Author Archives: Victoria Westmoreland

Entrance and Exit Superstition

Informant: The informant is Janet, a fifty-six-year-old woman from Yonkers, New York. She has lived in the Bronx and Westchester County, New York throughout her entire life. She is of Italian descent, is married, and has two children.

Context of the Performance: We sat next to each other on a couch in the living room of her house in Yonkers, New York over my spring break from college.

Original Script:

Informant: When you enter a building or home, I was taught that you must exit from the same door you entered through. Doing so would ensure that you avoid bad luck, which you would receive if you were to exit through a different door. I learned this piece from Joan DeLuca, a longtime friend whose children attended the same elementary school mine. We were together at a friend’s house for dinner. Joan made sure to leave from the same door we entered through and explained the idea to me.

Interviewer: Why do you like this piece? Why is it important to you?

Informant: I like this piece because I’m very superstitious and feels safer following this routine. If I didn’t, I would feel very uncomfortable. It would haunt me. This piece is very important to me because I feel that if I were to exit through a different door and something unfortunate were to occur, whether it be something small like tripping or major like a death, I would blame it on my foolishness of not exiting through the same door.

Personal Thoughts: I find this piece of folklore to be quite intriguing because she feels so strongly about this superstition. She would truly blame herself for an unfortunate event, were it to occur after she exited through a different door from the one through which she entered a building or home. There seems to be a balance which must be met to avoid bad luck within a lot of folklore. If you do one thing, you must eventually turn around and go back to “make it even” in a sense, or balance it out.

“Rabbit Rabbit” Superstition

Informant: The informant is Janet, a fifty-six-year-old woman from Yonkers, New York. She has lived in the Bronx and Westchester County, New York throughout her entire life. She is of Italian descent, is married, and has two children.

Context of the Performance: We sat next to each other on a couch in the living room of her house in Yonkers, New York over my spring break from college.

Original Script:

Informant: I was taught a habit of making sure that the first two words I say at the start of each month are “Rabbit, rabbit.” Doing this apparently provides good luck for the month. I learned this idea from one of my co-workers at American Home Products Corporation in 1980. I have followed it ever since. Later, another one of my co-workers from England said that they only say “Rabbit, rabbit” on the first of March in England. I don’t know which story is “true,” so I say these words every month just to be on the safe side.

Interviewer: Why do you like this piece?

Informant: I likes this piece because I was told that if she were to start the month off with this phrase, I would be safe throughout the month. So I likes this piece of folklore because it gives me peace of mind. It’s almost like a security blanket for the month in my opinion. I even have a paper on my bedside table where I wrote “Rabbit Rabbit” so that I don’t forget to say it.


Personal Thoughts: What interests me about this piece is that the words she says are “Rabbit Rabbit.” Why would the tradition be to say that specific word, and why twice? I looked into it online and found an article written by a woman whose family follows this tradition as well. She, however, only says the word once. She found that this sort of superstition has been around for hundreds of years and originated in England and that some say the word three times in a row. Yet, the meaning behind saying that particular word is unknown, though it might suggest jumping into the future of the new month with happiness. For more information on her experience and research, visit https://newengland.com/today/living/new-england-environment/ rabbit/.

Paying for Pearls Superstition

Informant: The informant is Janet, a fifty-six-year-old woman from Yonkers, New York. She has lived in the Bronx and Westchester County, New York throughout her entire life. She is of Italian descent, is married, and has two children.

Context of the Performance: We sat next to each other on a couch in the living room of her house in Yonkers, New York over my spring break from college.

Original Script:

Informant: I learned that you cannot give pearls as a gift, not even anything that contains a pearl. Pearls represent tears, meaning sadness, so if you give someone something with pearls, they must give you money in compensation, even if it as little as a penny. Then, it’s like they purchased the pearls from you and did not receive them as a gift. My mother taught me this at home when I was a teenager when she gave me a piece of jewelry with pearls. She asked me for a penny.

Interviewer: Why is this piece of folklore important to you?

Informant: This piece of folklore is important to me because I don’t want tears brought into my life because I associate crying with something bad happening in my life. I also don’t want this to happen to others. I am very superstitious, so I feel better and safer following this tradition, even though none of my friends had heard of this.


Personal Thoughts: I think that this piece is interesting because I had never heard of something like this. Providing compensation for a gift is unusual, and I have never participated in anything like that. I also like this tradition because while it requires the receiver to provide money, it promotes the selflessness of the giver. The receiver must only provide a single penny, and the giver is not only giving a gift but also looking out for the the luck of the receiver.

An Hour Wait Before Swimming

Informant: The informant is a twenty-two-year-old named Samantha. She graduated from Providence College last year and is currently working in New York City as an Advertising Sales Assistant for VERANDA Magazine. She lives in Yonkers, New York with her parents and has lived there for her whole life. She is of Italian, English, and Russian descent.

Context of the Performance: We sat next to each other on the living room floor at her house in Yonkers, New York during my spring break from college.

Original Script:

Informant: When I was a kid, my grandma told me that I couldn’t go swimming after eating until one hour had passed. I couldn’t even go out and put my toes in the water. Whether I was at the pool or at the beach, I had to abide by this rule. If I did not, I was told that I would drown immediately, probably because I would get a cramp. My grandmother went so far as timing the hour after their last bite.

Interviewer: Why do you like this piece of folklore?

Informant: I like this piece of folklore because it reminds her of her childhood and going to the beach or the pool with her grandma. Even though this idea is irrational and clearly not true, it created memories for me and my grandma to share and to look back on and laugh. I want to pass this rule on when I have children, even though I understand that the true reason behind this notion is that you can get a cramp if you try to swim too soon after eating. The wait, however, provides  a sense of suspense and excitement and a chance for quality time. I remember that my grandma would tell me stories by the pool while we waited for the hour to go by. It brings back memories of carefree summer days when I was growing up.

Personal Thoughts: I enjoy this piece because I heard the same thing growing up. I never really thought that I would drown if I were to swim less than an hour after eating, but I did fear cramps. I like that Samantha was able to form memories from experiencing this piece and look back on it fondly. This example truly shows how folklore impacts people’s lives and, in particular, their childhood. The fact that she will pass this tradition on so that her children can also form these memories is good to hear, knowing that the folklore will continue. Perhaps, they can pass it on as well and keep the tradition alive.

Spare Change in a Purse

Informant: The informant is a twenty-two-year-old named Samantha. She graduated from Providence College last year and is currently working in New York City as an Advertising Sales Assistant for VERANDA Magazine. She lives in Yonkers, New York with her parents and has lived there for her whole life. She is of Italian, English, and Russian descent.

Context of the Performance: We sat next to each other on the living room floor at her house in Yonkers, New York during my spring break from college.

Original Script:

Informant: I learned that whenever I would give a wallet or handbag as a present, I’d have to put a few coins inside. This represents the idea that that the person receiving the gift will always have money in his or her bag or wallet. My mother taught me this when I was little because every bag or wallet she gave me contained spare change.

Interviewer: Why do you like this piece of folklore?

Informant: I like this idea because it’s a really nice gesture. When you give a gift to somebody, it shows that you are wishing that person to never be without money. Following this makes me feel good. I love wishing luck for others, especially people I love, and I usually only give these nice gifts to people I really care about.

Personal Thoughts: I enjoyed learning about this piece because it promotes a sense of selflessness. Not only is someone giving a gift, but they are also providing the receiver with what they think is good luck. This is interesting because typically, at least in most folklore I’ve heard to do with good luck, people act in a way to give themselves good luck. In this gift-giving, people seek to give others good luck, which is rather unique.