Tag Archives: white headdress

Funeral Headbands


H is a pre-med Biology major at USC who grew up in Vancouver, Washington. His parents immigrated to the US from Vietnam.


H: “For funerals, you have to visit every day for the first week after the funeral and then once a week for seven weeks. And then, on the hundredth day since the funeral, everybody comes back to the temple. It’s like, the biggest day for them (the dead). You pray for them, wish them well at the temple. The hundredth day is when you have everybody together and you have a big feast. You have these white headbands that you wear and on the hundredth day, they chop off the headband.”


Since H was raised in a Viet-American household, he and his family’s celebration of weddings is similar to an Irish wake funeral, but also adds cultural specificity to Viet customs. For example, it is common in Irish funerals to throw a party on the deceased’s behalf, not only as a celebration of the deceased when they were alive but as a re-engineering of the domineering sorrow of a funeral. H’s feast on the hundredth day pays homage to the one who died without inviting negative emotions into the celebration of the individual.

Funerals are a liminal space, as Von Gennup puts it, lingering between the stages of life and death in a person’s existence on Earth. Rather than using funerals as a chance to mourn, H and Irish funeral traditions connect with members of their community and pray for safety into the next part of existing for the dead. This acceptance of death, the massive respect and commitment to the dead after the funeral, seems cultural, as does the white headbands and time. There is an acceptance of death as time marches on, not a denying of it. Rather, H’s family seems to come to terms that nothing can get in the way of death but glimmers for an appreciation of life and the one the once dead led.

Chinese Folk Belief on White Headdress

Note: The form of this submission includes the dialogue between the informant and I before the cutoff (as you’ll see if you scroll down), as well as my own thoughts and other notes on the piece after the cutoff. The italics within the dialogue between the informant and I (before the cutoff) is where and what kind of direction I offered the informant whilst collecting. 

Informant’s Background:

My mom was born in Hong Kong and lived there up until she was 19 before moving here, and I was born here (in America).


So my mom would not let me wear anything white on my head because she said that it meant like death in Chinese, or in China. So when I would try to wear like a white headband (I used to wear headbands) or put anything like a white hat on my head, she told me not to because it was death basically. 

Piece Background Information: 

Maybe when they bury someone, they put a white sash around their heads or something. It’s probably something her mom told her.


Context of Performance:

In person, during the day, in the informant’s apartment adjacent to USC’s campus in Los Angeles.

Thoughts on Piece: 

Although the informant was not too sure on the origins behind this practice, the informant still holds to it to this day.Although I could not find anything supporting the informant’s belief that a white sash is placed upon the heads of the deceased when being buried, which would have been in a sense homeopathic magic (magic of similarity), there are clear associations between white and death, and it comes to no surprise that the informant’s mother would choose to see a white headdress as symbolizing death. Upon further research, apparently white is typically symbolic of the dead in Chinese funeral rituals – it is common in practice to place a white banner over the door of a household to signify that a death has occurred.