Author Archives: Ina Sablan

“The Honest Woodsman”: A folk tale

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My informant was particularly familiar with storytelling. They had this story prepared both in terms of content as well as delivery. Throughout the telling, they made gestures and motions to convey their thoughts.

“One sunny day, there was a woodsman. This woodsman was cutting down trees and collecting lumber so he could sell it to the people in his village. He was usually respected as a really honest man, and a really hardworking man. He was in this forest chopping down wood as per usual until he hit a particularly hard piece of wood. Out of shock, his hands let go and his axe flew back behind him into a river.”

The god Hermes saw this as the woodsman searched the river for his axe. Wanting to mess around for a little bit, Hermes decided to appear to him and say ‘Woodsman, I think I may have found your axe.’ He then showed the woodsman an axe made of solid gold. And Hermes said to him ‘Is this your axe?’ The woodsman said ‘No, that is not my axe.’ Hermes said ‘Oh, this must be a different axe’ and set it aside. Then he pulled out a silver axe, ‘Woodsman, is this your axe?’ And the woodsman said ‘No, that is not my axe.’ Hermes set that one to the side and showed him another one. ‘Is this your axe?’ He holds out a very plain, very battered axe with a wooden handle and iron tip. The woodsman says ‘Yes! That is my axe! I built it myself!’ Hermes, very impressed by his honestly, gave the woodsman all three axes for being such an honest person.”

The woodsman return to his village and shared the news. A competitor of the woodsman, a man who did not work so hard and was not known for being trustworthy, saw this and grew very jealous. The next day, this competitor went to a similar part of the woods and started cutting down trees behind pretending to drop his axe in the river behind him. So Hermes, seeing this again, appears and says ‘Hello, it seems you’ve lost your axe.’ The competitor said ‘Ah yes, I lost my axe! Do you, by any chance, know where it is?’ Hermes pulls out a golden axe and offers it to the competing woodsman. He asks, ‘Is this your axe?’ to which the competitor said ‘Yes, of course it is!'”

Hermes makes the golden axe disappear and actually takes the man’s own axe. The competitor said ‘That’s my own axe! I built it with my own hands and I use it for my livelihood. Hermes responded ‘A man who cannot be honest probably doesn’t make an honest living and should not make one at all.’ With that, Hermes leaves.”

The informant smiled. “The end.”

Context

RELATIONSHIP –
“I don’t know, it’s the story that’s stuck with me the most because when I was younger, I liked to read a lot of tales and fables. This is one that stuck out to me.”

WHERE THEY HEARD IT –
“I had a book of Aesop’s Fables, so it was probably in that book,” they said, a bit unsure. “But seeing as all stories are the same and storytelling is very repetitive in its behavior, I probably heard it– or something like it– in a church setting since I was raised in Catholicism. The first time I heard the story the way I heard it was probably in that book.”

INTERPRETATION –
“It’s a pretty simple story– it’s a story of ‘tell the truth and you’ll get good things out of it.’ It’s mainly giving a moral, but because of the Greeks, it’s probably also used as a way of saying ‘The Gods giveth, the Gods taketh away.'”

Analysis

“The Honest Woodsman”/”The Honest Woodcutter” story is one that I’ve come across in other cultures– specifically Japanese. I thought it was particularly interesting that the version I heard never had a competing woodsman who had an example made of them. In this version, I think it’s not only a lesson on being honest, but also a lesson on being a good person in general. This version makes sure to describe the competing woodsman as being not-hardworking, jealous, and greedy along with being dishonest. It’s this combination of negative traits that suggests there should be a punishment given to him as a moment of comeuppance.

Woman and Rabbit: A folk tale

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“One folk tale I know is a Chinese one– about the lady and rabbit on the moon. I don’t remember it that well.” The informant racked their brain for the information. “There was an immortal lady who was in love with a human man. Because of this, they weren’t meant to be together, though. So she was banished to live on the moon with the rabbit to keep her company. There, she waits for the man to come to her, but since he’s mortal, he died on earth. This is why you’re able to see a woman and a rabbit on the moon.”

Context

RELATIONSHIP –
“I don’t have much of a relationship with these pieces. It’s cool, but it was something I had to study. Everyone I knew, knew the story. It’s very much a Chinese folk tale that a lot of people here [in the U.S.] don’t tend to know or study.”

WHERE THEY HEARD IT –
“I had to study a lot of folk tales in Chinese school. They teach it everywhere. I had to read it a bunch then.”

INTERPRETATION –
“It’s just a cute fairy tale that people tell children. I don’t really think there’s a lesson, or says much about morals. It’s just an origin story explaining a part of the world people back then weren’t able to explain. Worldbuilding.”

Analysis

This folk tale seems very similar to one that I know about a woman named Chang’e and the love of her life named Houyi; and I think that they either are the same story, but my informant didn’t remember all the details, or they are different stories that derive from one another. While this story seems to serve primarily as the reasoning for why people can “see” the image of a woman and rabbit on the moon, it also works as a lesson. I think that an important part of this story is the fact that the woman stays, waiting on the moon for the man even though he has died long ago. She seems to be trapped in a denial stage of grief, refusing to move on. Because of this, she’s perpetually stuck, waiting both physically and emotionally.

Scylla and Charybdis: Folk tale monsters

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“I really like the story of Scylla and Charybdis– which also relates to the saying of being between a rock and a hard place; and some people alternatively say ‘between Scylla and Charybdis.’ It’s because the whole tale goes, in two stories, people are trying to sail through this narrow path. It’s between this big cliff where this legendary monster known as Scylla resides within. Scylla used to be this normal and beautiful woman, but she was cursed to be a monster with dog heads sprouting from her lower half, and now she’s gained monstrous features like scales. These dog heads constantly hunger, so now she’s just become a monster who hides within the cliffs.”

In the water is Charybdis. Charybdis is a child of Poseidon, I think. She’s a huge monster, and you never actually see her in her entirety. What stays the same among depictions, however, is her gaping maw that summons a whirlpool going down into an unending amount of teeth.”

In the tales, the main character is on the ship, but the problem with sailing through is that sailing away from the whirlpool places you next to Scylla where the wolf heads will begin to pluck crewmates off the boat and eat them whole. But if you sail away from Scylla, you risk your entire boat getting completely destroyed by Charybdis.”

Context

RELATIONSHIP –
“I really like this mythos because– first of all this would be a terrifying situation. As a fan of big monsters, there’s not a lot of big monster situations that would be as dreary as this.”

WHERE THEY HEARD IT –
“Dad showed me cool monster things because he got me into that stuff. So there were Greek mythology books and games and figures that I enjoyed, including sea monsters like this.”

INTERPRETATION –
“This story is very relatable to picking the lesser of two evils. In order to carve your own path forward, you have to show your resolve. This was also probably something used to explain the phenomenon of whirlpools and jagged rocks that probably sunk ships.”

Analysis

The tale of Scylla and Charybdis was certainly heavily referred to as a way for early humans to make sense of the world around them. I think an important piece of this tale is the lesson of making the most of a bad situation. It teaches people that sometimes there just seems to be no good option. The tale ensures and validates the idea that it’s impossible to know what choice is the right one at every given moment, but no matter what, one must resolve to press on, push through, and handle the consequences.

Paul Bunyan: A folk tale hero

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“I think what’s not talked about a lot is Paul Bunyan.” The informant grew a smile on their face. “Paul Bunyan is an American folk tale. It’s just a guy that’s really big. So it’s this really big guy and he lives in the sort of upper-Midwest of the United States– near Canada, Minnesota. That area. And he has this big blue ox named Babe that he saved from the snow of one cold winter. That’s his pet.”

They looked up in thought for a moment. “There’s not really a single tale, he just is a folk figure. He was born big and then grew up to be even bigger. Once he was an adult he became a lumberjack, so he wore plaid and looked like, you know, the basic lumberjack with an axe made for his size. And by virtue of being big, he was very good at being a lumberjack. “

People don’t think of America having folk tales like that, but we do! And Paul Bunyan is the biggest one.”

Context

RELATIONSHIP –
“I don’t think of Paul Bunyan a lot, and the area he exists in isn’t one I’m particularly used to. I just have an appreciation knowing that he’s a specifically American thing.”

WHERE THEY HEARD IT –
“I don’t remember specifically, but it’s a piece of Americana that you just absorb over time simply by being raised in the United States. Kind of like Uncle Sam and John Henry. It was just cultural osmosis.”

INTERPRETATION –
“He’s very much just representative of the lumberjacking culture. It’s an interesting folk tale because it’s something that was uniquely American. Folk tales are representative of the culture and Paul Bunyan uniquely represents individualism, the rugged American spirit, being self-made, and all ‘I pulled myself up by my boot straps.'”

Analysis

I believe Paul Bunyan is very much representative of an average man with potential that’s larger than life. I think that a very important aspect of his character is the fact that, despite being so large and strong, his choice of work is very humble and is a huge part of his identity, marking its importance. It’s this aspect of him that makes him strangely relatable and human. Personally, I’m aware of Paul Bunyan’s tale being a result of fakelore– as it was created by lumberjacking companies, but the fact that my informant wasn’t aware of this, makes me think about the effectiveness of the tale. Maybe, since Paul Bunyan is representative of the American spirit, there’s something to say about the commercial value behind him.

“Rasputin” by Boney M.: A folk tale song

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As soon as the interview began, the informant was in smiles. “It’s basically just a song,” they started. “It’s like a… It’s a song from the 1990s/early 2000s. And it’s like, about…” The smile grew wider. “It’s about Rasputin. He’s kinda known as like ‘the Mad Monk.'”

At this, the informant’s eyes squinted and their hands came up to form air-quotes around the phrase. Immediately after saying this, they chuckled at their own words. “So.. Yeah- have you heard of it? The song?”

I ensured them that I did. Still, we went through the lyrics together:

There lived a certain man in Russia long ago
He was big and strong, in his eyes a flaming glow
Most people looked at him with terror and with fear
But to Moscow chicks he was such a lovely dear
He could preach the Bible like a preacher
Full of ecstasy and fire
But he also was the kind of teacher
Women would desire

Hey, hey, hey, hey, hey, hey, hey, hey
Hey, hey, hey, hey, hey, hey, hey, hey
Hey, hey, hey, hey, hey, hey, hey, hey
Hey, hey, hey, hey, hey, hey, hey, hey
Hey, hey, hey, hey, hey, hey, hey, hey

There lived a certain man in Russia long ago
He was big and strong, in his eyes a flaming glow
Most people looked at him with terror and with fear
But to Moscow chicks he was such a lovely dear
He could preach the Bible like a preacher
Full of ecstasy and fire
But he also was the kind of teacher
Women would desire

Ra ra Rasputin
Lover of the Russian queen
There was a cat that really was gone
Ra ra Rasputin
Russia’s greatest love machine
It was a shame how he carried on

He ruled the Russian land and never mind the Czar
But the kazachok he danced really wunderbar
In all affairs of state he was the man to please
But he was real great when he had a girl to squeeze
For the queen he was no wheeler dealer
Though she’d heard the things he’d done
She believed he was a holy healer
Who would heal her son

Ra ra Rasputin
Lover of the Russian queen
There was a cat that really was gone
Ra ra Rasputin
Russia’s greatest love machine
It was a shame how he carried on

But when his drinking and lusting
And his hunger for power
Became known to more and more people
The demands to do something
About this outrageous man
Became louder and louder

Hey, hey, hey, hey, hey, hey, hey, hey
Hey, hey, hey, hey, hey, hey, hey, hey
Hey, hey, hey, hey, hey, hey, hey, hey
Hey, hey, hey, hey, hey, hey, hey, hey

“This man’s just got to go”, declared his enemies
But the ladies begged, “don’t you try to do it, please”
No doubt this Rasputin had lots of hidden charms
Though he was a brute, they just fell into his arms
Then one night some men of higher standing
Set a trap, they’re not to blame
“Come to visit us”, they kept demanding
And he really came

Ra ra Rasputin
Lover of the Russian queen
They put some poison into his wine
Ra ra Rasputin
Russia’s greatest love machine
He drank it all and said, “I feel fine”

Ra ra Rasputin
Lover of the Russian queen
They didn’t quit, they wanted his head
Ra ra Rasputin
Russia’s greatest love machine
And so they shot him ’til he was dead

Oh, those Russians

Context

RELATIONSHIP –
“It’s sort of weird– It’s a childhood favorite of mine.” The informant put a hand to their head and looked up in thought. “My mom is Polish. I think it’s the only song she listens to which could be kinda connected to Polish roots due to the content. Not really culturally relevant to her, but just ‘Here’s this song! You like this song?'” They smiled at the memory.

WHERE THEY HEARD IT –
“My mom introduced me to it. And then it became the song which we played whenever she would drop me off at school at stuff.”
They told me that listening to the song was almost a daily occurrence. It would be on a recurring playlist of songs they would play.

INTERPRETATION –
“It’s one of those songs where you never really think of the lyrics, and then you heard it and it’s like ‘Oh, it’s about the revolution in Russia and the weird mystical powers of this guy named Rasputin- and then people trying to murder him.'”
“I think the song is kinda of what you would think of as classic Russian dance music. In terms of oral storytelling, it’s not a historical event, but the weird tale of this guy. I think it’s supposed to not be comical in its presentation, but comical in how they present Rasputin since he tried to convince everyone that he was mystic. And they talk about the consequences of all of his actions and the people he ended up annoying. I think it’s more about putting him down than about finding a lesson. I think it’s also teasing Russians in general. I think it’s laughing with than laughing at, though. The main thing that this song capitalizes on is the womanizing.”

Analysis

The song Rasputin takes the life of the real man and retells the story in a way that makes it how like he is a mythical figure or a character of folklore. Aside from the phrase “long ago” which is frequently used in tales to begin the story, the song describes Rasputin as having mystical features such as flaming eyes, healing powers, and irresistible charm. Something else the song does is highlight Rasputin’s flaws and the reasons behind why some people wished for his demise and saying that they weren’t wrong for plotting it. This depicts him as being an unsympathetic character as emphasis is placed on his drinking, womanizing, and hunger for power. In this song, Rasputin’s life is spun to sound like a cautionary tale, warning people of the dangers of prideful thinking.