s superstition that like, if you step on the seal, you won’t graduate in time. Literally like, you can go to Marsh Chapel like any time during the day, and like it’s the center of campus so like it’s always going to be, there’s always going to be people walking every which way. But if you observe, you’ll, uh, notice that people will like actually go out of their way to avoid stepping on it, on the seal.”

Analysis:

I think this is a pretty common college superstition, and I’ve heard mention of multiple similar versions on different campuses. Many universities have school seals embedded somewhere on their grounds, and since the seal is associated through its shape with the authority of the university, stepping on the seal could be seen as disrespecting the authority of the educational institution.

Alternatively, the seal could represent the college community, and disrespecting the community by stepping on the seal would result in being left behind while your classmates graduate on time. Other versions, like the one linked below, include conversions for reversing the bad luck drawn by stepping on the seal, but the informant says he has never heard of a conversion for stepping on Boston University’s seal.

For another version of this superstition, see this superstition around stepping on the seal at Auburn University: “Auburn University – Seal Superstition” by Eli Alford, USC Digital Folklore Archives, May 1, 2021, http://folklore.usc.edu/auburn-university-seal-superstition/

Humboldt Broncos Bus Crash Remembrance Tradition

Context:

Informant NR was visiting family in Canada on the anniversary of a bus crash that killed 16 and injured 13 more, mostly players on the Humboldt Broncos junior hockey team on April 6^th, 2018. The crash was widely publicized and became a major topic in Canada. In the years since, NR says that many Canadians have started wearing hockey jerseys on the day of the crash to commemorate the dead and injured that were players on the team.

Main Piece:

“Everyone in Canada on that day wears a hockey jersey. I remember, one time we were, um, spending time with family in Hamilton, and we just happened to be in town on that day, and I remember, we did some sort of like, house tour, and this like lady who was apparently normally very fancy and like, put together, she was wearing a jersey as well., and like, she was the realtor.”

Analysis:

Hockey is a very popular sport in Canada, and the tragedy of the Humboldt Broncos bus crash really shook the population. Though there is a trend of folk speech disrespecting or making light of tragedies that are pushed as serious topics by national media, this practice moves against that trend. This may be because the victims were largely children, and because the sport of hockey acts as a uniting force for the country. The tradition is also very accessible, as many Canadians already own hockey jerseys for their preferred teams, so many do not have to purchase any additional materials to participate in the remembrance.

This national remembrance custom stands out to me because of the rising trend of insensitive or crude humor as a response to tragedy after the rise of mass media. In Of Corpse: Death and Humor in Folklore and Popular Culture, Peter Narvaez examines this phenomenon, illustrated for example through the internet memes surrounding the September 11th terrorist attacks. One theory he concludes with is the idea that mass media, by instructing everyone to care deeply about all major events, even those that had no connection to them, spurred an opposite reaction of humor jokes at the expense of those who suffered the tragedy. What is interesting to me is that this reaction does not seem to have happened in response to this tragedy. My analysis of this is that the victims, mostly teenaged hockey players, who had no fault in the driving accident, are very much aligned with the Canadian cultural ideal. They were generally of a privileged race and gender, and played Canada’s most popular and beloved sport. This endears them to the rest of the population, since even if they didn’t know any of the victims, they probably do know a teenage boy hockey player, or someone who used to be a teenage boy hockey player. The Canadian mass media succeeded at invoking sympathy for the victims of this tragedy because they were so relatable and emblematic of the Canadian establishment.