Tag Archives: gardens

Donna Maria’s Enchanted Gardens (Sawfar)

My informant is a family member in Lebanon that has lived in the mountains for her entire life which plays a large role in this important narrative that has “become part of her identity forever.”

Narrative:

Wedding at Donna Maria Sursock Gardens

My informant states that they “lived in a village named Sawfar, far into the mountains of Lebanon. Although, it wasn’t different to many other villages, on top of our mountain stood a castle that belonged to our beloved Donna Maria.” The woman who was known to be “the most generous and beautiful of all” lived in a small castle built by her husband, Albert to live out her fairytale dreams. However, after the passing or disappearance of the family for some unknown reason, the castle was “torn apart by the militia in 1975 and left in ruins.” My informant describes her childhood on the open castle grounds as magical and “some of the best moments of [her] life” even in it’s fractured state. After many years, weddings had begun to take place in the castle gardens and some describe “seeing Donna peering from the balcony, sending her wishes to the newlyweds and then it became a tradition, blessing each couple that keeps her memory alive.” The music of the weddings “erupted through the valleys, filling the mountains with the magic of Donna’s castle” However, the informant describes playing in the grounds once as a child and revealing part of the house that had been covered, “it was a dungeon filled with unknown bones. Nobody had known until [she] found it and it became a horror, even Donna may have had a darkness to her and skeletons in her basement”. 

Context:

She states that this became known to the entire village but the weddings never stopped, because it would tamper the ‘magic’ that Donna had given them. Her story and castle history was passed on for generations as children were even brought to learn about Donna and her past as “she is a vital part of Sawfar history” It has become an integral part of her family history and her children’s lives as she says “even though I never met Donna, her descendants and their ground are a big part of my upbringing in making me the person I am today” The castle is not only grounds for the descendants of Donna Maria but the rest of the village to enjoy and pass the joy that the bricks and gardens brought to others.

Analysis:

The narrative that my informant presents seems to be a pivotal part of her upbringing in the village as she had lived through most of the experiences at the Donna Maria castle. The element of the fairytale castle on top of the mountain allowed Donna and her family to thrive and incorporated that into the village. When the story was described, the informant said she passed it on to her children and brought them to the castle grounds to experience it. This allows the children to gain a sense of what their heritage is and a glamorized version of a story such as a castle encourages the learning of their culture and gain a patriotic view of their country and specifically the village. Adults are able to have a stable grounding in their village, even in unfortunate circumstances such as wars and attacks on their homes, they are able to look to the withered castle, with so much mixed history, and see it still standing. The castle represents the hope of what their village was, what it still is and what it will continue to be as the beauty of the story and the gardens is presented to residents of the village, their descendants and tourists who hope to see the history of what brought this village together. The ‘ghost’ of Donna Maria symbolises the blessing of eternal life, especially for married couples and children that still have growth to come as they not only learn about her beauty but also the dungeons that lie beneath her gardens. At times when married women struggled with events in their lives, they regret not getting married at the blessed grounds and being led by Donna who seems to have been viewed not only as a privileged woman but a queen atop the village that was a guiding light in the darkness of wars in Lebanon. Even after all the trials and tribulations that the entire country experienced, Donna’s damaged castle stood as a landmark in the people’s hearts and identities.

French Gardens

“So French-style gardens are very exact in their layout, they’re supposed to ache, like there’s definite vegetation areas, and there’s gravel stuff, and they’re really into doing intricate designs, and you’re supposed to see different things the farther up you are. What you see on high is supposed to be different from what you see, you, know, at straight-ahead level. And the whole theory of it—you know, they have like, multiple level terraces and whatnot, so you’d see, like, a curlicue design if you’re standing inn, like, eagle eye, but if you’re actually staring just straight at it, it looks like different levels of topiaries.

“So the whole theory behind it is that, um, gardens are supposed to be man’s demonstration of his power over nature. So it’s a whole exercise in controlling, you know, what would otherwise be wild nature. And so, it’s about making sure each path is—strictly delineates between, um, say vegetation and gravel, because it demonstrates that man is ultimately at, by God’s design is at the top of the food chain and is therefore able to control any and all elements, and so the more control that you have, and the more intricate the designs, the better demonstration of man’s control over nature.”

 

The informant said that the purpose of the two different views was to further demonstrate skill: if you can trick the eye into seeing one thing from one place, and another thing from another, it was a good demonstration of power. She found that this belief is “in line with French thinking,” which often favors the art of precision and links that with divinity.

She learned about the gardens from one of her teacher’s in France in 2012, (and she found more evidence of the belief when she researched it on the internet). She discovered it started with Italian gardens and tree carving. The informant learned that it is a sort of big game to see how much you can do with plants in a controlled environment, and it was a way for royalty to demonstrate their power (the head gardener for such people was actually a very respected position).

This belief is compelling because it is so widely accepted it doesn’t exist on the margins of French culture, but in its center. The informant said that magazines and other publications exist solely to teach how to garden in the French style. It seems that the original purpose of the gardens (to demonstrate man’s power over nature) has fallen away in a way that it is not obsolete, but it is no longer truly important. The ideology has been totally absorbed by the culture.