Category Archives: Adulthood

Coming-of-age, courtship, marriage, weddings

The Longevity Noodle

Text: The longevity noodle is a traditional part of Chinese birthday celebrations. When celebrating at home, the family would cook noodles that are just like the kind of noodles they normally cook, but it’s called the longevity noodle on birthdays. When celebrating at restaurants, the restaurants would provide the noodle as a gift to the persons celebrating their birthday. It is a simple dish that contains the wishes.

Context: The informant almost had the longevity noodle every year for her birthday. It is also a tradition that is commonly shared among the Chinese. When she went to other Chinese birthdays at Chinese restaurants or in their homes, they usually had noodles. It is especially important if people are celebrating the birthday of an elder. When eating noodles, it is best to swallow the whole strand without breaking it with chopsticks or teeth.

Analysis: The noodle is a symbol of longevity as it is long and thin. It reflects people’s good wishes for the person celebrating the birthday. As a birthday is related to the celebration of life, it is a good time to wish them a long life, especially for elders, who are highly regarded in Chinese culture. Both cooking longevity noodles at home and providing them as a gift at restaurants highlight the cultural importance of sharing food and hospitality in Chinese culture. It also shows how the tradition is passed down from generation to generation, as the informant almost had longevity noodles yearly for her birthday and others’ birthdays. This tradition of eating longevity noodles on birthdays reveals the cultural values and beliefs in Chinese cultures, such as respect for the elderly, hospitality, and longevity.

El Sombrerón- The Man with the Big Hat: Legend

Text: 

Me: “Within your Mexican culture, did you grow up hearing any scary stories or legends?”

NO: “oh my gosh yes, I have one that actually still affects me today. So there’s this guy that is claimed to be a short middle-aged man who wears black boots and this big, almost like a sombrero-looking hat. Supposedly he roams around the streets playing the guitar and sings captivating melodies that will make women and young children walk towards him and if they do, they will be casted under a spell of love, almost like a curse, as he plays music for them”. 

Me: “Is there a way to get rid of the curse?”

NO: “Well supposedly my family says that once you are cursed El Sombrerón will haunt you in your sleep and the only way to get rid of it is to cut your hair. It’s pretty random but growing up as a kid and even now I would always think about it if I ever hear random guitar strumming or street performers playing guitar in public”.

Translation: “The Man with the Big Hat” 

Context (informant’s relationship to the piece, where they heard it, how they interpret it):

-NO’s relationship to this piece stems from her Mexican culture within her childhood and early adult life considering this legend is claimed to be from Mexican decent. Not to mention, her relationship to this pieces stems from her real experiences as they still affect her today whenever she comes across street performers. NO would hear this legend at home by her family and older relatives. Considering NO grew up in a very musical household, NO thinks the reason why this legend was told so often was because it was a story that related to music and their favorite instrument. NO interprets this legend as a scaring tactic that her family would place to avoid children walking up to strangers. Not to mention, NO interprets this legend as an overall motive to avoid temptation. 

Analysis(what kind of personal, cultural, or historical values might be expressed) YOUR interpretation:

-The overall cultural value within this legend stems from Mexican culture given the very distinctive quality of culture and overall lifestyle value that is represented within the Mexican sombrero that the man wears when playing the guitar. This gives an overall emphasis that this legend’s origin comes from Mexican culture and Mexican communities. Not to mention, the personal values that can be expressed within this legend is that it influences individuals to be aware of their surroundings considering that it can affect their day to day life regarding their personal value of consciousness whenever they hear the strumming of a guitar. I can see this legend as a strange learning tactic that is placed by the parents of children in order to keep them safe from people they don’t know. Considering that this legend revolves around the idea of temptation in regards to the captivating music, I can interpret this legend as a motive to not fall for someone who seems to be captivating from the outside, no matter how inviting they might appear. In general, this legend draws similarity to the legend of La Llorona because they use the similar tactic of emitting noise in order for their victim to approach them. Given the concept of hearing a physical sound within this legend of El Sombrerón, the idea of a legend quest can be made from those individuals who really want to find out if the legend and curse is real or not.

Lebanon Local Town Hyenas: legend

Text: 

Me: “Did you grow up with any legends in your hometown?”

AH: “In Lebanon it’s all mountains, my house will overlook the mountains from a balcony, some noises that no one seems to know of can be heard every night, they sound just like hyenas, like the laughing noise that hyenas make”.

Me: “Oh- have you personally seen hyenas on the mountain?”

AH: “No, no one has ever seen hyenas there. People in my village simply believe that the noises come from a hyena-like person, almost like a werewolf. People in the village try to determine who is a true hyena-like person and they try to find out who could it be. People are determined to find out who it is so they can get them to stop laughing in order to let us sleep at night. However, my parents would always say don’t go to the woods or mountains…they would tell us to avoid it at all costs. So yeah, I always grew up hearing those laughing noises at night”.

Context (informant’s relationship to the piece, where they heard it, how they interpret it):

– AH’s relationship to this piece stems from his Lebanon hometown which allowed him to have various experiences as he would first-hand hear the hyena-like noises constantly in his childhood village. AH would hear this legend be talked about by his parents and from the people in his community. The hyena-like person concept was an idea that was constantly heard about all around town considering many wanted to find the person who kept them up at night. AH interprets this legend as a light-hearted concept within his town considering that not much attention has come about when it comes to doing something about the noises. Given that the village people are not adamant about calling animal control or the city police to investigate, AH interprets this legend as a fun idea that unites his entire community. 

Analysis (what kind of personal, cultural, or historical values might be expressed) YOUR interpretation:

– The overall cultural value within this legend stems from Lebanese culture considering the hyena-like creature is completely precise and embedded in AH’s Lebanon village within their overall lifestyle. Not to mention, the personal values that can be expressed within this legend is that it allows the individual to create different theories surrounding the noise because they have various personal experiences when it comes to hearing the noises from their homes; thus exemplifying their spiritual values. I see this legend as an overall concept of protection or nurture when it comes to the parent’s emphasis on not allowing their children to enter the woods/mountains. Whether the legend is true or not, I think parents use this idea as a tactic to keep their children safe and at home. Considering that I have never experienced any situation similar to this, I interpret this legend to be a nonchalant way for the village people to avoid the sounds in order to save them the trouble of getting to the bottom of what actually keeps them up at night. Not to mention, I interpret this legend as a uniting cultural phenomenon among many generations within their town. Despite the fact that I have never experienced anything similar to this legend, I have heard about similar legends regarding my Mexican culture. I grew up hearing about the legend of La Llorona which had similar motives of making children behave and to stay in at night in order to avoid danger. The legend of La Llorona can be seen as a different oikotype when it comes to the concept of behavioral legends. However, one distinctive difference from AH’s legend compared to La Llorona, was that I grew up knowing that kids in my school would participate in legend quests as they would go hiking in attempt to see if La Llorona was real or not instead of simply being scared and staying at home like the influence of AH’s legend.

Wedding Tradition – “Jumping the broom”

Text:

“A wedding tradition…specifically African Americans jump the broom at their weddings which is basically at the end of the sermon they jump over the broom…it’s literally a broom.”

Context:

One of my friends is African American and she was explaining this wedding tradition that many black communities partake in. She said it was a way of “giving thanks” as well as “honoring their ancestors.” She talked about how in the past slaves weren’t allowed to get married so this was an “act of defiance against the slave masters to jump the broom…to say we’re married after a pastor or sermon.” This tradition has continued to this day, even though they can legally get married, to show “thanks to the ancestors…that we see them.” She went on to say that it is an important aspect of her culture to honor their ancestors. She also said that many people in the outskirts of her family still practice this tradition as they believe it is “important to honor history and the ancestors…what they have gone through as a reminder that they are the reason we are here today.” 

Analysis:

It was interesting to hear of this tradition as it was quite new to me. The concept has a lot of history behind it and it’s mainly a tradition within the black community. That most likely contributes to the significance of the tradition as it connects people within that community. After doing a little research the origin of the tradition is still argued over today. Some believe it was started in West Africa to ward off evil spirits while some believe it originated in Wales. It is also believed that jumping the broom was a way for slaves back in the day to get married as they could not legally wed back then. Today the tradition has taken a slightly different meaning. Now the tradition is incorporated to recognize and pay homage to the legacy left behind by people’s ancestors in the black community. This shows how certain traditions can change their meaning depending on the period.

Birthday Bite (Mordida)

Text: 

So in like Latin American culture in general, I’m personally Mexican, but we have this thing and you basically sing a person happy birthday on their birthday into a cake. And, it’s called mordida which means bite. So you basically like yeah its mordida, which is bite in Spanish, its m-o-r-d-i-d-a and the whole thing it’s like kinda supposed to be good luck. Yeah, you just kind of shove their face into the cake, and they’re supposed to take a bite of the cake before everyone else, but like with their face. And, the whole point should be like a little bite, but people go a little crazy sometimes. 

Context: 

Both of A’s parents are Mexican, and she grew up in Texas near the Mexican-American border in a strong Latin American community. She is currently 21 years old and attends USC.

Analysis: The word mordida, which A describes to mean a bite, is also more widely used to refer to a bribe when not in the context of the birthday tradition. It’s also traditional in Mexico to sing the song Las Mañanitas rather than happy birthday during the mordida. Luck associated with the start of a year or new beginnings at a birthday is also a theme in many cultures. Celebrating the year or new age of the birthday boy or girl sets a tone for the next 365 days. In Van Genup’s book Rites of Passage, he explains how rituals are often practical jokes and that in order to change identity (to move from one age to the next), there must be a ritual. Here it is interesting that after attending different birthday parties and their own every year the victim of the practical joke knows what is going to happen, but still allows it anyway. Participating in good humor or being able to “take the joke” is perhaps a sign of maturity. This is also an example of ritual inversion in which the ritual is the opposite of the normal rules of social engagement. Normally, shoving someone’s face into a cake would be rude, but in the Mordida it would almost be rude not to.