Mermaid Sighting on Navy Boat

Nationality: American
Age: 85
Occupation: retired
Residence: Tustin, CA
Language: English

Text

“Back in the mid-60s I served in the U.S. Navy. At this time, the Vietnam War was going on and I was stationed somewhere in the South of France. I forgot how to pronounce it at this point. Maybe it was Toulon or Cannes. It’s been so long.

Sometimes in the Navy, we would have to be on the boat for weeks at a time. After a while, it felt like we were all going crazy on there. Tight quarters are no joke. 

One evening, I was out on the deck with my buddy Thompson, talking about how we miss our family and home. Then he jumps up and points at something jumping out of the water. “It’s a mermaid.” “A mermaid.” Now let me tell you, seeing this man get excited over some human fish was something else. 

At first, I didn’t believe that it was a mermaid but maybe more a dolphin or flying fish. But I could tell that something about this one felt off. It looked like it had hair. It was jumping around too much to really tell if it was human or just fish. I like to believe that maybe it was a mermaid. It sometimes feels like being out at sea makes life feel like the world is playing tricks on my eyesight, since I have bad eyes. This could be why I couldn’t tell if it was a real mermaid or not. I hope it was.”

Context

This is a firsthand, lived experience of a sailor in the U.S. Navy in the mid-1960s during the Vietnam War. The story takes placed while stationed off the southern coast of Fance which is important because Mediterranean ports usually were used by allied forces. The event is told with a mix of sincerity and playfulness showing that while the informant may not claim absolute belief in seeing the mermaid, the memory is meaningful and endearing. The mention of “bad eyes” adds a layer of ambiguity and humility by acknowledging the unreliability of perception at sea while still leaving space for belief.

His story is also not just shaped by visual experience but also by the social environment of navla life which includes stress, fatigue, nostalgia and boredom. All of these can affect how events are perceived and remembered. 

The informant doesn’t fully commit to the sighting being a mermaid but clearly wants to believe it could have been. This reflects how folk belief becomes a coping mechanism especially in isolated, high-stress environments like life at sea during wartime. This story also is not just about seeing a mermaid; it’s about missing family, home, and human connection. The mermaid becomes a symbol of those desires: beauty, mystery, and something beyond the naval life. 

Interpretation

At the core of this story, it is about loneliness and the fragile human psyche under stress. The story begins with a quiet, human moment between two sailors reflecting on the things they missed most while being overseas. This setting of emotional vulnerability frames the entire experience. When the narrator’s friend spots what be believes is a mermaid, the narrator reacts with both skepticism and curiosity. While he questions what he say, he still says “I hope it was” revealing a deeper desire to believe in something beautiful and magical amidst the harshness of life at sea. This detail reflects the emotional strain of military service especially during long deployments. The physical confinement of the ship underscores the mental stress that comes from routine, distance from loved ones, and the inability to escape one’s surroundings. The mermaid, real or not, becomes a symbol of hope, wonder, and escape.

This story also taps into a long-standing tradition in seafaring cultures which is the myth of the mermaid. Across history, sailors have told stories of mysterious sea creatures, especially during extended perios at sea when sensory deprivation, homesickness, and boredom blur the line between reality and imagination. The narrator’s openness to the idea of having seen a mermaid despite his doubts, reflects a cultural value placed on keeping wonder alive even in adulthood and even in uniform. These stories serve a psychological purpose of injectubg mystery and storytelling into an otherwise repetitive experience. Folklore in this context becomes a coping tool and a shared language of meaning among naval members. 

Also, set against the backdrop of the Vietnam War, this story captures the emotional and mental toll of military displacement. Though the narrator was stationed far from the combat zones, the mental and emotional experience of being in the Navy during wartime shaped how he processed the world around him.

When the narrator mentions his poor eyesight and how “the world plays tricks” on him at sea, he gestures toward something profound: the way military life can distort time, space, and perception. Long deployments blur days together, and the vast, empty sea becomes a canvas for imagination and longing.

The memory, recalled decades later, is preserved not for its certainty but for what it represents. It lingers because it carries emotional weight, not because it demands scientific proof. The story becomes a piece of personal folklore, where truth is measured more in feeling than in fact.