Tag Archives: Teenagers

East Fitzsimmon’s Road

MAIN PIECE

East Fitzsimmon’s Road

“When you want to be scared, you go down East Fitzsimmon’s Road.  It’s become sort of a right of passage for teens in Milwaukee to do.  It proves you’re no longer a baby to a lot of them.”

To walk down East Fitzsimmon’s road is a rite of passage many Milwaukee youths complete when they no longer want to be seen as a child.

BACKGROUND

DA, is from Madison, Wisconsin and has lived in the state all her life.  She knows this right of passage from doing it herself when she was a teen and said that it was definitely frightening and that there is a common belief that ghosts exist on this road.

CONTEXT

DA is a cousin I have that goes to college right now.  We sat down and I invited her for a zoom call.  She seemed a bit stressed about her finals, but she was very elated to talk and take a break from studying for her chemistry exam.

THOUGHTS

Ghosts are very popular in Southern culture, but you don’t hear as much about them in a big Midwestern city like Milwaukee.  It’s been proven, upon further research, that there are no ghosts that roam East Fitzsmmon’s road, yet for the thrills,  the belief they exist is still there.  The rite of passage aspect of this piece of folklore probably perpetuates the belief in ghosts as it gives it a reason why it is so “spooky”.

For a greater understanding of this folklore check out this article…

Hrodey, Matt. “Milwaukee Myth-O-Meter: 5 Local Myths, Busted.” Milwaukee Magazine, 30 July 2018, www.milwaukeemag.com/milwaukee-myth-o-meter-local-myths-busted/.

If You Keep Making that Face, it’ll Get Stuck That Way

Main Piece:

The following is transcribed from a conversation between the informant and the interviewer.

Interviewer: So did your parents used to tell you any funny things growing up to get you to behave?

Informant: they still do haha they think I’ll actually believe a lot of that stuff even though I can just look it up on my phone.

Interviewer: haha yeah I guess scare tactics don’t work as well if you can look up the truth a second later. What kind of stuff do they tell you?

Informant: Well my mom loves to tell me to not make funny faces or else my face will get stuck like that, but I know that’s not true so I just do it more now and it’s way funnier haha

Background:

My informant is a teenager living in Southern California, currently attending highschool. He is the last one of his siblings to still be living at home, and his Dad travels a lot for work, so it is mostly just him and his mom at home. 

Context:

I talked to my informant over a facetime call during the 2020 Coronavirus Epidemic. I was going to meet with him in person, however, the quarantine made that impossible to do. 

Thoughts:

I thought it was funny how different my informant reacted to what his mom would tell him than how people my age would. It’s only a 4-5 year gap, however, my age group didn’t have iPhones growing up so we couldn’t research everything on the spot. I trusted what my parents said as the truth until much later in life, and even after getting an iPhone, I never thought to fact check everything they’d say. Maybe it’s a rebellious teen thing to want to prove your parents wrong or something like that, and iPhones have made that easier than ever. 

Airforce Ranger

An off-the-books traditional AZA (Jewish teen youth group) call and response chant, with one person shouting each line before the entire group repeats it back. Sometimes different leaders will switch off and alternate rhymes, especially the more taboo stuff towards the end.

Lyrics: I want to be an airforce ranger

I want to live a life of danger

I want to drive an ocean liner

I want to pull a sixty-niner

And here’s to the woman that I love best

The many times I sucked her breast

F***** her standing, f***** her lying

If she had wings I’d f*** her flying

Now she’s gone but not forgotten

I’ll dig her up and f*** her rotten

Though she’s gone, I’ll surely miss her

I’ll call her up and f*** her sister

 

This song is an exercise in playing with taboo concepts and language in a childlike way that’s reminiscent of what Jay Mechling called obscene play. It’s usually performed in a relatively isolated setting, either inside the meeting room (usually some side room in a synagogue) or elsewhere separated from the adult advisors that represent the org legally. (That’s what separates the group from just loitering teens I guess.) It’s performed in this isolated, just teens setting alongside other similarly sexual vulgar songs in a kind of group catharsis act. The lyrics employ lots of shock humor that comes from all this extremely explicit material being unabashedly used in a public group in a public setting, especially one that is ostensibly a religious group. It basically signals to new members “We’re not prudes.”

Up You Men

Official pep song of the Aleph Zadek Aleph (male Jewish teen youth group). Commonly started by president/board member/event leader drawing out the first word before everyone jumps in and forms a mosh pit.

Lyrics (More shouted than sung): Up you men and sing to AZA

Time will pass and we’ll be on our way

As the years go by there will be

Happiest of memories (Ra ra ra!)

Stand and then

We’ll sing this song again

All you loyal men

Sing the praises of our order

Sing up you men of AZA

(Once it reaches this part the song usually winds down with everyone matching a “heartbeat” rhythm pattern on their chest.)

 

The song is a shortcut for whatever peer leader is running a given meeting or event to bring up the energy in the group and get them to pay attention in one fell swoop. The lyrics themselves serve to hype up the group and its individual members in a way that’s somewhat jingoist. No official origin is known, but the full lyrics are included in the official AZA handbooks which speaks to its deep history and significance to the folk group. The organization’s origins (also detailed in the handbook) as a very pro-American group which contributed to the nation’s WWII war effort probably explains the jingoist vibe of the piece. Little details such as the second verse present in the handbook being absent in favor of the heartbeat rhythm (explained to me once with “Every Aleph’s heart beats the same way.”) as well as the mosh pit aspect (the handbook doesn’t comment on dances for the song) indicates that the song is still a living, breathing folk tradition that defies standardization and continues to evolve in use.

Foothill Road

Main Piece

“I live off of Foothill Road, and it’s a windy [curvy] street. In the early 80’s, a girl was walking home on Foothill Road and someone came out of a van and stabbed her to death. I know that this actually happened, since she went to my high school. People say that you have to drive slow around there because it’s a ‘cursed road.’”

Background

Informant

Nationality: Greek–American

Location: Northern California, Bay Area

Language: English

The road is curvy and very dangerous, in the informant’s life, at least 3 people have died in accidents on it. There has also been a police chase and a double homicide. The informant told me that she always takes especially great care when driving on this road. Teenagers in the area are often given warnings about the road.

Context

The informant is from an affluent area near San Francisco, and the road is in a very residential area.

Notes

While people were likely wary of the road before the murder in the 1980’s, the road now has an ominous presence. I find it very interesting that there are no legends about the road being haunted by a ghost; rather, people tell the story of the murder to demonstrate that it is indeed dangerous, likely in an attempt to prevent teenagers from driving dangerously on it.