Tag Archives: myth

From legend to myth: the Legendary figure of Guanyu and the God of loyality and courage

Context:

The informant shares a legendary figure that later transformed into a god with mythic characteristics. The context of this legend takes place during the Three Kingdoms period in China, around the years 220-280. This is a period of upheaval characterized by distinct individuals. The protagonist of the legend, Guanyu, is one of them, serving under the Shu dynasty. Other two kingdoms were the Wu Dynasty and the Wei Dynasty. It was a time when the three nations fiercely struggled for the orthodox king of China. Guanyu was a fearless warrior and was also the sworn brother of the king of Shu.

Text:

“Guanyu was captured by Lu Meng, a general in the Wu Dynasty. After he captured Guanyu, he beheaded him and sent the head in a box as a gift to Cao Cao, the king of the Wei Dynasty. He did this because at the time, Wei was the most powerful kingdom, and Wu wanted to befriend Wei to fight Shu. When Cao Cao opened the box, he found out that it was Guanyu’s head. The head of Guanyu jumped out of the box and tried to bite. It scared Cao Cao so much that his headache attacked. But regardless of the hostile relationship between Shu and Wei, Cao Cao admired Guanyu as a warrior of great courage and loyalty. He buried Guanyu with great honor and built temples in his name. Some say that it’s because Cao Cao was afraid of the fury of the Shu Dynasty for losing the King’s brother; others say that Cao Cao truly admired Guanyu. But that’s where the legend ends.

However, the myth of Guanyu starts there. Guanyu had been woven into Taoism and become one of the Taoist gods. He is the one that represents loyalty between friends and brothers. Many of the gang members in China would worship Guanyu as a sign of the bond between their members.”

Analysis:

The transformation of Guanyu from a legendary figure to a mythic god can be seen as a natural progression in the process of cultural storytelling. In folklore, legendary figures often embody the values and qualities admired by the society that creates and perpetuates their stories. As these values become more deeply ingrained in the culture, it’s common for these figures to take on a more divine or supernatural aspect.

In the case of Guanyu, his legendary status as a courageous and loyal warrior made him a powerful symbol for the values of loyalty and brotherhood. By incorporating Guanyu into the Taoist pantheon as a god, he became a representation of these values in a more profound and spiritual way. This transition allowed for a more profound connection to Guanyu’s virtues, as people could now seek his divine assistance and protection in their lives. Also, it becomes a mythtic figure because it teaches people how to behave in life and what to believe, without the fact that many people live up to the tradtions of Guanyu, he would remain a legend.

Interestingly, Guanyu as a mythtic figure was viewed differently in different groups. In Taoists, Guanyu was one of the four great protectors of Taoism. In Buddism, Guanyu was the Galan Budda, which resembles the chief of police in the world of budda. In the business world, merchants and ordinary people view him as Martial God of Wealth who save guard their wealth and good luck. Others view Guan yu as Guandi, God of war who controls over evil spririt of the world.

La Nahuala

Context
VS is my friend here at USC. They are from San Jose, California, raised by parents who were born and raised in Mexico. They travel to Mexico multiple times a year and consider it to be like their second home. They translated the story into English for this interview.


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DO (Interviewer): Do you have any ghost stories that you remember as a child?

VS: Yes dude. There was one that always scared me. My parents would tell me and my sisters it and I would have nightmares about her sometimes. The story is called La Nahuala. Apparently, some lady, well, La Nahala, sold her soul. She wanted to be beautiful and young forever because she was conceited. When she sold her soul the devil didn’t make her pretty. Actually, the opposite. He turned her into some ugly monster thing. Because she was obviously upset by this she wanders around Mexico and tries to get revenge on people she feels like wronged her. 

DO: What does she look like? Is she described in a certain way?

VS: She’s like dressed in all white, which is already super creepy. But then she’s also a skeleton and has dark hair and her eyes glow. My dad also told me that she can like change into different shapes like spiders and cats. I think the point is that she can turn into animals and stuff that people think are creepy, since she’s a ghost and all.

DO: Is this a famous story?

VS: I’d say yes. Obviously it’s more of a Mexican thing. I think it’s mostly told to kids to scare them because La Nahuala is known to snatch up kids and like younger people. I think there’s even movies about her. 

Analysis

This myth has cultural ties to Mexican culture, specifically Oaxacan culture. I believe that it serves the purpose of frowning upon and discouraging vanity and being conceited. Because this character wanted more beauty and youth she was punished and given the exact opposite. It can be a metaphor for showing that while she used to be externally beautiful she was internally “ugly” for being vain. As a punishment, she was then forced to be ugly externally as well. It can also show Mexican ideas on religion. This story showcases someone selling their soul to the devil and then being tricked into something terrible. It can be told as a way of discouraging people, especially children, from the occult and anything that goes against religion and God.

The Ghosts of the Congress Plaza Hotel

Context

MO is my mother. She grew up in Chicago, Illinois in the 70s. She was born to two Puerto Rican parents who came to America in their teenage years. Her father is from San Lorenzo, Puerto Rico, and her mother is from Moca, Puerto Rico. They go visit Puerto Rico every summer and have done so for decades. 


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DO: Chicago’s an old city, do you have any myths or legends that are specific to us?

MO: The old hotel over on Michigan Ave in downtown is apparently haunted. 

DO: The Congress?

MO: Yes. Apparently there’s a bunch of different ghost stories. The famous one is the story about the man with the peg leg. You know I love true crime so my favorite one is about the bellboy that’s a ghost. 

DO: Can you tell me about them?

MO: I think they called the famous ghost Peg Leg Johnny. He became an alcoholic after some accident where he lost his leg but then he did work at the hotel. Like maintenance stuff. People have said they’ve heard knocking on the door and then seen a man with a peg leg. The bellboy one is about a young kid who worked there and everyone loved him. Then one day he just went missing and nobody ever saw him again. Some people say they see him pushing the luggage carrier things and waving at people then he just disappears. Me and your dad actually have stayed in that hotel

DO: Really? What was your experience like? 

MO: Well we stayed there before we knew it was haunted. Your dad swears he did hear anything, but I heard people knocking on our door. I didn’t see anything thank God. After we stayed there we heard all the stories. 

Analysis:

All cities have folklore narratives that are unique to their major landmarks. The Congress Hotel in Chicago is no different. This massive hotel is hard to miss, seeing as it is on our most popular street downtown and is distinctive. The hotel has an old look to it which further encourages ghost stories to be told about it. After talking to more of my family each of them had their own ghost story that has been passed down by other Chicagoans. If you live in Chicago this hotel is pretty well known. These ghost stories bring Chicagoans together to talk about a landmark that they share as common knowledge.

El Cucuí

Context

MO is my mother. She grew up in Chicago, Illinois in the 70s. She was born to two Puerto Rican parents who came to America in their teenage years. Her father is from San Lorenzo, Puerto Rico, and her mother is from Moca, Puerto Rico. They go visit Puerto Rico every summer and have done so for decades. 


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DO (Interviewer): I know you’ve told me lots of stories that Lelo and Lela would tell you growing up, do you have any that you think have stuck with you until now?

MO: El Cucuí. I was also so scared growing up that he was gonna get me. Even when I grew up more, I was always a little scared in the back of my mind but I would never admit that. As a teen, I was like get it together you’re too grown for this. As I got older I asked Lelo and he said Abuela would tell it to him and his brothers.

DO: El Cucuí is basically like the bogeyman in other cultures. 

MO: Mhm. Basically it’s used to scare kids into behaving when they’re acting up. God knows we needed it as kids. 

DO: Can you explain the story a bit? Like more background and context.

MO: He’s like this scary monster that’s supposed to live in the shadows and in the dark. But the story goes, he only eats children who are acting up. Your grandpa would say he was really ugly and had red eyes and claws. Lelo would say “¡Mirar! Si no paras El Cuco – that’s another name for it – te va a venir a buscar.” If you were bad, he’d come get you when you’re sleeping at night. 

DO: Did this work on you?

MO: Of course it did. We lived in an old house so there were a bunch of corners and noises at night so I made sure I was on my best behavior. If one of your Tios acted up, I would think I’d wake up to find them gone the next morning. I would make fun of them and tell them the Cuco was hiding in their closet. Me and your Tias would run to their room the next morning and check. 

Analysis

I believe this myth of the Cucuí would count as children’s lore and Puerto Rican folklore. This story’s main audience is children and is used to ensure good behavior from them. As mentioned, not only do adults tell this story to children, but children tell it to each other. In Puerto Rican culture it’s also a story that is passed down from generation to generation. It was used on my grandfather as a child and even though he knew this wasn’t real as an adult, he continued the tradition and used it on my mother, aunts, and uncles to get them to behave. My mother would try and use it on my brothers and they in turn have used it on my nephew.

Lord Ganesha

Context:

My informant, NT, is my roommate and good friend. She is a junior at USC and she is Hindu. The reason she shared this story with me was actually very random. She has a small statue of a Hindu god in our room, but for most of the semester it was covered by her makeup bag on her desk. When we were cleaning, she said, “OH NO, I’ve accidently had a god hidden, no wonder I’m not thriving,” in a completely humorous and sarcastic manor. This led me to ask why the statue had an elephant head.

Main Piece:

NT’s summary- The Goddess Parvati created her son Ganesha so that he could always guard her chamber, and never let anyone in no matter who they were. One time, Ganesha didn’t allow the Goddess’ husband, Shiva, in the chamber. Shiva freaked out and was so angry that he chopped Ganesha’s head off; this enraged the Goddess so much that she threatened to destroy the world, he was not brought back to life. So, Shiva saw an elephant, cut its head off and gave it to Ganesha. The Goddess was still unforgiving, so Shiva bestowed a great amount of divinity to Ganesha and made it a rule that everyone had to pray to him before any other god.

Interviewer: So why is this the god you choose to have a statue of Ganesha, is there personal significance behind it?

NT- When I was a little girl, my mom took me on my first trip to India. I really didn’t know much about my own culture, which was kind of sad. I would always pray with my parents and repeat what they said but I never really understood what any of it meant. So, when we were in India, my mom decided to buy me a bunch of kid’s books about all the stories of the gods so that I could understand the myths behind each one and why we pray to them. I had probably like 20 of them, but my favorite one was always the one about Ganesha. He’s definitely the most well-known god among people who don’t know anything about Hinduism, mostly because he has an elephant head. But I was always taught (even though I didn’t understand) that we needed to pray to Ganesha first before ANY other god, even if it was a holiday celebrating a different god. I always thought it was so weird, but then i read the story of how ganesha came to be and what happened to him (how his father cut off his head lol) and that was the story that really got me into my culture. so now i even have an idol/statue thing of ganesha in my room because not only is he the remover of obstacles but he also brought me closer to my culture.

Analysis:

NT shared with me a myth from her religion; by her very easy recall of details, it’s obvious that it holds a special and sacred place in her heart. A very common motif amongst religious myths is the creation factor, hence the creation story for the god of obstacles. Using Levi-Strauss’ paradigmatic approach, myths can be analyzed by how they relate to the underlying patterns in life. People can use myths as a guide for what to do on earth, so Ganesha’s perseverance can be translated into one’s own challenges in the real world. Being able to find commonality and comfort in myths is a reason that people hold them so sacred.