USC Digital Folklore Archives / Posts Tagged ‘bay area’
Folk Dance
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Kinesthetic
Material

The Cowboy Raver of the Bay Area

Background: I interviewed Professor Nye to talk about his raving experiences. He described his most active era to be from 1997-2001 in the underground trance music scene of the Bay Area. He attended many outdoor, open-air, camping events that are described as “underground” or not necessarily sanctioned in the same way that official music festivals, such as Coachella, or Outside Lands are.

Context: Professor Nye was at this point in the conversation reflecting on the colorful culture of raves, and the neon colors he associates with his memories of it.

“I’ll also introduce one figure from the mid to late 90s that I would be fascinated to know what happened to him. You’d see him at all these events. He was this amazing guy, I think he was – whether it was his regular job I don’t know- I think he was kind of a traveler who was a former cowboy or was a cowboy. And he would get dressed up and actually had, in the middle of these parties, a glow-stick lasso. And he’d be like lasso-ing with this glow in the dark lasso, or even multiple lassos, and that was pretty incredible. He was affiliated with this Bay Area trance scene that I was primarily involved in. Around ‘98, ‘99, 2000.”

Aside from the illustrious raver cowboy figure, there is an element of rave dance from the late 90s being shared here. The use of neon, glow in the dark lassos as part of the ritual of dancing in a crowd is an important aspect of the information being imparted here.

Initiations
Legends

The Proctor House

Folklore Piece

“There’s this house in my hometown of Castro Valley, California called the Proctor House and it’s near Proctor Elementary School and it’s also near my house. It’s empty now, like no one lives in there, and it’s mostly populated by homeless people or drug addicts. But, basically like teenagers are dared to go in there and there’s this room that you go in and there are all these dolls lined up on the mantle. And the story goes that there was this couple that used to live there together and they um they’re foster parents, like they would bring in kids every so often, and one by one these foster kids would kinda just disappear from the foster system and no one knew why. And it was discovered that this couple had just kinda murdering their foster kids and they murdered like four kids. I heard this story when I was in the 7th grade from my friends when I went in the Proctor house. But I heard it throughout my teenage years. The dolls, like, had the spirits of the kids inside of them, or something.”

 

Background information

This story would mostly be performed by children around the playground or in social situations near his school and the house. As our informant mentioned, he learned this story first from his friends. He would later also tell me that all the parents knew about this story and wouldn’t let their kids go near the house. He said while this was probably because of the aforementioned homeless and drug addicted populations, many kids like the informant would interpret this as an affirmation of the mystic dangers of this house.

 

Personal Analysis

The dynamic between the children that recount this story and their parents are what I find to be most intriguing. The children believe the tall tale of the haunted house and the clichéd dolls-as-murdered-children horror story, most likely as its grandiose details are continuously reinforced in those kids’ social circles and media. The parents, however, know the house’s true nature, and that it is potentially very dangerous and filled with drug addicts and squatters. These harsh realities of life might be too much for a kid to hear, and so they simply say “Don’t go into the Proctor House.” Somewhat unintentionally, this furthers the legend of The Proctor House as being haunted. In my research, I couldn’t find any authored material on the Proctor House; this would suggest that this legend is relatively local and new. Perhaps the house became abandoned and overrun when the participant was young, spurring the rumors. When I asked the participant about the story’s origin, he said that he wasn’t sure.

Also interesting is the house’s role as a legend quest. When the kids are old enough to brave a trip into the Proctor House, it’s viewed as somewhat of a rite of passage, affirming their role as a “big kid”, or young adult. Ironically, though, it is their discovery of truth about the house, either firsthand or from their parents, and the loss of the childlike innocence about the house’s true state, that affirms their role as an adult.

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