Main Body:

Informant: So singing at weddings was big. And I’ll describe this from my memory because I haven’t seen it anywhere else. But I remember, you’d be on the groom’s side. So everyone is sitting on the floor. Typically this would be in the courtyard of … some kind of thing like if there are a few houses it would be in the courtyard in the middle. But then, houses were usually one story high. And on the roof of the house, there would be all these girls sitting all around, on the edge of the roof. They’d be sitting in a row and they’d be singing. So whenever a particular part of the wedding ritual took place, they’d be singing a song that was relevant or appropriate. What they’d also do is, typically, they’d be picking on the groom’s family. 

Interviewer: So these are all women from the bride’s family?

Informant: Yup. And I don’t think there was any restriction on whether or not they could be married or unmarried or anything. While the ceremony is going on, they don’t wait for pauses or anything, they are just continually singing over the ceremony. And they weren’t faint or anything. I mean, they weren’t overpowering but you could very clearly hear them. 

And this is the funny part, I remember one time I was looking up. And their songs, you know, sometimes they would have pathos in them because it was a sad thing because, typically, the bride would not return home after being married off. So they would, the singers would pick on the groom’s family. Like “Oh look at his mustache” or “Oh he’s bald,” or something like that. So I looked up, I was a little kid, to see what all the singing was about. And I remember my older brother telling me, very sternly, “You’re not supposed to look up.” So you can’t acknowledge them. But at the same time, it was very clear that people would feel deprived if there wasn’t that singing.

Background:

The informant is my father who was born and raised in northern India in the state of Punjab and immigrated to America over 20 years ago. He was raised for a time in a rural village setting which is where much of our family comes from and this tradition is one he noticed being practiced in those rural, village weddings. This did not happen in his own wedding.

Context:

I am back home due to shelter-in-place. One night when my family was sitting in the study I asked my father if he had any folklore samples I could add to the archive. This was one of the ones he shared with me.

Analysis:

I think I understand where this tradition comes from. India is, by and large, an incredibly patriarchal society. Brides are married off, largely expected to stay home. Even now I see it during dinner settings there is an unspoken expectation that the women clean and bring the food to the table while the men sit and wait. So with the wedding being a somewhat sad affair for the bride’s family, losing their sister/daughter/niece to another family, this tradition is sort of a way of rebelling against that. Disrupting the ceremony, making fun of the groom’s family, ultimately all in vain as the bride will be married and leave. But it’s the bride’s family’s way of expressing their love for the bride and acting out to show, in a roundabout way, that they will miss her.