Category Archives: Protection

Evil Eye

Text: The informant started wearing evil eye jewelry, accessories, etc. during middle school. All the evil eye items they possess were gifted to them by family and, later, friends. They like to gift people evil eye items now. The informant always wears the evil eye because they see it as a barrier between them and any bad energy or intentions that could come their way.

Context: The informant grew up with both their parents always having an evil eye charm on them. Before they were gifted their first evil eye, their dad told them a story about his jealous brother, and how every time he would tell the brother about his accomplishments the evil eye’s blue color would fade, which he took as a sign that the evil eye was protecting him from the jealousy of his brother.

Analysis: Evil eye is widely used as a form of spiritual protection from negative energies. This folkloric belief is an example of contagious magic, since possessing an evil eye charm or having it on your person is what is believed to protect you from the negative spirits. Belief in the evil eye could be a reflection of values like spirituality and protection.

Theatre Pre-Performance Ritual for RENT

Main Piece

“[This ritual] is very common: the whole team tapping a sign before a game. In RENT, we have a plaque hand-carved by Jonathan Larson’s uncle that he carved when he died that his sister gave us. She came in and talked to our cast, and her and his college roommates gave us this plaque for the duration of our show. And it’s this big hand-carved plaque that says “Thank you, Jonathan Larson” on it. It’s hung up backstage, and after our group circle, we all have to go up to it one by one [before every performance] and like, place our hands on it and thank him before we go onstage to perform…Really simple, but we all do it and constantly remind each other of it and it’s really important to our cast.

Some of us like, if we’re feeling especially emotional, will literally sit in front of it and cry. I’m so serious, I’ve done that, ’cause Jonathan Larson is really important to me.”

Interpretation

Informant Interpretation: Informant related ritual to common sports team rituals of tapping a specific sign for luck or protection before a game. They also mentioned that the pre-RENT performance tapping of the sign was a means of “community building” and enabled cast members to “ground themselves” and “remind themselves about why they’re doing this piece of art.”

Personal Interpretation: This is clearly an important tradition to the informant and their cast, furthered by the subject matter of RENT (queer people living in NYC during the HIV/AIDS crisis) and fact that its creator, Jonathan Larson, died one day before the musical’s original opening in 1996. The sign is a physicalized reminder of the humanity and weight the show carries, and gives the cast members a material way to remember the real people it’s grounded in before going onstage. To me, it sounds like tapping this sign is a ritualized remembrance of the responsibility to tell and represent an important, nuanced story to the audience, and for the cast to honor the people around them–cast, crew, relatives, friends, and more–as well as the source of the art they’re bringing into the light.

Background

Informant is a 21 year old college student studying theatre at USC. The performance of RENT mentioned happened this semester, with rehearsals running January-April and performances in April. It was put on by the USC School of Dramatic Arts–informant performed in the ensemble for all performances. Informant is mixed race (white and Pacific Islander), and identifies as queer and fem-presenting.

Evil Eye Jewelry

Main Piece

Informant told a story about the Evil Eye within Arabic communities, involving a ritualistic wearing of an object (and phrase, within some communities).

“So the concept of the Evil Eye is that you have to wear it somewhere on your body, otherwise when people think bad thoughts about you it’ll come true, and then, like, the Evil Eye absorbs them all. And then, once it’s absorbed too much, it breaks…this is only in some Arabic cultures, but when someone goes ‘Oh my god, I really love your purse,’ they have to go ‘مَا شَاءَ ٱللَّٰهُ’ (informant then translated phrase as “praise be to God”) after it, otherwise you have to give it to them – like, cause then the Evil Eye will get you. It’s kinda like a “oh my God, I love your earrings!” and now they’re jealous, so if you don’t give them the earrings or they say ‘مَا شَاءَ ٱللَّٰهُ,’ their jealously will start ruining your life – like seep into you.”

Interpretation

Informant Interpretation: Informant heard about it from his Mom, who told him to wear it all the time for protection. “It wasn’t something I learned, it was just something I knew.” He still frequently wears Evil Eye jewelry as a method of protection for himself, and knows many others who do. He sees it as something more inherent to his family and society, and directly associated with paying attentions to others’ emotional states.

Personal Interpretation: This is an example of a folk belief or superstition involving a ritualistic object and many ritualistic tendencies, primarily practiced as a method of protection for oneself. I personally found its interaction with ‘magic’ to be the most interesting–the idea that someone else’s negative thought of you could seep into you feels like contagious magic to me, which wearing the folk object (Evil Eye) or repeating a ritualistic phrase can protect you from.

Background

Informant is a 20 year old college student primarily raised in Birmingham, UK. He is male-presenting, Black, and of Sudanese descent, and speaks English and Arabic fluently.

Sage to Prevent Spirits from Haunting Property

Text 

Informant: “My mom had many experiences with ghosts. During her twenties, she was constantly moving apartments and had strange experiences in each of them. Doors would open and shut. At night figures appeared and then disappeared. She could hear voices when no one was around, stuff like that. So the next time she moved, she burned sage in the apartment. Now I do that whenever I have to move into a new home. You are supposed to burn sage because you don’t know who’s been on the land. People’s spirits stick around. I think people linger when their spirit is lost and they can’t move on because they’re stuck. People get stuck. Sage will scare out the old spirits.”

Context

The Informant is a 48-year-old Black-American woman. She learned this ghost prevention ritual from her mother and passed it on to me. The Informant interprets this ritual as a way to cleanse new spaces of old spirits. 

Analysis

The Informant and her family are from America, a country that emphasizes individualism, private ownership, and the right to property. This nation’s philosophy stems from John Locke’s individualist ideals in the Second Treatise of Government. In the Treatise, Locke writes that “every man has a property in his own person” and he can take ownership in anything that comes from “the labour of his body, and the work of his hands” (Locke 5:27) In America, the home is where one manages both properties: bodily and physical. The physical property is maintained through household labor (ex: mowing lawn, mopping floors). Homeowners maintain their bodily property through facilities inside the home (ex: stove to cook, bath to bathe). A home is a place where personhood and physical property mingle (ex: homeowners decorate spaces to reflect personal tastes). In short, individuals are strongly tied to property in American culture. Thus when a homeowner dies, it can be difficult for a new person to move in and feel “at home.” Burning sage can be seen as a way to ease the transition between homeowners. The ritual clears out the old spirits to create a clean slate. A blank canvas to welcome new identity, personalization, and labor.

Lucky Horseshoe

Text:

“My grandparents on my mom’s side have a horseshoe hung up over the front door of their house. The horseshoe is supposed to both bring good luck and keep away bad luck or curses. It always has to be hung with the ends pointing up, so it can act like a cup to catch the good luck, and if it is hung upside down the good luck will spill out.”

“Do you follow the same tradition? Would you hang a horseshoe over your door?”

 “I don’t know if I would. My grandmother gave me a horseshoe keychain as a gift a while back. I don’t really believe in the superstition aspect of it, but it’s a way for me to feel connected to her so it has become a charm in a way for me.”

Context: My informant is a friend of mine who has Irish heritage on his mother’s side, where he first learned of the horseshoe superstition. He says that no one he knows shares the horseshoe superstition, but that it is more prevalent in Ireland and other European countries. While he does not necessarily believe in the superstition, it is clear that the practice on his mother’s side has made it an important part of the connection to his family. 

Analysis: 

The horseshoe superstition described by my informant has an interesting combination of both personal sentiment and cultural tradition. Even though my informant does not believe the superstition and may not continue it, the fact that the superstition was embedded in a gift from his grandmother highlights the deeper importance of superstitions and traditions. By gifting my informant with the horseshoe, his grandmother was using superstition as a way to give good fortune to my informant. This suggests that superstitions can be used to soothe worries and help us feel secure and optimistic for our loved ones. Additionally, my informant’s view of the gift shows the ability of cultural traditions and superstitions to be modified to fit the individual. While more broadly the horseshoe may represent attracting good luck and warding off evil, because it was a gift in good heart from his grandmother, the horseshoe transforms into a symbol of love and family connection between my informant and his grandmother.