Tag Archives: curse

What Comes Around Goes Around

Text: “So to start, there was a medium-sized town–a long time ago–and there were a few wealthy patrons and some poor people on the outskirts. Some of the wealthier people thought of themselves as above all the poor people who they thought were lazy and didn’t deserve anything. So, there was this guy and his wife riding a horse drawn carriage back home after church, and there was this old lady standing in the road that had her hand out begging for food. The guy who was driving the carriage wasn’t watching and almost hit her, causing her to fall into a ditch. Instead of getting out and helping her up, he just tossed a six-pence at her and then just drove off, thinking “She deserved her lot in life.” However, the old lady was a type of witch, and she put a curse on him. As time went by, the guy noticed that all of his business dealings started crashing, and eventually his business went so bad that he went bankrupt and lost his house, and his wife divorced him. He lost everything, and as he got older and more and more feeble, he had to turn to begging. One day, he was begging on the same road that he first encountered the witch, and this motor vehicle came by and almost hit him and knocked him into the mud. And as he’s laying there in the mud, starving and half drowning, he’s thrown a six-pence by the passing car–the same one he gave the old lady.”  

Context: The informant is a 63 year-old man who was told this story by his grandmother as a child to learn about how treating others poorly might come back to bite you. His maternal grandmother had an ancestral connection to the Salem Witch Trials, which was when this story took place. 

Analysis: This is another example of how a legend can perform an intended social function or reinforce important messages. This story was told to the informant as a child and was meant to instill in him the importance of treating others with dignity and respect. It encapsulates a number of universal messages that every child learns, such as “treat others the way you want to be treated” and, more importantly, “what comes around goes around” (which the informant not surprisingly used as a title). The story is particularly effective at communicating these messages to children especially through its use of polarities and narrative symmetry. The use of polarities and clearly-defined extremes can resonate more effectively with a child who tends to process and understand the world in terms of binaries and in less of a nuanced way. The wealthy man who rapidly descends the socioeconomic ladder to the status of a beggar represents a very clear contrast in order to communicate to a younger audience the consequences of acting insensitively and allows no confusion in terms of portraying his actions as having a starkly negative outcome (the man is “starving and half-drowning” at the end). The story’s moral is likewise reinforced through its narrative symmetry. The legend has an organic ending that perfectly mirrors the way it began, coming full circle as the positions of the old lady and the man are reversed. The old lady, now, is the one throwing change in an identical act to the man in the beginning. The message “What comes around goes around” is thus inherent on an intuitive structural level in the story, where, quite literally, a coin being thrown inevitably gets tossed back. On this level, the message “What comes around goes around” can potentially be translated as “What gets thrown gets tossed back.” This legend is definitely useful for children as it anchors the message in a clear, concrete action that serves as the tangible thematic framework for the entire story. The tactile element of the coin and use of simple binaries throughout the story would naturally appeal to children, so it is no surprise that the informant’s grandmother chose a story like this in order to convey an important life lesson to her young grandchildren. If this story was indeed passed down from the Salem Witch Trials, it may have also been very effective at frightening children (and even adults) who were indoctrinated by the Church into believing in malevolent witches and compelling them to abide by Christian teachings, such as philanthropy and loving your neighbor as yourself. 

Vertical Chopsticks

Text:
Once at dinner, the informant arranged the table and served rice for everyone’s bowl. The informant’s father-in-law put chopsticks and spoons next to the bowls. As he gave the informant the chopsticks, he stuck the chopsticks vertically in the informant’s rice while everyone else’s chopsticks were next to the bowl. It is later revealed that sticking chopsticks vertically in another’s bowl is a curse, as the chopsticks and the rice look like burning incest sticks, which is something people do to dead people at their funerals and later visits to their tombs.

Context:
The informant did not have a very good relationship with her father-in-law, as he often suspected others of not liking him and telling people what to do even though he didn’t know much about things. However, they live together. Thus they would sometimes have small conflicts. The informant said she did not think much about why her father-in-law sticks the chopsticks in her bowl, but she swapped her bowl with her father-in-law’s. The informant described his face as “angry and surprised,” but he didn’t say anything and put the chopsticks down. Not until later did she realize it was a curse when a child stuck her chopsticks in her bowl, and the mother scolded her. The informant looked proud as she returned the bowl even though she didn’t know about the curse until later, and she was still angry about the curse even though she never knew why her father-in-law wanted to curse her.

Analysis
This text includes elements of superstitions and family dynamics in Chinese culture. The act of sticking chopsticks vertically in someone’s rice bowl resembles the ritual of burning incense sticks for the dead ones. It’s a respectful thing to do to the dead but terrible to someone alive. Although China is not a religious country, the belief in superstitions and curses still exists in Chinese culture.
The problem of the family dynamics is also reflected in the text. As a culture that respects the elders and values family, many Chinese families live together with their elders. Usually, after the couple gets married, they would live with one side of their parents (or their parents would move to live with them.) The high price of housing also contributes to this phenomenon. As the two families stay together, conflicts arise. In this case, the woman lived with her husband’s parents. The young and the old generation are unfamiliar with each other, while the family power dynamics differ from the old times. Thus, conflict arises. In modern days, more and more families choose to live separately from their parents to avoid such conflict.

El Sombrerón- The Man with the Big Hat: Legend

Text: 

Me: “Within your Mexican culture, did you grow up hearing any scary stories or legends?”

NO: “oh my gosh yes, I have one that actually still affects me today. So there’s this guy that is claimed to be a short middle-aged man who wears black boots and this big, almost like a sombrero-looking hat. Supposedly he roams around the streets playing the guitar and sings captivating melodies that will make women and young children walk towards him and if they do, they will be casted under a spell of love, almost like a curse, as he plays music for them”. 

Me: “Is there a way to get rid of the curse?”

NO: “Well supposedly my family says that once you are cursed El Sombrerón will haunt you in your sleep and the only way to get rid of it is to cut your hair. It’s pretty random but growing up as a kid and even now I would always think about it if I ever hear random guitar strumming or street performers playing guitar in public”.

Translation: “The Man with the Big Hat” 

Context (informant’s relationship to the piece, where they heard it, how they interpret it):

-NO’s relationship to this piece stems from her Mexican culture within her childhood and early adult life considering this legend is claimed to be from Mexican decent. Not to mention, her relationship to this pieces stems from her real experiences as they still affect her today whenever she comes across street performers. NO would hear this legend at home by her family and older relatives. Considering NO grew up in a very musical household, NO thinks the reason why this legend was told so often was because it was a story that related to music and their favorite instrument. NO interprets this legend as a scaring tactic that her family would place to avoid children walking up to strangers. Not to mention, NO interprets this legend as an overall motive to avoid temptation. 

Analysis(what kind of personal, cultural, or historical values might be expressed) YOUR interpretation:

-The overall cultural value within this legend stems from Mexican culture given the very distinctive quality of culture and overall lifestyle value that is represented within the Mexican sombrero that the man wears when playing the guitar. This gives an overall emphasis that this legend’s origin comes from Mexican culture and Mexican communities. Not to mention, the personal values that can be expressed within this legend is that it influences individuals to be aware of their surroundings considering that it can affect their day to day life regarding their personal value of consciousness whenever they hear the strumming of a guitar. I can see this legend as a strange learning tactic that is placed by the parents of children in order to keep them safe from people they don’t know. Considering that this legend revolves around the idea of temptation in regards to the captivating music, I can interpret this legend as a motive to not fall for someone who seems to be captivating from the outside, no matter how inviting they might appear. In general, this legend draws similarity to the legend of La Llorona because they use the similar tactic of emitting noise in order for their victim to approach them. Given the concept of hearing a physical sound within this legend of El Sombrerón, the idea of a legend quest can be made from those individuals who really want to find out if the legend and curse is real or not.

Cahuenga Pass is Haunted

T is 70 years old. He is a retired teacher. He was born in Southern California and raised in Hawaii. He was 7 years old when his family moved there in 1959. He is very animated and speaks very quickly. He told me about the bad vibes he gets at Cahuenga Pass in conversation.

“There was a battle uh… like in the 1800s… something like that, I always have weird vibes in the Cahuenga pass. I think it was the battle of Cahuenga Pass, it changed the leadership of where the valley was going at the time… the end of where like Universal Studios is, that’s the haunted part. A Mexican governor, no one liked him, and a wealthy landowner, no one liked him either… they were fighting over it. Only two people were killed, not the governor or the landowner go figure, but the two that died, they’re the ones that haunt the place. I always got bad energy from the pass. I feel I attract ghosts too easily.”

There were two battles for Cahuenga pass in the 1800s, T’s story refers to the original Battle of Cahuenga Pass, the second was known as the Battle of Providencia (or the Second Battle of Cahuenga Pass) There are stories about the pass being cursed. Apparently, parcels of stolen treasure are buried somewhere along the pass but everyone who’s ever come close to finding it has suddenly and mysteriously died! So maybe it is cursed and haunted. For more information see https://bizarrela.com/2016/11/cahuenga-pass/.  

The M word

Main Piece: 

There’s a superstition in the theater world about saying Macbeth or Lady Macbeth or any like version of that. So you cannot say the M-word in a theater or I take it very seriously. I don’t even say it in like a classroom within a theater. I get really scared of that too. I don’t know why I mean I don’t know why, but I do. And oh my god, one of my professors, I think was Scott Ferris who explained the reason but the reasoning behind it, of why it’s Macbeth and not like any other character like Word or name, but if you do happen to say, the M-word in the theater, you have to go outside you have to spit on the ground, spin three times, something like that. And then or else like something terrible is going to go wrong with your show, or the theater is going to collapse or something’s going to happen. The spirits of Shakespeare will come after you. 

Informant’s Relationship to the Piece:

Me: Have you ever had an experience with like saying Macbeth and like anything bad happening? 

Informant: No. Well, actually, for one show one of our actors said it in the dressing room, and was saying “oh my god, I love Macbeth. It’s such a great play.” And the other actors were like ‘Go outside right now’ and I checked in on them during intermission. And they were saying and they were outside making this-this other actor who said the M word spit and like, spin around. And I was like, ‘what’s going on? I was like, you guys, okay? Like, I’m trying to make sure this show is gonna happen. And they were like, No, he has to do this. And the show went great, nothing happened. I personally have never said it. Um, I know that there’s some people who think it’s so silly and they’ll just say whatever they want, and I think everything turns out to be okay. But there is a part of me that always fears the spirits will come and give us some obstacle.

Context: 

The informant is one of my friends, a 19-year-old theatre major at the University of Southern California. I was told this as we were hanging out in one of the theatres on campus as we were talking about folklore. 

Analysis:

I’m also a theatre major and I think the majority of us have different levels of belief about “the M-word”, where my informant takes it seriously to the point where she won’t even say the characters name unless it’s in one of her lines, but I’ve also met people who don’t really care, and of course, there’s always the one person that says it to annoy the people who really believe in it. But, those people are seen in a different light in a theatre space, because the whole point is to build an ensemble, a community, and when you have a person in the space who goes out of their way to scare people in the group, they take the trust out of the space. So even if you don’t believe it, it’s a sort of litmus test to see who you might not want to work with in the future if they know the superstition and like go out of their way to say it. I also think the “cure” for saying the word is fun because everyone has a slightly different way of doing it, where the steps are all basically the same, but with different variations within it, where like you have to spit over your left shoulder, you have to spin three times, then knock three times and someone has to let you back in. In some variations, you have to say the worst curse word you can think of.