The following series of jokes was told on the set of a USC student music video. My informant was helping out as a grip (crew member who works setting up lights and moving equipment). She is currently a film student at USC and often works in the sound department, but like most USC film students she has held positions in other departments as well.
How many actors does it take to change a lightbulb? One – they change it and the world revolves around them.
How many writers does it take to change a lightbulb? Do we have to change it?
How many producers does it take to change a lightbulb? Does it have to be a lightbulb?
How many electrics does it take to change a lightbulb? It’s not a lightbulb, it’s a “globe.”
This series of jokes is best heard all together as my informant told them because it makes clear the comparison between the departments. My informant liked them because she herself has functioned in each of the roles mentioned above on a film set, and has noticed that her perspective on a particular task or issue does change with each job.
The joke plays on stereotypes of each role, but also simply their function as part of the collaborative process of making the film. Actors are viewed as vain and egotistical, however it is also true that all of the work done on a film set “revolves around” them, as its their actions that drive the movie. Writers are portrayed as those whose visions are trampled on by the changes asked of them by directors and producers, but they are also here seen to be defensive of the integrity of their work. The implication about producers here is that they will always look for an easier, and more cost effective solution than what it written, and it always shows them to be people who think outside the box. Electrics (film crew in charge of all electrical equipment on a set, including lighting) are portrayed here to have a specific way of viewing their equipment, and special terms for it, that differs from most others’ perception. The joke says that electrics are an exclusive group on-set, welcoming only to those who understand their methods, equipment, and terminology.
My informant felt that these implications about each department, both positive and negative, were accurate. Because of her experiences in these departments she enjoyed that the jokes clearly separate each department from one another, showing that no one on a film set is going to look at something the same way as anyone else will, because every department is in charge of considering different things. With actors its the performance, writers the story, producers the money, and electrics the gear.
I think the jokes also show that each department views their interpretation of the object as the one that makes the most sense and is most important to the making of the film. The humor in the joke comes from this separation of points of view.