Author Archives: Adam Hassan

CTR Ring

Context:

CTR Ring

The informant had been raised in a Morman family and society for most of their life and has many experiences with the cultural aspect of Mormonism and the type of folklore that had been embedded in them throughout their childhood. They describe the visual aspect of the ring when stating “It has a little green shield which stands for ‘Choose the Right’, which is supposed to remind you to do the right thing and make the moral choice whilst remembering to be a good person. The informant described the ring as being “mostly for kids and the younger group of the church.” They are to be given at any young age and “whoever is teaching the lesson that day will give them out after the service” as it is given by the church to wear. It is also dictated that the saying is used for multiple scenarios as “choose the right is a common saying in games like in mazes and how you would always get out by going right” The age that the rings are most commonly worn is between “late toddler years and stop around the age of twelve” therefore being worn for a large part of their childhoods.

Analysis:

The aspect of having a shield on the ring provides children with the chance to view the church and the society in that they are being raised in a protected environment where they can learn to grow and continue to learn the values of Mormonism. Engraving the acronym “CTR” on the ring and embedding the phrase ‘Choose the Right’ into their thought process allows the children to develop whilst remembering that they will always be protected as long as they do what is right by their culture and the church. The idea of incorporating the acronym into a ring is symbolic as rings are typically worn in a traditional manner when referring to marriage, therefore, using a ring to produce this message and phrase conveys the attachment that is built between the child and the religious group. This is similar to marriage as it possibly foreshadows the same Christian ideology of ‘til death do us part’ conveying that they are forever connected to the community, culture and religious upbringing and that the church will perpetually be linked to their being when ‘Choos[ing] the Right’.

Inevitable Adam & Eve

Original:

ادم سأل حوا: بتحبيني يا مرا

جاوبته حوا: ليش في غيرك يا خرا

Transliteration: 

Adam Sa’al Howaa’: Bit’hebeene ya mara?

Jawabat Howaa’: Laysh fi ghayrak ya khara?

Translation: 

“Adam asked Eve: Do you love me, woman?”

“Eve answered: Why? Is there anyone besides you, stupid?”

The informant is one of my family members who was raised in Lebanon by parents who spent the entirety of their lives there and gained an understanding of jokes that are told within households and gatherings.

Context:

The informant described this joke as “A very old joke told traditionally in men gathering as it’s too rude to be said in front of women out of respect” conveying that this was usually told in the public eye, yet not in front of women as it is seen as a ‘male joke’. She also stated that “They use this type of short funny jokes when men gather and drink Arak, the traditional Lebanese alcoholic drink” It is usually said by men that are older in age when choosing to discuss topics besides work and family as that was seen as “bad territory” when around family.

Analysis:

This type of male joke in Lebanese culture is most likely said in these environments to state dominance, however, in this instance, the joke refers to ‘Adam’ being the joke, therefore they are laughing at their own gender conveying that they feel safe in the space that they are in together and have developed a close bond. It is because of the irony in the story as the Christian religion encapsulates a large majority of the Lebanese population, therefore, using this type of humour allows the men to feel more connected culturally and see each other as a family. The story of Adam and Eve is most likely brought up to highlight the intimacy that a family might have with one another. However, this may be an allusion to arranged marriages as Lebanon and other arab countries have been known to use their children as transactions between businesses therefore the ‘inevitable relationship’ of Adam and Eve might have alluded to their forced marriages.

Go Tile the Sea!

Original: روح بلط البحر

Transliteration: Rooh Balit El Baher

Translation: Go tile the sea!

The informant is one of my Lebanese family members who was raised in Lebanon by parents who had lived there for the entirety of their lives and has knowledge of the type of language that is said on daily basis in the culture.

Context:

The informant describes the saying to be a “nasty-phrased comment that is usually said by the elder women of the family.” She states “that they are saying this to their husbands or men of the household that ask for unreasonable demands in the household that the wife is unable to provide.” and that this is a statement that is taken in an insult-like manner to those who might rarely hear it in public, however, she says that “it is typically said at home to close family in order to not allow people to take offence to the phrase”. The informant summarises the interaction when she states that “It is usually meant to tell the men of the household to ‘f**k off’ in a ladylike manner” as she asserts that they go tile the endless ocean floor which is ironic as it is impossible.

Analysis:

There is a comedic factor in the saying as it is a statement that allows the women of the household to mock or make fun of the men. This can possibly be taken from Lebanese culture as women are still known to take care of the children in the household today and must maintain the state of the household whilst the men are working externally. Therefore, this allows women to assert their voice in the household whilst remaining reputable and adding the comedy of impossibly demanding that the men go “tile the sea [floor]” just as they feel the pressure of the household and cannot take any more demands. The private part of the statement also allows the family to feel closer as it is a statement that can only be said to those related in order to not seem like a sinister individual and build their bonds as she asserts her dominance in the household. The endless sea floor might also indicate that the wife’s role as a mother and caretaker is as much work and complex as tiling the bottom of the ocean.

Bring The Bride!

Original: “جلب العروس“

Transliteration: Jalab El Aroos

Translation: “Bring the bride”

The informant is one of my family members who is married and has been raised in Lebanon for most of her life. She discusses instances in her childhood and moments with her family that are the most significant to her culture and upbringing

Context:

She states that “Lebanese heritage lies mostly within special occasions such as weddings, which is one of the most important moments of every Lebanese individual’s life as it brings most of the family together to practice passionate traditions that can only be done on these rare occasions” conveying the importance of culture within Lebanese Culture. She states that “This certain grand gesture is mostly practised by the Druze religion and is the process of claiming the bride from her family home” The Druze religion is the smallest religious group in Lebanon that have a certain manner in performing wedding ceremonies specifically. The process involves “driving from the groom to the brides home with a traditional Lebanese ‘Zaffe’ which includes a band and dancers dressed in traditional Druze wear” which the informant states have been done at her wedding in a vast manner. She ends with “The groom and family must dance and sing until they reach the bride to claim her from her parents and take her back to his home” The informant has specifically stated that this process is accurate at all Druze weddings and is a part of the ritual of their marriage.

Analysis:

The formal use of the title of the gesture highlights how sacred this element of the wedding is to the culture and religion. Although the Druze community is not the largest religious group in Lebanon, it is still indicated to be the country with the highest Druze population, therefore, having such a theatrical part of the ceremony allows them to celebrate their culture in a day with the entirety of the community. The dance is the main element of the gesture highlighting the culture that is taught into daily life in the ceremony so that every individual has the chance to celebrate and bring their culture to light at this heightened moment of celebration together. Incorporating the traditional outfits of the religion allows the community to be seen by the rest of the country as they are the smallest religious group. Although the ceremony may not have religious scripture or performance elements incorporated such as Christianity or Islam, this is how the Druze community incorporates their culture into formal celebrations and rituals. It also portrays the unity between the families as it is not an aggressive ‘claim’ but instead an agreement to allow the couple to continue to thrive in a joint manner in the Druze community.

Little Frog Tail

Spanish Proverb: “Sana sana colita de rana”

Translation: “Heal heal little tail of the frog”

Context:

The informant is of Mexican origin and has spent most of her childhood around family members of Hispanic culture. They have heard this proverb said whilst growing up by the elders in the family (parents and other guardians). Specifically, it was heard if a child was to have the flu or get injured and was said whilst treating the informant and ‘“healing” them either by providing medicine to drink or placing a bandage on a wound. Traditionally, it was repeated whilst the parent (in her scenario) was treating the wound until the process was complete or the child had stopped feeling the exaggerated amount of pain that had been associated with an injury. Although the phrase did not make sense, her family interpreted it as a distraction in order to prevent a child from continuously crying.

Analysis:

The proverb was used as a form of comfort that the informant had needed throughout their childhood when being injured as it provided reassurance whilst they were in a state of sadness or illness. The association of animals and injury present an encapsulating approach to the proverb as the fascination that children, specifically toddlers, may have with stories and tales of creatures/animals allow them to feel the warmth through the healing action that their parents are performing. This indirectly allows the child to associate the warmth they feel with animals to their interaction with their parents at being placed into a state of ease when they are hurt, binding it to animals and perhaps presenting the cycle of nature and how all organisms experience pain and can heal. The language provided in “little tail of the frog” is ironic as most species do not have tails and conveys that the pain is not actually there, furthermore presenting this proverb as a slight incantation which is prevalent through ancient Mexican culture. This mechanism allows the parents to provide the feeling of comfort and allow children to feel connected to the nature that encompasses Mexico and the various wildlife that live there, reminding them of their heritage.