Tag Archives: Afterlife

Significance of Incense

Context :

My informant is an adult female who was born in Seoul, South Korea. She received Korean education throughout her life and mainly speaks Korean. She believes in Buddhism and has been attending temple events for a long time. Her family also are Buddhist and follows the Buddhist way when it comes to events such as funerals and ancestral rites. Here, she is describing what an incense signifies in ancestral rites. She is identified as K and this piece was collected over a phone call in Korean and was translated into English.

K : You know what incense is, right? It’s a stick you light it on fire like a candle and it produces smoke with a certain smell to it. Rather than smelling like something burning, it has a very organic smell to it. Maybe like burning wood. In Korean ancestral rites, burning an incense means that the person who burned the incense is calling the Gods and their ancestors from the sky. The smoke rises from the ground and when it reaches the sky, the God or the ancestor will know someone is calling them. If someone is only wishing for something, it is calling God to grant their dear wish. If someone is performing an ancestral rite, it means that they are calling their ancestors. 

Analysis : 

In our family, we burn incenses more than candles. Before listening to the meaning behind burning incenses, I only thought we do this for the smell of it or as a tradition; I was surprised that the smoke and the smell of the incense was meant to reach the sky. I think this aspect of burning incenses show the earnest wish of the user to see and meet the holistic figures. It should also be noted that not all incenses are meant for deep meanings like calling their God or ancestors, but a lot of people use it for its good smell. 

Bowing Down Twice

Context :

My informant is an adult female who was born in Seoul, South Korea. She received Korean education throughout her life and mainly speaks Korean. She believes in Buddhism and has been attending temple events for a long time. Her family also are Buddhist and follows the Buddhist way when it comes to events such as funerals and ancestral rites. Here, she is describing why bowing down only twice is important during a memorial rite or a funeral. This piece was collected over a phone call in Korean and was translated into English.

She told me that to understand this piece, you need to understand the Yin and the Yang (negative and positive) culture of Asian countries. Yin, is the power that is believed to be dark and negative, while Yang is the positive power. 

In Korean funerals or memorial rites, people only bow down twice. It is believed that one’s first bow means the Yang power and the second bow means the Yin power. This means that the first bow is only meant for the people who are living and the second bow is for the people who are dead and no longer in this ‘living’ world. Thus, when you bow down to the families of the dead, you only bow once because they are alive, and you bow down twice to show respect to the dead. Events that require bowing down and related to death such as a funeral or an ancestral rite will require bowing down twice. 

My informant also highlighted that all bows should be performed with the utmost respect because this is a matter of living and the dead. 

Analysis :

When I was young and attended funerals, I remember peeking through my arm to see how many times my parents were bowing down. I was sometimes confused because they would bow down once in some situations and would bow down twice in some situations. This connection of Yin and Yang with the funeral culture show how Asian countries strongly believe in the ‘powers’ of negativity and positivity and its connection to Confucianism; you need to have detailed and precise actions even when you are showing respect to your ancestors.

Blue Ghosts in Okinawa, Japan

AM: So, it was- like the first month or two when i moved to Japan and I was hanging outside at like…2am like at night in a park. Um, the military base we was staying on was built like near like Japanese Shrines and whatnot and they said that you know the shrines are haunted and there’s a lotta “superstitions” with those. So while we’re out hanging, there was like oh look- you can see a bluf- blue figure on a hill like on top of the shrine and when I looked over you- I saw like a bluish like glow from the hills where the shrine was and they said that this island is one of the most haunted places and that there’s a lot of spirits around.

VG: Woah. What island was it?

AM: Okinawa.

VG: Woah-

AM: And that is- it is very common to see those there… so we was like “yeah, let’s get the hell out of here.”

 

Background:

Location of Story – Okinawa, Japan

Location of Performance – Dormitory room, Los Angeles, CA, night

 

Context: This performance took place in a group setting – about 2-3 people – in a college dormitory room. This performance was prompted by the call for stories about beliefs, ghosts, or superstitions as examples of folklore. This story came after a few others. The one prior was specifically about a high school grade being cursed.

 

Analysis: One point of interest in this performance is the effectiveness of the subtlety of the description of the “spirits.” The only physical description the audience receives about these supernatural beings is that they humanoid in figure and blue. The color is particularly notable because, at least in my experience, I have always viewed the ghosts in ghost stories as being neutral toned or white. Therefore, this description was able to create a whole new image for me and draw me deeper into this performance. It also reinforces the foreignness AM might feel since he had just moved to Japan: not only is the location different but also all of the local lore. One might even go so far as to say that this story was presented with a negative conation despite having no description of graphic hauntings or threats. 

Waking up the Dead

The informant was a high school classmate that graduated the same year as me and also is studying at USC. We met up for a snack at one of the cafes on campus and, then sat outside to catch up and exchange news and stories.

Informant

Specifically in Hawaii, you are not supposed whistle at night or walk on your knees at night. Supposedly, when you whistle, you are calling the dead, and if you walk on your knees, it is like walking on the bones and spirits of the dead and waking them up.

The informant learned these two superstitions from a close friend, N, who is very superstitious, and tells her all sorts of myths and legends relating to Hawaii, as well as things to watch out for or to not do.

The informant herself doesn’t completely buy into the superstitions, and has even whistled at night or walked on her knees at night and nothing bad has happened. People who are very religious, superstitious, or carry strong ancient beliefs, are more likely to take heed.

Background & Analysis

The informant was born and raised in Waimea town on the Big Island of Hawaii. N is a very close friend who is native Hawaiian, and her family is very traditional. Many of the stories and superstitions passed down through N’s family were shared with the informant over the years.

Even though I was raised in Hawaii, I had never heard of these two particular superstitions, so I was very excited when the informant shared them with me. In Hawaiian culture, there is a strong belief in ethereal spirits, especially evil or vengeful ones. These are probably just another two of many superstitions about the dead and the afterlife in Hawaii.

Funeral Customs

Funeral Customs

Funeral:

Q: Why do Koreans wear white at funerals?

A: Because it’s clean. It shows that when they’re being sent off from this world to another, whatever world there is, they’re going off cleanly. It cleanses them of their life they led on earth and also paves the road in front of them to be smooth and clean.

Q: Why do people where black now?

A: Because it’s an American tradition. Normally Koreans, Asian cultures in general, wore white. Traditional clothes are also worn at funerals; it’s a sign of respect.