Tag Archives: dark

Donna Maria’s Enchanted Gardens (Sawfar)

My informant is a family member in Lebanon that has lived in the mountains for her entire life which plays a large role in this important narrative that has “become part of her identity forever.”

Narrative:

Wedding at Donna Maria Sursock Gardens

My informant states that they “lived in a village named Sawfar, far into the mountains of Lebanon. Although, it wasn’t different to many other villages, on top of our mountain stood a castle that belonged to our beloved Donna Maria.” The woman who was known to be “the most generous and beautiful of all” lived in a small castle built by her husband, Albert to live out her fairytale dreams. However, after the passing or disappearance of the family for some unknown reason, the castle was “torn apart by the militia in 1975 and left in ruins.” My informant describes her childhood on the open castle grounds as magical and “some of the best moments of [her] life” even in it’s fractured state. After many years, weddings had begun to take place in the castle gardens and some describe “seeing Donna peering from the balcony, sending her wishes to the newlyweds and then it became a tradition, blessing each couple that keeps her memory alive.” The music of the weddings “erupted through the valleys, filling the mountains with the magic of Donna’s castle” However, the informant describes playing in the grounds once as a child and revealing part of the house that had been covered, “it was a dungeon filled with unknown bones. Nobody had known until [she] found it and it became a horror, even Donna may have had a darkness to her and skeletons in her basement”. 

Context:

She states that this became known to the entire village but the weddings never stopped, because it would tamper the ‘magic’ that Donna had given them. Her story and castle history was passed on for generations as children were even brought to learn about Donna and her past as “she is a vital part of Sawfar history” It has become an integral part of her family history and her children’s lives as she says “even though I never met Donna, her descendants and their ground are a big part of my upbringing in making me the person I am today” The castle is not only grounds for the descendants of Donna Maria but the rest of the village to enjoy and pass the joy that the bricks and gardens brought to others.

Analysis:

The narrative that my informant presents seems to be a pivotal part of her upbringing in the village as she had lived through most of the experiences at the Donna Maria castle. The element of the fairytale castle on top of the mountain allowed Donna and her family to thrive and incorporated that into the village. When the story was described, the informant said she passed it on to her children and brought them to the castle grounds to experience it. This allows the children to gain a sense of what their heritage is and a glamorized version of a story such as a castle encourages the learning of their culture and gain a patriotic view of their country and specifically the village. Adults are able to have a stable grounding in their village, even in unfortunate circumstances such as wars and attacks on their homes, they are able to look to the withered castle, with so much mixed history, and see it still standing. The castle represents the hope of what their village was, what it still is and what it will continue to be as the beauty of the story and the gardens is presented to residents of the village, their descendants and tourists who hope to see the history of what brought this village together. The ‘ghost’ of Donna Maria symbolises the blessing of eternal life, especially for married couples and children that still have growth to come as they not only learn about her beauty but also the dungeons that lie beneath her gardens. At times when married women struggled with events in their lives, they regret not getting married at the blessed grounds and being led by Donna who seems to have been viewed not only as a privileged woman but a queen atop the village that was a guiding light in the darkness of wars in Lebanon. Even after all the trials and tribulations that the entire country experienced, Donna’s damaged castle stood as a landmark in the people’s hearts and identities.

Bloody Mary in the Bathroom – Legend

Context:

J is a screenwriting second-year at USC, raised in Canada but moved to American when J was 10 years old. The below text is a story told among the female students at J’s elementary school.

Text:

When J was in elementary school, there was a bathroom where people said that a girl had died in while she was a student in school who continued to haunt the bathroom because of how gruesome her death was without finding peace. Her spirit believed to be lingering there resulted in the creation of their own version of Bloody Mary. Students would say that “Bloody Mary lives in that bathroom.” They could tell because it was the very last stall and one of the pipes on the toilet had a splash of red paint on it, which students thought was blood. J themselves would go to the stall at the end of the day, and never got haunted by Bloody Mary. But, J was always on edge in the bathroom, where every little noise or motion may “summon” Bloody Mary, so J never did the “summoning” (saying Bloody Mary) to not chance the possibility of the ghost.

Analysis:

This narrative takes advantage of two legend themes: ghosts and Bloody Mary. Ghosts are an entity that lives on liminal boundaries: the line between life and death, human and non-human, and science and will power. The legend of a ghost forces the audience to question if one’s will truly is strong enough to overrule death, if a death with regret strong enough truly can provide haunting, or if there really is a line between life and death that is invisible to the living. Death itself is enigmatic and frightening for the living, so ghosts are a way people cope with it. For an audience as young as elementary students, ghosts not only become a way to deal with the permanence of death, but also a way to refuse grieving or accepting death, tying ghost narrative back to anti-hegemonic childhood folklore. So, the ghost itself as a literary object in a story subtly questions much of the real world’s ideas of death, maybe even denying them outright. Furthermore, because the legend is also about Bloody Mary, the story also becomes a coming-of-age for young girls. Bloody Mary serves the mark women’s menstrual cycle, a point at which blood comes out of the body, the girl is no longer chained to childhood and has to face harsh reality. Avoiding the bathroom stall avoids Bloody Mary, avoiding growing up as a young woman. An acknowledgement that Bloody Mary is not real (this childhood rumor is not real) marks a turning point in the young female world, that they have “risen above” childhood, gotten their period (marked by blood..Bloody Mary) and became women.

Scraping On the Roof

Text:

“So this couple goes out on a date, in their car, and they’re driving along this country road and it’s very dark and isolated. And then the car breaks down or it runs out of gas, I don’t remember which, the car can’t go anywhere. So the guys says to the girl on the date- He says he’s gonna go get help and he tells her to get in the backseat of the car and get under a blanket and no matter what she hears, no matter what goes on outside the car, she should not get out from under the blanket. Under no circumstances should she open the car door or look out the window. So she gets in the back of the car and covers herself with a blanket and he gets out of the car, and then she hears a lot of noise, commotion. Yelling and noise and then all of a sudden it gets quiet. And while she’s laying in the backseat of the car she hears this scraping on the roof of the car. Just scrape. Scrape. Scrape. Very quietly. She’s very curious but she doesn’t look out. She just stays in the back of the car and waits for the boyfriend and she just keeps hearing that noise. That scraping noise on the roof of the car. So she’s in there all night by herself and I guess she falls asleep ‘cause in the morning she hears a bang bang bang bang on the door and she’s really scared. She huddles down even further into the blanket and she hears more bang bang bang bang on the car door and a voice says, ‘Ma’am this is the police,’ and so she looks up out of the blanket and sees it’s a police officer and he says, ‘Ma’am, get out of the car but don’t look behind you.’ So she gets out of the car and he says, ‘Were you out here with your boyfriend?’ And she says, ‘Yes.’ He says, ‘Don’t look behind you.’ And she turns around and she looks and she sees her boyfriend hanging from a tree limb over the top of the car and his feet on the car that are making the scraping noise.”

Background: The informant first heard this urban legend in highschool at band camp in Texas. She says it was likely around the 1970s. She says that she had heard a similar urban legend when she was living in New Jersey, though instead of a country road it was a road near a mental ward and the boyfriend just disappeared. 

Analysis:

The ending of this particular urban legend is very gruesome when you begin to think about what was happening during that time, especially with civil rights movements, and when you start thinking about the possible race of the couple. By the 1970s most schools and establishments had been desegregated, but racial discrimination was still extremely prominent. The legend itself is likely just used as a horror story to scare teenagers and kids from going off on their own at night. But when coming from a place like Texas that has a history of heavy racial discrimination, the implications have a different meaning.

Elementary School Riddles

Background: 

My informant, NK, is 19 years old and of South Korean descent from both her mother and father’s sides of the family. Her grandparents live close to her, so she spends a lot of time with them. She is very passionate about cooking. Even though she is majoring in biochemical engineering at UC Berkeley, she has always been, and remains to be, extremely interested in conspiracy theories. While she may not necessarily believe them, she enjoys hearing lore from across the world. (I’ll be referring to myself as SW in the actual performance).

Performance: 

NK: I remember there used to be a lot of riddles from when I was a kid, like you describe a situation, what it looks like after something happened, and you have to guess what happened. There’s only one I remember, where you go into an empty room. It’s 4 walls blocked off and the only way in or out is like teleportation, and there’s a guy hanging in the middle of the room, like dead, and there’s a puddle of water below him on the floor, so what happened?

SW: Um..I’m not sure. What’s the answer?

NK: So, he stood on a block of ice with the rope around his neck, so as it melted he was hanged and he died. 

SW: Oh. Very dark.

NK: Yeah, I feel like I remember most of those were pretty messed up.

Thoughts: 

It was interesting to hear about these riddles that kids would tell, because as NK was describing them, I realized I remembered hearing similar riddles when I was in elementary schools. I think kids liked to one-up each other and prove how clever they were by stumping the other kids, or solving their riddles. I didn’t realize how dark these riddles were until now looking back and I wonder how we were so casual about topics like suicide at 8 or 9 years old.

Italian Proverb: “Old Age is Trouble”

Is there something of a proverb that comes to mind from home?

J.A. – “La vecchia e una rogne; ma si non l’arrive, e una veregogna.” (Italian)

Translates to: Old age is trouble; but if you don’t get there, it’s a shame.

J.A. – “My parents’ people were farmers in Italy.  This saying has a fatalistic humor that resonates with me.  I feel closer to people I never knew hearing the clever play on words in the original Italian.”

 

This being a dark proverb, it brings to my mind the mortality of those I’m close with.  I got stuck for a few minutes on the first half of that sentence; “old age is trouble.”  What does that mean?  Are you going to die?  Is disease coming for you?  It’s interesting – this person thought of the proverb as an example of “fatalistic humor.”  I’d disagree with that, actually.  I’d argue that it’s a blatantly depressing proverb, explaining that any life is better than death.  The inevitability of what’s coming for you may be frightening, but – hey, at least you’re alive.