Context & Analysis
The subject is a theater major at USC and is very proud of her hometown of Ashland for hosting one of the most highly regarded theater festivals in the country. She described to me a lot of the inside details of the festival and elaborated on the different theaters and plays that have been featured. It’s clear from her narrative that she is extremely passionate and knowledgeable about the subject and the town itself, and it was interesting to hear the information from someone who is so involved in both aspects of the festival.
“Ok, so the Oregon Shakespeare Festival is a regional theater company—one of the most highly regarded theater companies on the west coast and in the US—like really spectacular—and it runs usually from February to November—it has three theaters. They do usually 12 plays between the three [theaters]. The one that has usually the most plays in it per season is usually the Angus Bomer Theater and they do all sorts of plays in there. They’ve done musicals, they do Shakespeare, they do new works in there, it’s just, um, whatever fits the space best…and then there’s the Elizabethan which is, like, the oldest theater there and that is their outdoor theater and they usually do between, like, three to four plays in there. Usually Shakespeare and a musical. I know this season it’s Oklahoma [the play]. But I’ve seen Richard III in there, Hamlet in there, it’s really nice but also it gets really cold. And then there’s the Thomas Theater which is, like, their new kind of ‘black box’ style theater where they can switch up the seating however they want to do it. They’ve done some Shakespeares in there—like last season they did Henry IV part one and part two. It’s just meant for smaller audiences. It brings tourists from like all around the world, sustains the economy of our town and is a really really good place for diversity. They’re really big on, like, being inclusive and diverse. In fact, their production of Oklahoma this year has same-sex couples and it should be really good! They’re very big on not only producing works by authors of color but also making sure people of color are cast and are on all of their teams.”