Tag Archives: witches

Salem Witches

‘ As an anthropologist, I spent decades interviewing people in the Mayan highlands, throughout central America and Mexico, and the Andes all about their folklore, ghost stories, and witch stories… but I want to tell you the one that I grew up with in New England, a piece of folklore so important to me it changed the way I live. When we were kids, the histories and the stories of the Salem Witch Trials are something that everybody was taught. We were told these stories from our first grammar school class. I grew up during a period in the 70s where there was a whole revitalization of interest in witches. Because of the feminist movement, there was a retelling of who these women were. It is said that in 1692, the craze started… it went for a full year. Anyone who was considered an outcast or spoke out, were all accused of being witches. Here, in these little towns of New England, people were paranoid beyond belief. They were having heavy winters, people were starving, they were jealous of each other… there was so much religious belief that the devil was constantly surrounding them… he’s in the goats… he’s in your neighbor… he’s everywhere. So, in the late 1600s, this group of girls sitting around the fire, with a Caribbean woman named Tituba and the girls asked her to tell them a story to pass the time. Her story was about the devil, and the devil turning girls into witches. This got in the little girls’ heads, and before long, all of them start to have these visions of witches… that people are having paralytic attacks, epileptic attacks, visions and hallucinations, sleepwalking… They say this was all because of the witches. During this brutal Winter, the town of Salem used a book written by a British King called “How to Tell a Witch”, and they used this book to identify the ‘witches’. Over 200 people had been accused as witches. So, when I was growing up, I grew up with pictures of the Devil with puritanical etchings, pictures of the devil riding goats in the churches… These things were in my brain as real things that really happened. I was taught that the history is in my house, my clothes, the furniture, everywhere. Somehow, I am connected to them. So, I grew up with this belief that witches were our friends… that witches were these falsely accused woman… not falsely accused because witches don’t exist… we believed they did, and that they were killed because they were smart woman who spoke out and killed for that. Many of us identified as witches growing up… I did. So many of us growing up during this time thought we were witches and led a life to resemble the tales we heard of our ancestors.” – JB

JB has a personal connection to the tales of the Salem Witch Trials, specifically to the tales that were revitalized during the 70s. JB grew up very close to Salem Town, in which the trials happened. They were passed down to her throughout her childhood in places like school, or from friends and their parents. She felt so strongly about these tales and memmorates that she began to live a life similar to that of a witch. She believed she was one, she decided that her and her friends were the “new witches” and with that she prayed to the trees, the rivers, and to something much older than any religion she knew. JB recalls that the story she tells now, the tales she passes down to her own family are intertwined with those of the Salem Witches.

To me, this piece of JB’s life was very interesting, as I also grew up learning about the Salem Witch Trials, but not during a time where these stories were regenerated and strengthened. I learned about it more in the historical sense, what my teachers believed to be factual events during this time period. I was not told any tales or legends of these times. JB’s recounting of her experience shows how much historical folklore can be passed down through generations and continue to take effect on those who hear them, as it did to her and her peers. Additionally, the cultural beliefs of these legends have continued to adapt and be passed down to many audiences across the world. The adaptation can even be seen in JB’s interpretation of the legends, as in the 70s, the theme had changed to show the power of the women, rather than the ‘sin’ many past tales condemned them to have. It can also be assumed that these tales in the late 1800s and early 1900s were performed for audiences, as much folklore is. This folklore also took hold in shaping many communities throughout the last centuries, growing over time and bringing people together, fostering a sense of connection to such historical events.

Lechuzas in Mexico

Background information: IJ is a 20-year-old student at USC, who currently lives in Los Angeles, CA. He often visits family members in Mexico, and learns about different types of folklore and traditions during his visits.

IJ: So it’s said that Lechuzas, which is a type of owl, like a barn owl, are actually witches, and they fly around waiting for someone to invite them in. The story comes from this one time that someone saw a bird – it was a barn owl – and threw a rock at it and hit it. And it fell dead on the floor, and the next morning in the same exact spot…there was a nude lady laying there dead. She was a known witch, so they concluded that those bird are the form that witches take sometimes in that town.

Me: Wow, that’s spooky. When did you learn about this?

IJ: Well when I go to Mexico, all my uncles tell me their stories about when they all lived there together back in the day. And they talk about all the paranormal stuff that goes on.

Many different cultures have versions of shapeshifting witches who watch humans in their animal forms, and I think it’s very interesting that folklore from so many different places share this concept. Because IJ learned this from family members while he was visiting Mexico, what he shared with me is entirely oral and specific to the town his family lived in.

For another version of this legend, see https://www.scarymommy.com/la-lechuza.

The Witch of Yazoo

(Setup)

Storyteller:

“On my dad’s side of the family…he grew up in a town called Yazoo City, Mississippi. And did you ever see a movie called My Dog Skip?”

Me: “No”

Storyteller: “Okay, so it’s a movie..based on a book about an author who grew up in the same town as my dad did. A white author who grew up there. And in the movie, they portray this legend which is the Witch of Yazoo. And supposedly, people are like ‘well he invented that for the book.’ On the black side of town…because it is Mississippi so there is still a very distinct black side of town. On the black side of town, the Witch of Yazoo was a preexisting legend. And again, whether it was a story he coopted or whatever, I don’t know. But I know that I heard about this form my aunt and uncle before I ever heard of this author or My Dog Skip or anything.”

(Here is the chunk of the story)

Storyteller: “And so, basically the story is that there was this woman and she was…and I’m going to try to remember it as accurately  as I can. I believe she was having… an affair with a man in town and it was either an affair…or some sort of family drama. I don’t remember specifically that part of it. But she ends up being murdered essentially by the man in her life in a fire. And then they bury her and everyone forgets about it. And then at a certain point fairly soon after…or it may have bene close to the anniversary of the death, half the town burnt down. And everyone was like wtf, like what happened. And her grave had been dug up.”

Me: “Oh My God!”

Storyteller: “And so people were like…’It was her! She came back and she did it’. And of course people were like ‘that’s crazy.’ But also people were like ‘um maybe?’ So they built a chain that goes around her grave that is supposed to keep her inside.”

Me: “Oh My God, that’s terrifying”

Storyteller: “And in the movie, if you see the movie My Dog Skip, it’s like a crypt that’s there…but in the black cemetery there was a grave because we went to see my grandmothers grave and I asked about it and my aunt was like ‘oh girl lemme tell you this story.’ So either there is one for the black side of town…because you know it used to be very segregated. Or it was a thing that happened on the black side of town originally and it just got coopted on the other side of town…I have NO idea. But it is this hilarious thing because it was this chain with GIANT weights and I was like ‘what the hell is that?!’ And yeah, so the inspect the chain…or at least they used to supposedly…they inspect it so she couldn’t come back.”

Me: “So this was true and it became a movie? Or what?”

Storyteller: “The thing is I have no idea…my aunt tells that story as if it is gospel truth right? But then when the movie came out and I looked it up, all this stuff online said it came from the book. But my aunt told me that story without ever having read that book. Because I asked her and she was like ‘what are you talking about?’ And she knew the guy (the author) but she had never read the book. So I don’t…I have no idea if it’s just one of those local stories that people know so he used it in the book or what…But it’s the south and it’s full of ridiculous scary stories. Really I think all these stories are made to just keep us from doing bad stuff or whatever.”

 

Background: The storyteller is form the south and her dad’s side of the family is from the city where this legend takes place. After listening to her other story that she shared with me, it is clear that her family has passed down many stories that are unique to the south. The storyteller is a professional writer and has used some of these stories and filled in the gaps to write short stories upon the narrative.

Context: I asked her if I could interview her for this project. I knew that she was from the south and after collecting a couple stories from people who grew up in the south, I was fascinated with them and wanted to hear more. She gave me three stories…a couple were stories from New Orleans and the other was this one. Both occurring in the south. I drove back home to meet her for some coffee before diving into the interview (along with another storyteller who is in a different post)

Thoughts:  I think that the stories that come from the south are fascinating. I don’t know what it is that draws me and so many other people to them. Perhaps it’s because the stories are incredibly rich or perhaps it’s the stories’ attention to details that make the stories so real. There are a lot of stories about revenge in the south and once again, I believe that this is the case because there is a lot of unsettled business. There have been a lot of wrong done in the south and the only way for people to cope with what happened may be to create stories that serve a small percentage of justice to those that were killed or unfairly harmed.

 

 

Crows and Witch’s Home Superstition in Mexico

“When somebody’s house has a lot of crows, we say that the woman of the house is a bruja. I know your Mom is not a bruja. *laughs* She has been very kind to me. When I was younger in Mexico, nobody would want crows near their house because they did not want to be a bruja.”

Context: This piece of Mexican superstition was collected in the home of the collector by a woman who has been working for the collectors family for over 12 years. The superstition or warning was brought up due to a crow infestation surrounding the collectors house for a number of weeks. The housekeeper (who will be named RM) speaks English poorly as her second language, and she uses the word “bruja” which is Spanish for witch.

Informant Analysis: She said that she first learned of this superstition growing up in Mexico City, Mexico from her friends and family. She cannot remember when she first learned it or who exactly told it to her, but she says this was a common superstition told around the time she was a teenager. Although she viewed the superstition as not true, she still had some fear of my mother being called a witch.

Collector Analysis: Although I also agree that crows surrounding a person’s home does not signify that the woman of the house is a witch, I do believe that the crux of this folklore is remembered because alienation from neighbors or one’s community is a real fear. This superstition seems to point out the alienation of a woman in particular, which perhaps has something to do with the women tending to take care of the home and family while the men left for work. The crow in itself seems like a common theme for witches in other folklore, and seeing as though the crow can be seen as a predator that eats dead animals, the fact that crows are nearby would signify death of some sort. Put together, my interpretation is that crows announce death, and the location of crows around a home perhaps would signify the woman of the house being evil and closely tied with death.

 

 

 

Witches in Nicaragua

Original Script: “So…basically…my mom told me that, I don’t know…that maybe back in the 1970s or 80s there was a huge earthquake in Nicaragua that like killed a ton of people because a volcano exploded. And like it had huge sinkholes…like a bunch of sinkholes in the country. So people would fall into the sinkholes and they were never found. So basically, my mom said that a bunch of witches were the cause of the Earthquake because it happened a day or two after Halloween…So my mom and a lot of people in the country think it was because of witches that came around the world and I guess like, Nicaragua is one of the most international spots for witches…like Santeria and Voodoo, and like all the dark magic kind of thing and they came around the world and all the negative energy that came with them from being there caused the earthquake. So they think that is the reason why a lot of people died. I mean witch thought it very common in Nicaragua….Like there is a story about the president’s wife, Rosario Murillo, because they think that she is a witch.

So the president has been the president for maybe like four terms, like he did two terms before, than there were other presidents, then he became the president again. I mean he changed the constitution of Nicaragua was to say that you can have unlimited terms so basically like a dictatorship…like a communist country. They say that the reason how is life is because of his wife. Because his wife has a really strong influence over him, like, she is a super intelligent woman, like she studied in Switzerland at this boarding school…and she speaks like twelve languages. And she knows a lot of people in the world, like diplomats, really powerful people. They think she is a witch, because the way the country is set up. For example, there is a Christmas tree in the middle of the capital that is there all year round and it is always lit up, and its like, its really weird. When I went there I was like what the hell. Why is there a Christmas tree in the middle of summer? And it’s even more insane during Christmas time…like everyone think she is really weird and brainwashes her husband. Like during, presidential meetings that are broadcasted she is always speaking, or speaking over him, or even cutting him off, and it is just weird because even though he is the president. In Latin America, even though woman are equal they still have that role of being submissive, so the fact that she is controlling the president that is kind of a big deal. And everyone think that she is crazy and that she casted a spell on her husband to make him do whatever she wants, so she is really the one controlling the country. And, like whenever something goes wrong she is the one that gives the public speech. I don’t know…she even dresses really weird. She looks like a witch with her dress and long skirts mismatched, and her creepy hands…and her facial structure, hollow bone cheeks, big nose, her eyes even look scary, her evil face! Like she’s a witch! Everyone is afraid of her because they think she is going to cast a spell on them!”

Background Information about the Piece by the informant: Kamilah and her mother have always been spiritual people. The belief in witches, demons, and angels is strong to Kamilah’s mother however, it is even more so in her home country—Nicaragua. While Kamilah did not particularly believe in witches as her roots from Nicaragua do, the case with Rosario Murillo, really made Kamilah a strong believer in them.

Context of the Performance: Talking about the Dictator’s wife and strange occurrences; speeches, Rosario Murillo, makes in accordance to presidency issues.

Thoughts about the piece: Interviewing Kamilah Lopez was one of my favorite interviews thus far. I had never met someone with such an interesting story about witches and them causing natural occurrences, which was very thought provoking to me. This legend is incredibly remarkable especially because it is one of the legends that made Kamilah believe in witches.

To begin with, the witches’ causing an Earthquake was a collisions of two oppositions: witches and a natural disaster (Earthquake), which fits the category of a legend perfectly: it is something that can happen in the real world (Nicaragua). Kamilah had mentioned that Nicaragua was still in an old-world type mind-set. Which is fascinating considering that the people of Nicaragua, including Kamilah’s mother, believe that the witches caused an Earthquake that killed hundreds of people. It is noteworthy, that the people of Nicaragua have an old-mind set, because it was a mind-set that came before “science” was established, thus, a natural disaster, which ended up killing hundreds of people, could be contributed to “witchcraft.” However, I wonder what could be said about the Earthquake if it had not killed as many people, but still followed days after Halloween.

Furthermore, it is also important to note that Voodoo and Santeria—which Kamilah had mentioned that the negative energy from the meeting of witches caused on Halloween the Earthquake—are, indeed, attributed to negative attributes, which these qualities mostly revolve around death. As noted by Kamilah and her mother, Nicaragua is a center ground for such witchcraft practices, thus, the people of Nicaragua attributing the deaths from the earthquake to Voodoo and Santeria is correlated with the background of the two practices and the mind-set of the people makes perfect sense. Additionally, Santeria is associated with paganism, which correlates with the Christmas tree mentioned by Kamilah that Rosario Murillo keeps all year long. Hence, the people of Nicaragua believing that Murillo is a witch, creates an eerie parallel between Murillo and Santeria. For more information on Voodoo and Santeria please see Voodoo and Afro-Caribbean Paganism by Lilith Dorsey.1

Moreover, the people of Nicaragua creating a comparison to the devastating Earthquake and Murillo being a witch is not only eerie but thought provoking. It brings into the common question of the personification of witches being attributed to the masses fearing a person—particularly a woman. Because Murillo has such influence in not only Nicaragua and over her husband, but the world because of her connections, people fear her and her capabilities. Especially because of the established quasi dictatorship in Nicaragua, people start to question what she can really do and the negative affects she can bring—for a prime example the earthquake that killed hundreds of people. Additionally, there is also the stereotype of having physical characteristics that makes one look like a witch. As Kamilah had mentioned: “and her facial structure, hollow bone cheeks, big nose, her eyes even look scary, her evil face! Like she’s a witch,” thus, the stereotypical dress and physical appearance of a witch becomes prominent in the people’s belief of why Murillo is a witch. For more information on Rosario Murillo, please see Dictator’s Handbook by Randall Wood and Carmine DeLuca.2

In conclusion, it is not so hard to see why the people of Nicaragua believe in witchcraft and why Murillo could be a possible witch. Because of the association with Santeria and Voodoo, the negative affects the country has been experiencing can all be contributed to their belief in witchcraft along with the fear of Murillo.

1 Dorsey, Lilith. Voodoo and Afro-Caribbean Paganism. New York: Citadel, 2005. Print.

2 Wood, Randall, and Carmine DeLuca. The Dictator’s Handbook. Place of Publication Not Identified: Gull Pond, 2012. Print.