Author Archives: Samuel Keeney

The Spiritualist Camp In Niantic, Connecticut

Main piece:

“The Pine Grove Spiritualist campground is where my dad lives in the summer and my grandma lived during summers when I was a little kid and its located in Niantic, Connecticut which is a small town kinda south-central on the water in Connecticut and the spiritualist campground is a small cluster of homes located on a point, so there’s only one road heading in or out of town, and it’s maybe 100 or 200 houses on this point and when you come in this one road from out of town, it says “Spiritualist Campground” and it looks like its from the 1800s or early 1900s so as soon as you come to this town you think what is this? And it’s a small enough town that a lot of times people just walk around for entertainment and I would walk around with my cousins and kinda tucked away in the corner of the woods is a building. That building is where the spiritualist still have meetings and I didn’t know much about spiritualism and what it meant when I was a kid but apparently it’s a religion and in that cluster of houses, there are maybe a dozen of families who practice spiritualism and they would meet periodically in this temple, which was this building, to have discussions. We didn’t know what they were meeting about so on a few of this walks, generally we would avoid the temple because it was kinda dark and it was creepy, but on some walks we’d go close to it and one night we dared my oldest cousin to look in the window of the temple because they were having a meeting so it was at night and he looked to the window and came running back and he said they were walking on the walls and ceiling sin there, it was crazy. I never went or looked or anything like that- I didn’t want to, but that’s the story of the Spiritualist campground.”

Background:

My informant is a man in his early 50s originally from Hartford, Connecticut. He lived there through his teens and had extended family in the nearby areas. As stated above, his father had a summer home in a former spiritualist camp now known as Pine Grove. Spiritualism is a religion that believes in a spiritual realm where the spirits of those have passed are located. Furthermore, it was practiced heavily in New England in the 1800s, which would make sense for the creation of this neighborhood.

Context:

My informant told me about this story when I was asking a group of family and friends about scary stories or legends from their childhood. He told the story in front of the group and I recorded it during that telling. 

Thoughts:

I think the inspiration for this story comes from the lack of in-depth understanding of the outside present in childhood. As mentioned in the piece, the informant got the information for this story from his cousins, and never explicitly saw any of the supposed supernatural. This shows that the story surrounding the spiritualist temple shows who is in the community created by these children and who is not. Another major factor for this story is the development of folklore to explain an unknown. As mentioned by the informant, as a child he did not comprehend what spiritualism was. Except, he saw the sign and the temple, both of which can be perceived as ominous. As such, the rationale for explaining something as complex as the religion of spiritualism, the informant invented this story of their strange ceremony using what knowledge he  did have about them to help himself better understand. I also think this piece is particularly interesting as it reflects the history of spiritualism in that area, and how it developed over time.

The Tradition Surrounding Mary Draper Ingles in Virginia

Main piece:

“There’s this story from my hometown of Bradford, Virginia about this woman named Mary Draper Ingles who, during the 1750s, was kidnapped by a group of Native Americans. She might have had a child at the time, but she was kidnapped by these Natives and then eventually escaped and then followed the rivers from Ohio back to Virginia where she lived in Bradford for a while until she died but there’s several parts of the town that remember her including an annual theater production.” 

Background:

The informant for this piece is a man in his early 50s who was raised in a small town called Bradford in southwest Virginia in the New River Valley. This area had broader ties to Appalachian culture as a whole and he lived there throughout his childhood and teens. This story is a local story about a real woman but whose kidnapping and return is sometimes doubted. Regardless, the town uses the story to establish a local identity, especially in the form of an annual theater production.

Context:

This story was shared with me during an encounter with my informant wherein I asked if he had any examples of local Appalachian folk culture. The conversation occurred in his backyard alongside family and friends.

Thoughts:

I find this story fascinating as the figure of the piece is entirely real. Mary Draper Ingles was a real woman who was kidnapped by Native Americas in the 1750s. However, the story of her return has become crucial for the identity of Bradford, Virginia. She is a proud figurehead for the community, which ties the community to their specific place and argues their right to exist. What is even more interesting is how the town still romanticizes the story. As mentioned above, the town hosts an annual theater production about her. While this might veer outside of folklore because it features authored literature, the traditions done around the piece are more folkloric in nature. This places the story in a strange level of liminality. It is both real and fiction, authored and folklore. This binary is interesting and is used by the natives of Bradford to establish identity.

Toboggan As A Hat Instead Of A Sled In Virginia

Main piece:

Toboggan in reference to a hat

Background:

Toboggan is a term typically used in reference to sleds, however my informant who is a man in his early 50s from southwest Virginia told me that in his hometown of Bradford, Virginia, the term is only used to describe a winter hat. It was not until he went to college in Virginia but outside his hometown did he learn the usual use of the word. Furthermore, the informant claims that this use of the word as a hat is unique to only a small Appalachian community consisting of his hometown and a few other nearby areas. 

Context:

This story was shared with me during an encounter with my informant wherein I asked if he had any examples of local Appalachian folk culture. The conversation occurred in his backyard alongside family and friends.

Thoughts:

While this piece might not be as groundbreaking as other examples in this collection, I find the parameters of this unique saying fascinating. First of all, toboggan is generally understood as some sort of sled. This begs the question of why, regionally, it changed to another winter-based object. Furthermore, the area affected by this saying is rather small. According to my informant, the use of the word is regulated to small communities in the Appalachian area. So much so that when he went to college, still within Virginia, using the word toboggan as a hat seemed ridiculous. This, in my opinion, shows extreme examples of regional distinction as only someone directly from one of those typically isolated communities would refer to toboggan as a hat.

The Haunted Tilly Willy Bridge in Arkansas

Main Piece:

“Right outside of Fayetteville, there’s a famous bridge known as the Tilly Willy Bridge and it’s a very old bridge and it’s torn down now but it still has a lot of legends about it. Mostly, there’s this legend of a lady dressed entirely in white who fell off the bridge into the nearby creek and died so now her spirit haunts the area including a nearby field. It’s a common attraction for people to go to the bridge to try to see something scary.”

Background:

The informant for this piece is a woman in her late 40s who lives in Fayetteville, Arkansas. She was born in Joplin, Missouri but moved south to Fayetteville and has lived there for almost 18 years by now. Fayetteville is a college town as it is adjacent to the University of Arkansas. Due to the proximity of the town to the Ozark mountains, the Ozark culture influences the town alongside the culture of those going there for college. 

Context:

The piece was shared with me via a phone call with the informant. This exact topic was brought up in response to my general question looking for local folklore of the Fayetteville area. 

Thoughts:

I think this bridge is used in a similar manner to other pieces of ghost folklore. The bridge is used by the town to establish a communal identity coming from knowledge of the story. Fayetteville is also the convergence of several cultures, as it is the college town for University of Arkansas, making the Tilly Willy Bridge possibly the result of several different cultures converging on the town. The use of ghosts in this story is also useful because it shows a lack of interest in the past and the non-urbanized world. As mentioned before, the town is somewhat close to the Ozark Mountain Range, which is known for its isolated communities. As such, inventing a story about a haunted area of the wilderness would incentivize staying within the boundaries of civilization, which makes complete sense. Making the abandoned bridge haunted also shows the classic bit of American folklore wherein the past is haunted as a means of putting one’s perspective towards the future. The final bit of folkloric importance in this bridge is how bridges are common places of superstition and liminality, as seen in other cultures. In that regard, the Tilly Willy Bridge fits into this tradition.

The Crescent Hotel in Eureka Springs

Main piece:

“The Crescent Hotel is a famous building in Eureka Springs with a long history because now it’s a common ghost attraction and makes a lot of local haunting lists. The building which began as a hotel for elite visiting Eureka Springs later became a tuberculosis ward during the plague and there were rumors about doctors who experimented on their patients trying to find cures to diseases like cancer”

Background:

The informant for this piece is a woman in her late 40s who lives in Fayetteville, Arkansas. She was born in Joplin, Missouri but moved south to Fayetteville and has lived there for almost 18 years by now. Fayetteville is a college town as it is adjacent to the University of Arkansas. Due to the proximity of the town to the Ozark mountains, the Ozark culture influences the town alongside the culture of those going there for college. This specific building is located outside of Fayetteville in an area called Eureka Springs. The hotel is just one of many structures converted to a tuberculosis ward to fight off the diseases in the 1900s. Similarly, in the past there have been similar stories of abandoned and haunted hospitals. 

Context:

The piece was shared with me via a phone call with the informant. This exact topic was brought up in response to my general question looking for local folklore of the Fayetteville area. 

Thoughts:

I feel as though this piece is interesting as it represents an amalgam of other similar haunted buildings. The Crescent Hotel began as a hotel for the elite members of society, but the business went under. This keeps in the theme of haunted buildings having ties to old money, and I feel represents a distrust of those with extreme wealth. This also makes sense in context of the location, which while not poverty-stricken, by no means has a large population of extremely wealthy inhabitants. The hotel is also described as a tuberculosis ward, which while not entirely accurate does reflect a fear of doctors and disease. This is a common fear and is often featured in similar structures like haunted hospitals. In my opinion, what differentiates this building is how the history of the building as both a hotel for the elite and hospital combines these two separate but similar stories into one extremely haunted structure.