Tag Archives: Hispanic folklore

Twelve grapes under the table before New Year

Context

Originating in Spain, the tradition of eating grapes at the stroke of midnight is believed to welcome good fortune and prosperity in the new year. The custom began back in the late 1800s but was popularized in the early 1900s when farmers in the Alicante area produced an overabundant harvest and needed a way to increase grape sales. As the sweet tradition goes, you’re supposed to eat the grapes one at a time at each clock’s chime. If you can finish all 12 grapes within a minute, you’ll see luck, success, and positive energy in the new year.

Content

The informant recalled how she and her three sisters would go under the table and eat 12 grapes before midnight on New Year’s. They would imagine the success they wanted while eating the grapes. She knew it was not likely it would work, but she didn’t want to take the risk of not eating the grapes and not getting the luck for the new year. She also said it was a fun tradition connecting her to her sisters. When her sister got proposed to, they all blamed it on the grapes. 

Analysis

This tradition blends superstition and emotional bonding. As Appadurai (1988) the text suggests that this tradition’s origins can reveal how economic practices can become cultural customs. It is not a necessity because they believe in it, but they fear the consequences of not participating in the tradition. The grapes become a symbolic ritual that, like in Bruner’s (2001) work, creates shared meaning and family intimacy, especially among the sisters, who use the tradition to frame events like marriage as fateful.

Hispanic Funeral Customs

Nationality: Mexican
Age: 58
Occupation: Retired Federal Officer
Residence: Henderson, Nevada
Language: English

Text: Traditional Mexican funerals are very different that those in the United States. They last anywhere from 2-3 days, and involve lots of food, alcohol, and music. One of the most prominent customs involves the carrying of the the casket to the cemetery site. I can recall numerous funeral services, all in Mexico City, that I would describe as being more fun that sad. This differs from my funeral experience in the United States, which is centered more around the mourning of the deceased.

Context: Informant describes bearing witness to these hispanic funeral traditions many times while attending services in Mexico City. However, they have never witnessed such actions occur in the United States, even at Mexican- American funerals. Informant acknowledges the differences in ideologies between many Americans and Hispanics to be the fundamental reason for this observation. They claim that the people of Mexico do not view death to be the end of ones soul, but the transition into an afterlife. Because of this, their physical loss is met with a celebratory sequence, ackowledging the continuation of their soul.

Analysis:

As someone who has never attended a funeral in general, I was quite shocked to here of the funeral traditions of Hispanic weddings. I was especially surprised to hear about how the coffin is carried throughout the street to the cemetery. At an initial glance, from the perspective of someone born in the United States, I thought it was slightly disrespectful. However, this exposure has helped me understand how many hispanics view with cycle of life and the issue of death. By seeing death as the departure of the soul to an afterlife, rather than the elimination of the soul, these customs become very understandable. The difference in customs between cultures also allowed me to see how customs are a product of people, just as much as people are a product of customs.

El Cucuy

Nationality: American
Age: 19
Occupation: University Student
Residence: Los Angeles, California

Age: 18
Date of Performance: 3/30/2025
Language: English
Nationality: American
Occupation: University Student
Primary Language: English
Residence: Los Angeles, California

Legend Text:
“Today, I’m going to tell you about El Cucuy—also known as the Boogeyman. It’s a Spanish legend about a tall, shadowy figure who scares misbehaving children. In Spanish culture, they say El Cucuy watches you from outside your window, or even hides in your room under the bed. If you weren’t behaving, you had to run and hide in your room or he’d get you.”

Context:
The informant heard this story from older family members during gatherings, particularly when the kids were restless and waiting for food. It served both as a form of entertainment and discipline, using fear to encourage good behavior.

Analysis:
El Cucuy is a classic example of child-disciplining legends across cultures, akin to the American “Boogeyman.” In Latino households, it is commonly used to instill fear-based obedience. The figure of El Cucuy embodies abstract fear and serves as a warning against moral or behavioral failure. This version shares traits with global “dark watcher” figures like Slenderman, showing how traditional folklore adapts to modern imagery. The use of “under the bed” or “outside the window” roots the fear in a child’s intimate spaces.

El Chupacabra

Text: El Chupacabra 

My informant is the mother of a friend.

She said that El Chupacabra is a Latin American folktale about an unknown creature that sucks the blood out of living animals. El Chupacabra is mostly known for targeting the livestock of farmers, especially goats, hence the english translation of “the goat sucker”. There are different speculations of what it looks like, but the most common tends to be a sort of demented dog.

She also said the tale itself is at least a hundred years old, but became popular around 40 years ago when farmers began losing their livestock in a similar manner to that of a Chupacabra. People, mainly farmers, likely still tell this story as a warning of what to watch out for. El Chupacabra was used as something to scare children with in order to behave or else the Chupacabra would come after them. She thinks the Chupacabra whether real or not demonstrates the highly superstitious culture of Latin America as people quickly speculated the Chupacabra to be of an almost otherworldly nature rather than some animal. She personally believes el Chupacabra is likely just some animal that had perhaps gone undiscovered.

Analysis:

Upon analyzing the Chupacabra, it is a legendary creature or cryptid. The story of the Chupacabra is that it is mainly a monster that goes after farmers’ livestock. Although the Chupacabra is something that is not scientifically proven, people still speculate its existence.

I see this creature as a way to explain the unknown or the fear of something larger and powerful outside. While livestock could have been eaten by wolves or a large animal, the thought of the Chupacabra or a creature in place of a more rational explanation shows a part of the superstitious culture in Mexico that my informant mentions.

The Chupacabra is also used as a monster that parents or older people may use to scare their children, which diverts from it’s origins. Which show a development to its story on a surface level from a creature that is used to explain how livestock or farms get messed with to a monster that also want to potentially hurt humans, or in this case, children.

Chupacabra

Text:

The chupacabra was, in the words of the subject, a goat-looking humanoid creature that would suck the blood out of its victims.  If the subject ever went on a hike or into someplace more rural and nature-like with his family, then they would tell him and any other children with them that the chupacabra was always somewhere, and was waiting for kids who didn’t pay attention or didn’t heed their parent’s warnings so that it could snatch them up and carry them away to devour them.  They would especially remind the subject of this story if they and their peers weren’t staying close to the parents, and were going too far into the wilderness without supervision.

The subject reported that descriptions of this creature varied every time they were told about it, with the subject sometimes being told it was a monster, to sometimes being told it was a demon, to sometimes being told it was simply a scary animal.  However, some things that always stayed consistent with the retellings was that it was very small, very fast, very strong, and extremely grotesque.

Context:

The subject, N.S., grew up in the urban areas of Los Angeles, but was very close to rural hiking trails and other natural, outdoorsy environments, where they and their family would make regular weekend trips towards hiking trails and parks.  It was in these hiking trails and parks that the subject was warned by his parents of the dangers of the chupacabra, and of the dangers of going too far from their parents in the rural area.  The subject also stated that the stories about the Chupacabra slowly began to be phased out of their life as time moved on, until eventually, their parents never mentioned it again.

Interpretation:

The superstition of the Chupacabra was likely meant as a way to prevent the subject from running off from their parents when in heavily wooded and rural areas, especially since the subject could navigate the sometimes-thick brush more easily than their parents could.  By giving the subject a dangerous boogeyman in the form of the chupacabra, the subject’s parents were able to ensure that the subject would stay close to them, as well as avoid taking any unnecessary risks whilst they’re out in such an unfamiliar and dangerous environment.  The Chupacabra also likely had some history buried in actual sightings, with people over time spotting creatures that matched the chupacabra’s descriptions, and created a superstition hidden behind the Chupacabra’s nature and danger.