Tag Archives: children

Paper Stars- Material Culture

Text:

Informant: “I learned how to make paper stars in middle school. You just need a long strip of paper and you create a knot with it, then fold the paper in a specific way following the edges of the knot. Eventually you run out of paper and tuck the end in, and then you puff up the star, which is the most fun part in my opinion. My friend taught me how to make them in my after-school Chinese school class, and she showed everyone there. I still make them occasionally in class or while watching a movie because it gives me something to do with my hands. They’re pretty easy to make and all you need is strips of paper, so it’s very accessible.”

Context: The informant learned how to make these paper stars from a friend during an after-school Chinese school class in middle school. The friend demonstrated the process to multiple students, and the technique spread informally among classmates.

Analysis:

Material folklore like paper stars are often learned and shared within a social group rather than created by a single individual. In this case, the informant learned how to make the stars from a friend in an after-school Chinese school class, and that friend taught the rest of the group as well. This shows how small crafts like this spread through communal creativity, where people learn by watching and teaching each other. The stars are also an example of bricolage, since they are made using simple materials that are already available. Because the craft is easy to learn, requires almost no materials, and can be done casually while sitting in class or watching a movie, it continues to circulate informally as people pass the skill along to others.

Chinese Red Date String Game- Children’s Folklore

Age: 54

Text:


Informant: “It’s something you say while doing a string trick. You use a piece of string and form a shape that looks like a date. The string represents the fruit, and through different movements it changes shape and eventually disappears while you say the rhyme out loud, ‘大枣大枣，越吃越小，吃了剩核，一拍没了。(Dà zǎo dà zǎo, yuè chī yuè xiǎo, chī le shèng hé, yī pāi méi le.)’. It’s meant to be a little like a magic trick. The phrase translated in English is something like, ‘Big date, big date, the more you eat it the smaller it gets, then you clap and nothing is left.'”

Interviewer: “When did you first learn it?”
Informant: “My mom taught me when I was very young. There weren’t that many things to do for fun back then, so we did a lot of hands-on activities like this, and all you need is a piece of string, it’s pretty easy to do.”

Interviewer: “Did you teach it to anyone else?”
Informant: “Yes, I taught it to my kids.”

Context:

The informant learned this string game from their mother during childhood while growing up in China in the 1980s. They explained that there were not many forms of entertainment available to children at the time, so simple hands-on activities like string tricks were a common way to play. Because the game only required a piece of string, it was easy for families to share and teach to children. The informant later passed the game on to their own children, continuing on the tradition.

Analysis:

This example can be interpreted as a form of children’s folklore, specifically a children’s game that combines a rhyme with a small physical activity. The game also demonstrates the folkloric concepts of multiplicity and variation. Similar string games appear in many cultures using the same simple materials but different shapes and rhymes. For example, it is similar to the string game cat’s cradle I learned as a kid, which also involves manipulating a loop of string to create patterns. Because the movements are difficult to understand without seeing them performed, games like these are usually learned directly from another person rather than through written instructions, which helps preserve their oral and performative nature.

Paper Heart

Age: 20

Text:

Informant: “I’m used to doing this with gum wrappers mainly, that’s what we used to do in middle school. You take a rectangle and you first make it a square and then you fold it diagonally so it’s a triangle on each side. You do that twice. You bring one of the points of the outside to the middle and then you bring the other one to the other side. Instead of bringing it to the middle you bring it to the other side and the point in the middle of the triangle that you just made. Then you fold it up using the two points of the end of that trapezoid to bring it up into the middle. It looks sort of like a heart but not really. I was always taught you flip it around and make it look more heart like by rounding out the edges. It’s a heart. They look prettier when they’re made out of foil because they’re cute and tiny.”

Context:

The informant attended high school in America and learned how to make a handmade paper heart out of gum wrappers and paper. It’s a type of origami as there are many steps on how to properly form the paper to get the desired result. They were taught by their middle school friends and exchanged them with classmates.

Analysis:

Traditionally, children and teens make hearts out of gum wrappers. They fall under the material folklore as they’re a physical object and handmade. It can be made in class with resources that people often have on them. After they’re made, they’re typically traded amongst friends, acting as “gifts,” and multiple can be made. I think females are the primary producers of these fun, origami-like pieces that are traded with friends. This connects to my idea of it being a feminist approach because there’s an element of collaboration in making one for a friend and knowing that you will likely receive one. There’s also a process and method to making sure you’re following all the steps properly to produce the right result.

Santa Claus

Age: 22

Text:
“I started to really believe in Santa Claus, and I was very adamant about finding him when he came down my chimney. So I brought out my sleeping bag and put it under the tree and tried sleeping the night under my Christmas tree. My parents got really mad at me and told me that he wouldn’t come if I did that. So I reluctantly went back into my room, and just before I fell asleep, I heard a clomping on the shingles of my roof. To this day, I will never forget the sound of the hoofs, and knowing that Santa was about to come down my chimney. I had so many butterflies.”

Context:
A girl from Phoenix discussing a core childhood Christmas memory that she knows is fake but swears is real.

Analysis:
This is a demonstration of myths serving to keep children well behaved. She believed in Santa and wanted to see him so badly in real life, so she brought her sleeping bag under the tree. Since this is a naughty act, what Santa Claus monitors, her parents were able to use that as a ploy to get her to sleep in her bedroom, saying that he would not come at all if she did not sleep in her room. This served to keep the Christmas magic alive and also to maintain good behavior. I wonder what caused the “hooves on the roof” noise.

Ultimate Spoons

Folklore: Hiding spoons or other items around the house and racing with the other participants to try and find them all before anyone else.

Context:
The steward of the folklore described the game as hiding spoons around the house. She and her siblings would play it to see who could find them the fastest around the house. She noted they on occasion asked their parents to help hide the spoons over the house, but they didn’t take part. She implied asking for the parents participation in the game was rare. She didn’t have a name for the game, though she researched it and found the name ultimate spoons which sounded familiar.

Analysis:
The game the informant describes seems to allow for connection and camaraderie within her siblings or other children. The informant was clear on how the parents did not participate in the game, and only rarely with the preparation of the game. It shows a shared value of fun and cleverness, with the goal of the game being good at finding and quick at it.