Author Archives: Marie McCoy-Thompson

Pre-show theater traditions

My informant describes himself as a “theater kid” in high school. He told me the rituals he and the other cast members go through before every show they perform. He said that the male and female members of the cast start out separately, and that they have slightly different traditions. This is his description:

“I obviously don’t know all that much about what the girls do before a show, because it’s kept secret. I do know they listen to… What is that 90s song? Oh, it’s ‘If You Wanna Be My Lover’ by the Spice Girls. And they listen to that and dance around, and I don’t really know what else they do. But the boys… There is a knife that has been kept up in the suspended ceiling of the boys dressing room for several years know, and we use the same knife to cut up lemons every show. And then we listen to Bohemian Rhapsody, and jump around and are crazy, and everyone eats a slice of lemon and throws it in the urinal. I don’t know who started the lemon tradition, but I know that the senior class that was there when I was a freshman… it had already been there for a few years when they were freshmen. So that’s about ten years now. So after the lemon eating, they do a stupid chant. It’s really sexist and terrible, so I don’t think I should repeat it. I actually didn’t participate in it for awhile because I was like, ‘This is stupid.’ And then the girls came up with their own rival chant, so now I participate because sexism is fine as long as it’s an eye for an eye? Right? No. Whatever, anyway… We yell this chant in the dressing room, and because the girls and boys dressing rooms are right next to each other, we like, will have battles between the girls and the guys to see who can be louder, which is usually the guys. And then everyone gets together and we get in a circle, and we pass a pulse around by squeezing each others’ hands in a circle. And we do a big a chant together which is not sexist and is just weird, which is, ‘Everybody, have fun tonight! Everybody, wang chung tonight! And in the honor of Kristin Wendel, let’s kick some ass!’ Kristin Wendel went to my high school several years ago. She was a very quiet girl who yelled, ‘Let’s kick some ass tonight!’ before her last show of her senior year. Anyway, another thing we do is, if you haven’t yet performed in our auditorium, we make you kiss the stage. It’s very low-key hazing, basically.”

This is a tradition that initially creates purposeful rivalry, but it ultimately ends by unifying the students. The chants the cast members yell divides them by gender, and they compete against each other to see who is louder. Furthermore, the nature of the chants is apparently quite sexist. Despite these divisive aspects, my informant says these traditions bring the cast together. They also pump up their energy and get them all excited to perform. They convert all their nervous anxiety into positive exhilaration. Another function of these customs is to remember and pay homage to those who came before them, such as Kristen Wendel. The fact that they repeat these same rituals before every show means that they keep the customs that had been in place for years alive. In this way, they are connecting their past to their present. By teaching these things to younger members of the cast, they also ensure that they are building connections to the future. Each student likely hopes to leave some kind of legacy, and for a few of them, a part of that will be the new variations they make on the pre-show rituals.

 

Sri Lankan respect for elders

My informant grew up in Irvine, California; his parents immigrated to the United States from Sri Lanka. My informant learned this myth from his parents:

“Okay, my parents aren’t very religious, and I didn’t really grow up in a religious environment, but this is a story that like, all Sri Lankans tell their kids. And uh, they kinda tell a similar story to everybody. So a key part of Sri Lankan culture—and I’m sure many other cultures—is there’s a lot of importance placed on respecting your elders. So they tell this story about these two parents, Shiva and Pavarti, who have two children, one of which is Ganesha. He is the famous elephant god that like, represents Hinduism and everybody knows this elephant god. So he’s the son. Um, the two parents Shiva and Pavarti tell their children, ‘We will give our inheritance to the one who will walk around the world and come back to us first.’ So the daughter actually starts walking around the entire world, and it takes her like, five months to come back. But Ganesha walks around his parents and says, ‘You are my world, so I just walked around the world.’ And it’s just a story that my parents used to tell me to teach me to respect my elders and to respect them. And I think it was a story that kinda resonated because I loved the irony in it. And I was a little bit of a smartass growing up, so this little trickster… I don’t know, I related to him a little bit, and I thought it was funny.”

This story has religious origins, but my informant views it as more of a folk myth; he did not learn it in a religious context. It is a well-known story for Hindus, but like many stories from major religions, it has spread beyond the religion itself. This particular story has a cultural relevance that would appeal to people of all faiths; the “respect your elders” message is one that resonates with very diverse populations. My informant postulates that Sri Lankans place more emphasis on the importance of showing respect to one’s elders than Western cultures do. Despite the underlying lecture his parents are delivering when they tell him this story, my informant is aware of what makes it enjoyable for him. He likes the humor and the relatability of the main character. Even so, he is able to appreciate the deeper meaning and the lesson his parents were trying to teach him.

**For an audio recording of this story, listen to Ganesha Walks Around the World by Jai Uttal. It is a published version of this same story recorded in an audio version.

Ethiopian wedding traditions

My informant’s parents immigrated to the United States from Ethiopia. My informant grew up in Washington, D.C., where she says there is a large Ethiopian community. This her explanation of Ethiopian wedding customs:

“I go to a lot of Ethiopian weddings every summer, and they’re all pretty similar. The only ones that are like, really different are when people try to Americanize them. That’s always really awkward because half the people there don’t approve. So yeah, I usually go to around twelve every summer, and they’re all pretty repetitive. The one main thing that would make a wedding different is if it’s held in the orthodox church. Those ceremonies are pretty much exactly the same. Um, they are using Amharic, which is like the main Ethiopian language. It’s the one that’s spoken by the most people. But they’re kind of using the old form of it, so it’s words that aren’t really used outside of a religious setting. And there’s three priests that preside over that ceremony. And it’s really long, and they burn incense, and it’s like… it just goes on forever. When you go in the orthodox church, you have to take off your shoes. It’s a sign of respect. Um… Oh, and the people who are getting married are wearing, like, robes. They’re really heavy and they’re kind of made of like, velvet or suede, I think. The stitching and the designs are usually flowers and crosses—crosses are always a big theme—and they’re stitched with very heavy gold fabric, and they’re very detailed and rigid. They’re not very comfortable. And the people getting married are also wearing crowns that are made out of the same fabric. Um… And… In preparation for the wedding, the bride is like… It’s done at like a close family member’s house, it can’t be done at your own house. But like, the bride is kind of like, prepared and dressed, and there’s singing and dancing and talking. And it’s mostly women. Like, men can there, but they’re usually not. They’re usually with the groom. It’s like the Ethiopian version of bachelorette party, sort of, but it’s like, right before the wedding. So all the family is there, and so are all the bride’s close female friends. So I mean, I guess they’re less lively when it’s an orthodox wedding, because if the wedding is orthodox, it’s likely to be really early in the morning. So it can be at like 6 AM. I’ve been to a few that are at like, ten or eleven, but that’s not normal. And the ones that are still in churches but are not orthodox are usually at ten or eleven. The reception isn’t until much later, so in between, there’s usually like, a big break where people just go home or do whatever they want. Or at least in Washington, D.C., everyone always goes to the same park and takes pictures for hours. And there’s food there—Ethiopian food—like injera and types of sauces that are very similar to curry. So everyone eats and socializes.”

My informant had a lot to say on wedding traditions because weddings are so ritualized. They commemorate a liminal period in a person’s life—the time between being completely single and being married—so there are multitudes of traditions in every culture that surround weddings. Some aspects of Ethiopian weddings are similar to common Americanized wedding traditions, such as the separation of the actual ceremony from the reception and the “bachelorette party”. Yet there are a number of obvious differences, such as the clothing that is worn and the time of day that the ceremony takes place. My informant alluded to the fact that many elements of Ethiopian weddings are considered traditional, and according to a portion of the Ethiopian community in Washington, D.C., they should not be altered. However, as cultures continue to blend in America, the mixing of “traditional” elements is becoming more and more common.

Ethiopian wedding receptions

My informant’s parents immigrated to the United States from Ethiopia. My informant grew up in Washington, D.C., where she says there is a large Ethiopian community. She had so much to say about Ethiopian wedding ceremonies that I decided to include her description of the wedding receptions as a separate entry. This is her account:

“Ethiopian wedding receptions are always the same. They’re always really late. They’re scheduled at like, six or seven, but most people I know call it APT: Abidjan People Time. Abidjan refers to people from like, Ethiopia or Eritrea, which used to be part of Ethiopia. Um… But yeah, way more people always go to the reception than the actual ceremony. Like, two to three times as many people, because of the food. And the food is being prepared all day. So a lot of people who actually don’t go to the ceremony are like, in the kitchen all day preparing food because it can take a long tie. Like, I don’t have any family here, but my mom usually involved in that process. That’s a very social aspect of it. People usually wear… It depends on the family-friend circle that it is, but people can be wearing anything from very generalized Americanized dresses to people who do a hybrid. So it’ll be a dress made out of the same fabric, so it’s all like, cotton with the cross design. But they make it in American silhouettes, kind of, if that makes sense. Or they just wear their traditional habesha-quemis, so I have worn many of those. Usually if you’re at the age of like, fourteen, your mom is usually making you wear that. Guys don’t wear traditional clothing as much as girls do, not even in Ethiopia, because it’s just… I don’t know why. They just don’t. But my brothers definitely did when they were younger, when they were eight and under. So there’s a lot of dancing at the reception. And that’s when the bride gets up. And you’re not supposed to start eating at the reception until the bride gets there, which is really annoying especially when the bride is three hours late, which has happened before. So then… there’s a lot of dancing. It gets really loud and people get really drunk. And there’s just more socializing, and it’ll go to like, two or three in the morning. There’s loud Ethiopian music, which is very fast. I’ve never really heard a slow Ethiopian song unless it’s like, at church, but that’s not what they’re playing at a wedding. There will usually be someone there with a drum that’s basically the size of their body, and it’s strapped on to them, and when they hit the drum they’re completely turning and spinning. They throw their entire body into it. So it’s kind of like a dance ceremony. There’s one part when first all the women go out and dance with the bride, and then all the men go out and dance with the groom, and then everyone dances together. That usually happens a couple hours after the ceremony has been going on.”

Wedding receptions tend to be the time when people can let loose and truly celebrate the wedding ceremony that has just occurred. They have more relaxed environments, and people can freely express the joy of the new marriage. Ethiopian wedding receptions are no exception; they are very celebratory. My informant values and appreciates actual wedding ceremonies, but she admits that the receptions are more fun. As she said, many more people attend the reception than the ceremony for that reason—and for the food. This is another celebration in which food plays an important role, as people spend the entire day preparing food, which is later enjoyed by all of the guests. At Ethiopian wedding receptions, they serve food that the guests all recognize as being traditionally Ethiopian. For the Ethiopians who attend the weddings my informant described, this food is a comforting reminder of their country of origin. Along with the music, the special clothing, and the other Ethiopian elements, the food ties these reception attendees to their home country and to each other.

Ethiopian naming customs

My informant is from Washington, D.C. Her parents immigrated to the United States from Ethiopia. This her explanation of the customs surrounding the naming of newborn children in Ethiopian families:

“A lot of times, it’s a sign of respect—not necessarily for your first child, but for your second child—you will like, allow your parents to name them. But actually naming someone after someone else in your family is definitely a Westernized thing, at least in comparison to Ethiopian culture. Um… but there’s not really any repetition of names in Ethiopian families. So your dad’s… either your dad’s first name is your last name, or that’s your middle name and your paternal grandfather’s name is your last name. Um, the way my parents did it was that my dad’s name is my last name. I don’t have a middle name, um because it was like, easier, and the insurance companies wouldn’t let them do otherwise. So, yeah. And women don’t take their husband’s last name. So it’s like really hard to trace your family lineage.”

Although my informant says that Ethiopian families do not usually name their children after family members and that there is not any repetition of names within families, they do pass on the father or paternal grandfather’s name, so in a sense, those names are repeated. The tradition of keeping the father’s name in the family by using it as the child’s last name is indicative that Ethiopia is a patriarchal society: the father’s name is given to the next generation, whereas the mother’s name is not. However, Ethiopian women do keep their own last names when they marry, so in that sense, they have a certain independence from their husbands that Western women typically do not.