Category Archives: Signs

Prognostications, fortune-telling, etc.

Theater Macbeth Superstition

Text

“Ok so I’ve been doing theater since I was a little kid. And I remember the first time I heard of this superstition, I was like, 7 I think. I was in my first musical and someone started talking about the M word. And I was like, “what’s the M word?” And they refused to tell me and I didn’t know why, and I thought they were like, talking about McDonalds or something. Cause we were backstage in the dressing room of the theater. So they tell me it’s a word we can’t say in the theater because it’s cursed and will make the play go bad, and that someone said it last year during the music and an actress fell of the stage and broke her leg. And when we get outside the theater when we leave, they tell me the word is Macbeth. And from then on I knew you weren’t supposed to say it. I was in a theater camp a few years later and I remember our teacher taught us about the curse. And one of the kids actually said Macbeth, and we all got so mad, and our teacher actually made him go outside to reverse it. He had to go outside the theater, spit over his left shoulder, and turn around three times. We all like followed him outside to watch him do it. Then I remember when I was in middle school I was in the musical, and someone said it. And we swear that’s why any mistake in the show happened. Like one of our lead actors was sick during the show, and we said it was because someone said the cursed word, we call it the Scottish Play while in the theater. So it’s a big superstition in theater, everyone knows about it. I feel like it became less important when I got older, but I still like actually believe in it. I’m not super superstitious or anything, but that’s the one that I’m really serious about. I don’t tell stories about it as much anymore, it’s not as sensational anymore, but I’m dead serious when people threaten to say it during a musical. I fully will not say it in a theater, even if it’s stupid. It’s kind of like a badge of being a real theater actor, like you’re really one of us because you won’t say it.” 

Context

B is an 18-year-old college student who lives in the Bay Area in California. She has been doing theater for almost all her life, and still considers it a big part of her identity. She relays the superstition with a bit of conflict, because while she sometimes thinks it’s a little silly and doesn’t really believe a single word can be cursed in a certain location, she still reveres the superstition and won’t actually say it. This is a theater superstition that has been around for a long time, and she’s heard it in theaters across many states in the US. 

Analysis

This is a magic superstition, where the belief is that if you do a particular thing, it will lead to bad luck. It is also combined with a conversion superstition, with the description of the actions that must be done to get rid of the bad luck. Superstitions like these are common in careers like theater, because live theater has so many elements that are out of people’s control. Once the show has begun, anything could go wrong and the actors have no way to control it. They could blank on a line, there could be a tech malfunction, there is a lot of anxiety surrounding life theater no matter how well they prepare. This means that there are a lot of superstitions, because it gives people an illusion of control that could act as a placebo effect. They can think “This show will go great, no one has said the Scottish Play yet!” It’s also an example of cognitive dissonance. When things go wrong in live theater and people don’t really know why, they like to have something to blame to give an explanation to the unexplainable. “Why did I forget the line I’ve had memorized and perfect for weeks? Oh, because someone said Macbeth!” This superstition is also a form of ritual that creates identity, like in Van Genup’s Rites of Passage. When she was in her first musical, she wasn’t really part of the group because she didn’t know the superstition about Macbeth. Now that she’s older and more experienced, she takes it as a sign of her identity. She underwent the rite of passage of learning about the Macbeth superstition, so now it creates her identity as a thespian. Her maintained belief in the superstition shows how even when things aren’t necessarily scientific, people can still believe them despite their rational mind telling them it doesn’t make sense. Belief works even against rationality. And just because it hasn’t been scientifically proven doesn’t mean the superstition isn’t true. Maybe there is a correlation between someone say Macbeth and a show going wrong.

The Magic of Wishing on 11:11

Original Text: INFORMANT: “I am a huge believer that 11:11 is good luck. When I was like in 8th grade, for anything that I really wanted, I would wait until exactly 11:11 and just think about my wish over and over again during the full minute. And I have several examples of those things actually coming true. When I was in 8th grade, I really wanted to get into a performing arts high school, and I wished on 11:11 every night and day after my auditions for it, and I got in! You have to do it for the full minute though, or else it wont work. And specifically 11:11 is the number that works, not any other numbers. Now I don’t do it as intensely, but like if I do see that it’s 11:11, I’ll think of something random to put out into the universe, because I think it will come back to me.”

Context: The informant is an 18-year-old female first year at USC. She is half-Indian and half-American. She firmly believes in karma and manifestation, and 11:11 is a tangible number with magical energy that she can use to manifest. The fact that it has brought her good things in the past further solidifies her belief in it. She does not recall where she learned this from but thinks she probably saw it online when she was in 8th grade. She still continues this magic ritual today.

Analysis: Wishing on 11:11 is a widely spread belief amongst many cultures, and cannot be pinned down to a single origin. Repeated numbers like 1111 are often called angel numbers, a belief rooted in numerology, which was supposedly invented by Pythagorus in Ancient Greece. It is believed that certain numbers have a specific vibration or magic that can be used to make things happen. Numerology is widely spread in India where the informant is from, but it has also worked its way into Western culture. 1111 has no specific meaning because different people have different thoughts on it, but it is generally agreed that it is a sign of growth, power, new beginnings, or spiritual support. Given these general meanings, it makes sense that the informant would use the particular magic energy of 1111 (versus other angel numbers) to channel into an arts high school acceptance, for example. Manifestation is also a popular belief in India. Posting 11:11 on your Snapchat story was a popular thing to do in 2016-2019 (ish) to bring about luck or love, which might have been an influence on the informant as an 8th grader during those years.

Fortune Keeping

Context:

A is a Pre-med biology major at USC, currently a freshman. A is a Vietnamese American who grew up in Vancouver, Washington a short drive from Portland, Oregon. 

Text:

A: Okay, so I’ve learned this at a very young age, but my family has told me that fortunes come true. Like, the fortune in the fortune cookies. I keep the slip of paper in my pocket like, as a way to make it come true. Keeping it with me helps make sure the fortune will come true, but if I don’t want this fortune to come true, I won’t keep it. 

Me: Do you ever lose them?

A: I keep them for as long as I think I need the fortune. Like, if I think it came true, then I’ll throw it away. 

Analysis:

The fortune tellers A is talking about are finely printed words, usually in a vague phrase or arrangement, that come from restaurant complementary cookies. As fortune telling is a way of predicting or controlling the future, I think what A experiences reading a fortune teller is something along the lines of superstition and homeopathic magic. Fortune tellers are usually signs, a specific message from the universe or time or fate telling you something important will happen. A believes this sign and wants this future to be his, so fortune tellers encourage some change in behavior to bring about that important thing. To bring fortune into reality, it is important for A to keep evidence of the future (the fortune paper) with him, as if to constantly be summoning it into his reality. Through this “like produces like,” A believes the paper in his possession (representing good fortune) will eventually produce what is predicted on the paper (actual good fortune). For A, he associates the paper with telling the future and keeps the fortune with him to invite the future to happen. He chooses to indulge in a sense of control or a kind of understanding over the world, where there is usually something wholly unpredictable. 

Spoons for Snow Day

If you put spoons under your pillow before going to bed, you’ll have a snow day the next day.

Informant is from Chicago, where this belief is popular. He believes he heard it from either his mother or from the news. It was popular with his age group when he was younger as they would try to get snow days to get days off from school. This made him excited when he would try this trick at a young age.

One of the more interesting things about collecting this folklore that stood out to me was that the informant said he might have heard it from the news. This was interesting to me because I would not have expected that a belief that seems more geared towards children would be spread on the news, but he said that he thinks reporters would say, “make sure you put spoons under your pillows” to encourage the belief. I think this shows how this belief was so wide-spread and collectively known, at least in this area. This seems to be a form of sign superstition, as it is believing that if you do something, you will make something else occur. It’s interesting to see how this superstition intersects with myth in a way, because the idea is that this is how certain natural phenomena are occurring, which relates to what myths are.

Silverware Superstition

Background: M is an American who grew up in New York and remembers her very traditional and conservative Grandma having a superstition about dropping cutlery.

Text:

M : “My Grandma would always do this strange thing during family gatherings when someone accidentally dropped silverware on the ground. She would yell, ‘Company’s coming!’, since it was supposed to be a sign that guests were on their way.”

Interviewer: “Can you think of any possible reasoning for why she would say this?”

M: “I have no clue where it came from, but she’d always say it at any family gathering. Oh, and supposedly if it were a knife, the guest would be male; if it were a fork, it would be a woman. She also mentioned that if the utensil faced the front door, the guest would be someone you really want to see or someone you haven’t really seen in a while… but, if it faced the back door, it would be an unwanted guest. I remember feeling scared when someone dropped a utensil pointing to the back… it was somewhat terrifying.”

Analysis:

This superstition could potentially reflect the burden of the traditional American housewife and the stress of maintaining a neat and hospitable household at all times. One small mistake, like a dropped utensil, instills fear of a sudden unexpected visitor and creates the urgency to immediately correct the imperfections to evade societal judgment. As a traditional American housewife, M’s grandma likely felt the pressure to uphold a nice and tidy home at all times. This superstition likely reflected these pressures and the pressure experienced when having to accommodate guests–welcome or unwelcome.