Tag Archives: play

The Curse of the Scottish play

--Informant Info--
Nationality: American/Greek
Age: 18
Occupation: student
Residence: DC
Date of Performance/Collection: 04/22/20
Primary Language: English
Other Language(s): Greek

G: You can’t say Macbeth during any rehearsals or theater-related entourage. I think this has something to do with the play being a huge tragedy. When my high school teacher explained this to me he said: “well it’s because by the end of the play everyone is dead.” And you have to run 5 laps around the entire theatre if you or someone else says it to get rid of the bad energy. One time my theatre teacher said it during rehearsal and then he fell through the stage.

According to the informant, saying “Macbeth” puts a curse on the entire production and cast. It seems that so many people believe this because there have been true accounts of accidents or unfortunate events after saying it. Some are even lethal as the informant explained that their teacher fell through the stage and hurt himself almost immediately after saying it. There also seems to be damage control measures put in place to protect theatrical productions against the curse as the informant mentioned taking 5 laps around the theater. It’s possible that the violent nature of the play is what has caused the superstitions and concerns. Macbeth is all about death and destruction so it’s understandable why this play is now seen as a dark symbol. I have personally experienced bad luck during a show after a cast member said the words. As a result, a number of things went wrong on opening night. People forgot their lines, made the wrong entrances, forgot their props, costumes broke, etc… It was disastrous. In conclusion, whether the superstition is true or not, it is best to not refer to the Scottish play. 

For another account of this curse, please Martin Harrison’s (1998). The Language of Theatre. Routledge. p. 239.

Break a Leg

--Informant Info--
Nationality: American
Age: 20
Occupation: USC Student
Residence: Los Angeles
Date of Performance/Collection: 04/22/19
Primary Language: English
Other Language(s):

Content:
Informant – “Break a leg is when you wish to wish an actor good luck in a theater. You can’t say good luck, you instead say break a leg.”

Context:
JK – “When did you first hear it?”

Informant – “I heard it many years ago when I was performing and around stage people. They just told me that’s what you do.”

JK – “Why do you think this practice exists?”

Informant – “I was told that the gods of the theater, if you told someone good luck, the mischievous gods would intercede and that person would screw up. But if you didn’t say that, if you told them the opposite, the gods wouldn’t have anything to respond to and they wouldn’t notice that person. It could also be that the applause would be so great that you would have to take a bow. And the traditional bow, in the Victorian bow, you would have one leg in front of the other and to bow you would break your leg. Well not literally, but it would be like bending your knee in a weird way.”

Analysis:
There is also a humor to the wish. Before it became a cliche, telling someone to break a leg may have been a way to get them to laugh and relax before going on stage.

Never Say Macbeth

--Informant Info--
Nationality: American
Age: 20
Occupation: USC Student
Residence: Los Angeles
Date of Performance/Collection: 04/22/19
Primary Language: English
Other Language(s):

Content:
Informant – “You know the story of Macbeth. There are a lot of witches in that play. Legend has it that the curses that they say are real. If you say the name of the Scottish Play in a theater needlessly, that theater is cursed. The name summons the witches and curses. To reverse it, you have to run around three times in a circle and spit, or say your favorite curse word. You also get shunned by your cast, which is not fun.”

Context:
Informant – “I heard it from my freshman theater teacher. He was crazy. I said Macbeth in class once and he yelled at me ‘YOU NEVER SAY THE SCOTTISH PLAY’S NAME.’ He almost threw a chair at me.”

Analysis:
I can’t think of any practical application for this superstition, so I believe it exists to create a more complex theater subculture. If you know about it then you are more of an theater person than those who don’t.

Michaelmas Festival

--Informant Info--
Nationality: American
Age: 55
Occupation: Teacher
Residence: Austin, Texas
Date of Performance/Collection: 03/15/19
Primary Language: English
Other Language(s):

Content:
Informant – “Every fall, on September 29th, Waldorf schools celebrate Michaelmas Festival to honor Saint Michael defeating the dragon. The 4th grade puts on a play. The play is different from year to year, but the overall plot is the same. A town is besieged by a dragon. A maiden gives herself up to the dragon to save the town. Saint Michael saves the maiden by taming the dragon. After the play, the high school sings a powerful three part harmony.
‘Hearken all, the time has come when all the world at last the truth shall hear; then the lion shall lie down with the lamb. Our lances shall be turned to reaping hooks, swords and guns be cast as plowshares, nations shall live in lasting piece, all men unite as brothers.’ ”

Context:
Informant – “Around this time, meteor showers are very prevalent in the Northern Hemisphere. The whole festival is very indicative of iron coming down to earth and strengthening humanity for its fight against the darker forces as summer ends and winter begins. The dragon isn’t really a dragon – it’s the evil within us. Saint Michael is the Lord of Light, his iron comes to strengthen mankind with light. The whole festival is a celebration of our higher, nobler self defeating our lower, base impulses.”
The informant learned about this festival on her own when she was studying Waldorf education.

Analysis:
The festival is an interesting mix of pagan and Christian influences. It’s intrinsically linked to both Saint Michael and the ending of summer. The fact that the dragon is tamed and not killed is also interesting. It reinforces the informant’s claim that the dragon is not an external enemy, but our own internal demons. We cannot kill our base impulses, but we can learn to control them. The timing of the festival is also interesting. It is a celebration of light and peace at a time when the world is getting darker and all the plants are dying.

“Dark in Here!”

--Informant Info--
Nationality: American
Age: 19
Occupation: Student
Residence: Los Angeles, CA
Date of Performance/Collection: 4/23/18
Primary Language: English
Other Language(s):

Context & Analysis

The subject is a BFA in USC’s School of Dramatic Arts Acting program, which is extremely competitive. I asked him if he knew of any theater traditions or sayings specific to USC’s theater program. I included the full dialogue of our conversation below for clarity.

Main Piece

Subject: ‘Dark in here’ is a big one for the BFA’s. Any time the lights turn off someone just has to go ‘Dark in here!”

Me: What’s the context of that?
Subject: It was a line in a scene and we—Mary Jo probably made them do that line for an hour straight.

Me: Who’s Mary Jo?

Subject: Mary Jo Negro is the head of undergraduate acting at USC, she’s our acting professor, she’s the one that cuts us [laughs]

Me: So what play was it taken from?

Subject: It’s a 10-minute play called ‘Tape’. It’s very bad. [laughs]

Me: So why did it become a saying within the BFA’s?

Subject: Uh, because we’re the ones that had to run through it for an hour—it was just that line. And so then every time the lights turn off we’d have to go ‘Dark in here!’—so the lights turn off and he [the main character] goes ‘Dark in here” and so now any time any professor ever turns the lights off somebody goes “Dark in here” and I hate it [laughs].

African Christmas Festival

--Informant Info--
Nationality: Korean
Age: 19
Occupation: undergraduate student
Residence: Zimbabwe
Date of Performance/Collection: 2017-3-20
Primary Language: English
Other Language(s): Korean

Main piece:

On African christmas festival, the kids sing african songs such as “christmas in africa” song. The song is about family gathering in Christmas and slaughtering a cow and chimombe (means cow). Whenever there’s a festival, there’s a slaughtering. All of that was in the informant’s school. She said that maybe in rural places they might still be against white people and avoid white tradition. However, she is from the part of Africa that is urban and the capital city.

On that day, they eat Christmas cookies and cake but if they want a more traditional food they eat sadza or fried worms, which some people like and some don’t.

She recalls performing a play. In the play, she married a guy. Since it’s christmas they’re coming back to their hometown and the family celebrates their return. They’re so excited that their son is bringing wife. In a Zimbabwe wedding, the whole family gathers and in a book it says they are supposed to hide in a rock and come out.

Yulule is the sound that comes up from stomach that the natives make. Even though the informant is not a native, she just copies them. The sound means that you’re happy.

 

Background information (Why does the informant know or like this piece? Where or who did they learn it from? What does it mean to them?):

Informant knows about this festival because she participated in it when she lived as a foreigner in Zimbabwe. She was the main character (wife) in the play.

Context (When or where would this be performed? Under what circumstance?):

It happens during Christmas. This particular event was at an elementary school.

Personal Analysis:

This festival seems very different from the American traditional Christmas festivities. I don’t think anything is similar except christmas cookies. Americans sing songs too, but I’ve never heard of a “Christmas in Africa” song before. As a non-native in Africa, the informant has a more objective view on this festival because it was new to her at one point too.

Trot Trot to Boston

--Informant Info--
Nationality: American
Age: 22
Occupation: Software Developer
Residence: Madison, WI
Date of Performance/Collection: April 24, 2014
Primary Language: English
Other Language(s):

The informant is a 22 year old college graduate that is now working at a software company in Madison, WI. He grew up in Upton, Massachusetts until he left Upton to go to college in Los Angeles, California. . Upton is a small (population 7,542) town about 45 minutes south-west of Boston. He grew up in a loosely Catholic household with both of his parents and two younger sisters (3 years younger and 7 years younger).

I first heard this rhyming song before I thought to collect it, approximately 2 years ago when he jokingly performed the piece for me. I asked him to repeat the rhyme and asked him a few more questions about it on the date specified below. The song/rhyme is usually said by parents to their small children. He mainly remembers his father saying the rhyme to him and his younger sisters when they were small enough to easily fit on his lap but old enough to sit upright (i.e. they were not newborns).  The words are as follows:

Trot trot to Boston,

Trot trot to Lynn,

Watch out little baby,

Or you might fall in!

 

The rhyme is said while the child is on the adult’s lap. Overall, the rhythm of the rhyme is reminiscent of a horse’s gallop, which makes sense when you take the “trot trot” as referring to horses (not the child) trotting. As each syllable is said, the adult moves their legs by lifting their heels, creating a physical movement for the child that is very much like a what would be experienced during a horse ride. As the adult says the last two words (“fall in”), the adult moves their knees apart and lets the child drop slightly as if they are falling. The adult, of course, does not let the child actually fall and usually has their arms around the child to make sure this does not happen.

Both Boston and Lynn are cities in Massachusetts and are only ten miles apart, making a horse ride between them a feasible idea. The route between them is also near the coast, which may mean that “falling in” refers to falling in some sort of water or marshy land. The informant remembers his father saying this rhyme when they were being silly, so it is not an attempt to seriously scare the child by letting them think the adult would drop them. This plays with the feelings between of protection needed by children. By saying the child could fall, letting them fall a little bit but preventing them from completely falling to the ground, the parent is effectively saying “I’ve got you” without having to say those words.

There are several variations of this rhyme that use different cities in Massachusetts, some of which are published in a book called Trot-trot-to-Boston: Play Rhymes for Baby by Carol Ra. (the ISBN for the 1987 version is 9780688061906)

Though the informant does not have children or any nieces or nephews to tell this rhyme to, he does subject his girlfriend to the rhyme if he is in a particularly silly mood.

“Don’t Use Children or Dogs in Theatre”

--Informant Info--
Nationality: British, American, Canadian, Indian
Age: 40
Occupation: Actor, Director, Producer, Teacher, Consultant and Coach (spoken work and performing, arts)
Residence: Los Angeles
Date of Performance/Collection: April 27, 2013
Primary Language: English
Other Language(s): Sindhi, Spanish, French

“Don’t use children or dogs in theatre.”

 

In theatre, the informant said it’s supposed to be bad luck to use children or dogs in a show. In the informant’s first full run production of a play (as a producer) in 2010, he used several children and one dog. He said that the belief ma be valid because children often have varying degrees of discipline, and both they and dogs can be distracting to audiences. In this production, the informant said the dog pulled focus (her tail was moving back and forth “like a flag” much of the time because she was so happy to have attention).

The informant learned of this when he started doing theatre 10 years ago. He regularly hears it from theatre professionals. He says that because audiences love kids and dogs, they often find them more entertaining than the actors, which is not ideal for those putting on the play. Ultimately, he has found that dogs and children may be difficult to work with, and may steal focus.

Understandably, dogs and children are very distracting because they are so easy to focus on (many YouTube videos will attest to that), so this belief makes sense. However, it could become problematic for productions that require children or dogs because adults dressing up as either could also be distracting. This also causes me to question whether or not writers steer away from adding children or dogs to their plays.